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Federico Avanzini
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- affiliation: University of Milan, Department of Computer Science, Italy
- affiliation (PhD 2001): University of Padua, Department of Information Engineering, Italy
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2020 – today
- 2024
- [c55]Filippo Denti
, Davide Fantini
PAN-AR: A Multimodal Dataset of Higher-Order Ambisonics Room Impulse Responses, Ambient Noise and Spherical Pictures. Audio Mostly Conference 2024: 332-340 - 2023
- [j26]Dragan Ahmetovic
Sonification of navigation instructions for people with visual impairment. Int. J. Hum. Comput. Stud. 177: 103057 (2023) - [j25]Dragan Ahmetovic
Enhancing Screen Reader Intelligibility in Noisy Environments. IEEE Trans. Hum. Mach. Syst. 53(4): 771-780 (2023) - [j24]Davide Fantini
Co-Immersion in Audio Augmented Virtuality: The Case Study of a Static and Approximated Late Reverberation Algorithm. IEEE Trans. Vis. Comput. Graph. 29(11): 4472-4482 (2023) - [c54]Nicola Davanzo
Kiroll: A Gaze-Based Instrument for Quadriplegic Musicians Based on the Context-Switching Paradigm. Audio Mostly Conference 2023: 59-62 - [c53]Nicola Davanzo
A Case Study on Netychords: Crafting Accessible Digital Musical Instrument Interaction for a Special Needs Scenario. CHIRA (1) 2023: 353-372 - [c52]Marco Tiraboschi, Stefano Papetti, Federico Avanzini:
Just a Sounding Object Notation: Sharing Objects for Sonic Interaction Design with JSON and OSC. IS2 2023: 1-4 - 2022
- [j23]Federico Simonetta
A perceptual measure for evaluating the resynthesis of automatic music transcriptions. Multim. Tools Appl. 81(22): 32371-32391 (2022) - [j22]Daniele Bianchi, Federico Avanzini
A GPU-Oriented Application Programming Interface for Digital Audio Workstations. IEEE Trans. Parallel Distributed Syst. 33(8): 1924-1938 (2022) - [c51]Riccardo Bona, Davide Fantini
Automatic Parameters Tuning of Late Reverberation Algorithms for Audio Augmented Reality. Audio Mostly Conference 2022: 36-43 - [c50]Federico Simonetta
Acoustics-specific Piano Velocity Estimation. MMSP 2022: 1-7 - [i6]Federico Simonetta, Federico Avanzini, Stavros Ntalampiras:
A Perceptual Measure for Evaluating the Resynthesis of Automatic Music Transcriptions. CoRR abs/2202.12257 (2022) - [i5]Federico Simonetta
Context-aware Automatic Music Transcription. CoRR abs/2203.16294 (2022) - 2021
- [j21]Giorgio Presti
Iterative Design of Sonification Techniques to Support People with Visual Impairments in Obstacle Avoidance. ACM Trans. Access. Comput. 14(4): 19:1-19:27 (2021) - [c49]Giorgio Presti, Daniele Adriano, Federico Avanzini, Adriano Baratè, Luca Andrea Ludovico:
PhonHarp: A Hybrid Digital-Physical Musical Instrument for Mobile Phones Exploiting the Vocal Tract. Audio Mostly Conference 2021: 276-279 - [c48]Nicola Davanzo
Resin: a Vocal Tract Resonances and Head Based Accessible Digital Musical Instrument. Audio Mostly Conference 2021: 280-283 - [c47]Nicola Davanzo
Netychords: An Accessible Digital Musical Instrument for Playing Chords using Gaze and Head Movements. CHIRA 2021: 202-209 - [c46]Federico Avanzini, Adriano Baratè, Luca A. Ludovico, Marcella Mandanici:
Songs in Music Education: Design and Early Experimentation of a Web Tool for the Recognition of Harmonic Changes. CSEDU (1) 2021: 709-720 - [c45]Federico Simonetta
Audio-to-Score Alignment Using Deep Automatic Music Transcription. MMSP 2021: 1-6 - [i4]Roberto Barumerli, Daniele Bianchi, Michele Geronazzo, Federico Avanzini:
SofaMyRoom: a fast and multiplatform "shoebox" room simulator for binaural room impulse response dataset generation. CoRR abs/2106.12992 (2021) - [i3]Federico Simonetta, Stavros Ntalampiras, Federico Avanzini:
Audio-to-Score Alignment Using Deep Automatic Music Transcription. CoRR abs/2107.12854 (2021) - 2020
- [j20]Nicola Davanzo
Hands-Free Accessible Digital Musical Instruments: Conceptual Framework, Challenges, and Perspectives. IEEE Access 8: 163975-163995 (2020) - [c44]Federico Avanzini
Learning Tonal Harmony Through Augmented Reality: Bridging the Gap Between Music Embodiment and Digital Experiences. CHIRA (Revised Selected Papers) 2020: 54-73 - [c43]Federico Avanzini, Adriano Baratè, Mauro Cottini, Luca Andrea Ludovico, Marcella Mandanici:
Developing Music Harmony Awareness in Young Students through an Augmented Reality Approach. CHIRA 2020: 56-63 - [c42]Nicola Davanzo
A Method for Learning Netytar: An Accessible Digital Musical Instrument. CSEDU (1) 2020: 620-628 - [c41]Federico Avanzini
Preservation and Promotion of Opera Cultural Heritage: The Experience of La Scala Theatre. HCI (35) 2020: 325-337 - [c40]Nicola Davanzo
Experimental Evaluation of Three Interaction Channels for Accessible Digital Musical Instruments. ICCHP (2) 2020: 437-445 - [c39]Nicola Davanzo
A Dimension Space for the Evaluation of Accessible Digital Musical Instruments. NIME 2020: 214-220 - [i2]Federico Simonetta
ASMD: an automatic framework for compiling multimodal datasets. CoRR abs/2003.01958 (2020)
2010 – 2019
- 2019
- [j19]Edoardo Degli Innocenti, Michele Geronazzo
Mobile virtual reality for musical genre learning in primary education. Comput. Educ. 139: 102-117 (2019) - [j18]Michele Geronazzo
Interactions in Mobile Sound and Music Computing. Wirel. Commun. Mob. Comput. 2019: 5601609:1-5601609:2 (2019) - [c38]Giorgio Presti
WatchOut: Obstacle Sonification for People with Visual Impairment or Blindness. ASSETS 2019: 402-413 - [c37]Marcella Mandanici
A Computer-based Approach to Teach Tonal Harmony to Young Students. CSEDU (1) 2019: 271-279 - [c36]Federico Avanzini
A Web Platform to Foster and Assess Tonal Harmony Awareness. CSEDU (Selected Papers) 2019: 398-417 - [c35]Stavros Ntalampiras
Fusing Acoustic and Electroencephalographic Modalities for User-Independent Emotion Prediction. ICCC 2019: 36-41 - [c34]Dragan Ahmetovic
Sonification of Rotation Instructions to Support Navigation of People with Visual Impairment. PerCom 2019: 1-10 - [i1]Federico Simonetta, Stavros Ntalampiras, Federico Avanzini:
Multimodal music information processing and retrieval: survey and future challenges. CoRR abs/1902.05347 (2019) - 2018
- [j17]Michele Geronazzo
Do We Need Individual Head-Related Transfer Functions for Vertical Localization? The Case Study of a Spectral Notch Distance Metric. IEEE ACM Trans. Audio Speech Lang. Process. 26(7): 1243-1256 (2018) - [c33]Dragan Ahmetovic
Sonification of Pathways for People with Visual Impairments. ASSETS 2018: 379-381 - [c32]Roberto Barumerli
Localization in Elevation with Non-Individual Head-Related Transfer Functions: Comparing Predictions of Two Auditory Models. EUSIPCO 2018: 2539-2543 - [c31]Michele Geronazzo
The Impact of an Accurate Vertical Localization with HRTFs on Short Explorations of Immersive Virtual Reality Scenarios. ISMAR 2018: 90-97 - 2017
- [e2]Stefania Serafin, Rolf Nordahl, Amalia de Götzen, Cumhur Erkut, Niels Christian Nilsson, Francesco Grani, Federico Avanzini, Michele Geronazzo:
3rd IEEE VR Workshop on Sonic Interactions for Virtual Environments, SIVE@VR 2017, Los Angeles, CA, USA, March 19, 2017. IEEE 2017, ISBN 978-1-5386-0459-5 [contents] - 2016
- [j16]Michele Geronazzo
Interactive spatial sonification for non-visual exploration of virtual maps. Int. J. Hum. Comput. Stud. 85: 4-15 (2016) - [j15]Michele Geronazzo
Auditory navigation with a tubular acoustic model for interactive distance cues and personalized head-related transfer functions. J. Multimodal User Interfaces 10(3): 273-284 (2016) - [j14]Luca Turchet
Localization of self-generated synthetic footstep sounds on different walked-upon materials through headphones. Virtual Real. 20(1): 1-16 (2016) - [c30]Michele Geronazzo
Acoustic selfies for extraction of external ear features in mobile audio augmented reality. VRST 2016: 23-26 - 2015
- [c29]Michele Geronazzo, Federico Avanzini, Federico Fontana:
Use of personalized binaural audio and interactive distance cues in an auditory goal-reaching task. ICAD 2015: 73-80 - [c28]Simone Spagnol, Federico Avanzini:
Anthropometric tuning of a spherical head model for binaural virtual acoustics based on interaural level differences. ICAD 2015: 204-209 - [c27]Stefania Serafin
Sonic interaction in virtual environments. SIVE@VR 2015: 1-2 - [c26]Michele Geronazzo
Evaluating vertical localization performance of 3D sound rendering models with a perceptual metric. SIVE@VR 2015: 53-57 - [e1]Stefania Serafin, Federico Avanzini, Michele Geronazzo, Cumhur Erkut, Amalia de Götzen, Rolf Nordahl:
2nd IEEE VR Workshop on Sonic Interactions for Virtual Environments, SIVE@VR 2015, Arles, France, March 24, 2015. IEEE Computer Society 2015, ISBN 978-1-4799-1969-7 [contents] - 2014
- [j13]Simone Spagnol
Synthetic individual binaural audio delivery by pinna image processing. Int. J. Pervasive Comput. Commun. 10(3): 239-254 (2014) - [c25]Michele Geronazzo
Enhancing vertical localization with image-guided selection of non-individual head-related transfer functions. ICASSP 2014: 4463-4467 - [c24]Federico Fontana, Federico Avanzini, Hanna Järveläinen, Stefano Papetti, Francesco Zanini, Valerio Zanini:
Perception of Interactive Vibrotactile Cues on the Acoustic Grand and Upright Piano. ICMC 2014 - [p1]Bruno L. Giordano
Perception and Synthesis of Sound-Generating Materials. Multisensory Softness 2014: 49-84 - 2013
- [j12]Giulio Rosati
On the Role of Auditory Feedback in Robot-Assisted Movement Training after Stroke: Review of the Literature. Comput. Intell. Neurosci. 2013: 586138:1-586138:15 (2013) - [j11]Simone Spagnol
On the Relation Between Pinna Reflection Patterns and Head-Related Transfer Function Features. IEEE Trans. Speech Audio Process. 21(3): 508-519 (2013) - [c23]Michele Geronazzo
Mixed structural modeling of head-related transfer functions for customized binaural audio delivery. DSP 2013: 1-8 - [c22]Simone Spagnol
Automatic extraction of pinna edges for binaural audio customization. MMSP 2013: 301-306 - [c21]Simone Spagnol
Extraction of Pinna Features for Customized Binaural Audio Delivery on Mobile Devices. MoMM 2013: 514 - 2012
- [c20]Simone Spagnol, Michele Geronazzo, Federico Avanzini:
Hearing distance: A low-cost model for near-field binaural effects. EUSIPCO 2012: 2030-2034 - 2011
- [j10]Karin Petrini
Action expertise reduces brain activity for audiovisual matching actions: An fMRI study with expert drummers. NeuroImage 56(3): 1480-1492 (2011) - [j9]Karin Petrini
Corrigendum to "Action expertise reduces brain activity for audiovisual matching actions: An fMRI study with expert drummers" [NeuroImage 56/3 (2011) 1480-1492]. NeuroImage 57(4): 1630 (2011) - [j8]Stefano Papetti
Numerical Methods for a Nonlinear Impact Model: A Comparative Study With Closed-Form Corrections. IEEE Trans. Speech Audio Process. 19(7): 2146-2158 (2011) - [c19]Michele Geronazzo
A Head-Related Transfer Function Model for Real-Time Customized 3-D Sound Rendering. SITIS 2011: 174-179 - 2010
- [j7]Federico Avanzini
A Modular Physically Based Approach to the Sound Synthesis of Membrane Percussion Instruments. IEEE Trans. Speech Audio Process. 18(4): 891-902 (2010) - [c18]Simone Spagnol
Fitting pinna-related transfer functions to anthropometry for binaural sound rendering. MMSP 2010: 194-199
2000 – 2009
- 2009
- [c17]Enrico Marchetto, Federico Avanzini, Federico Flego:
An automatic speaker recognition system for intelligence applications. EUSIPCO 2009: 1612-1616 - 2008
- [j6]Federico Avanzini
Simulation of vocal fold oscillation with a pseudo-one-mass physical model. Speech Commun. 50(2): 95-108 (2008) - [j5]Federico Fontana, Federico Avanzini:
Computation of Delay-Free Nonlinear Digital Filter Networks: Application to Chaotic Circuits and Intracellular Signal Transduction. IEEE Trans. Signal Process. 56(10-1): 4703-4715 (2008) - 2007
- [c16]Amalia de Götzen
Multimodal Design for Enactive Toys. CMMR 2007: 212-222 - [c15]Amalia de Götzen, Luca Mion, Federico Avanzini, Stefania Serafin:
Learning Sounding gestures. ICMC 2007 - [c14]Carlo Drioli, Federico Avanzini:
Improved fold closure in mass-spring low-dimensional glottal models. MAVEBA 2007: 51-54 - [c13]Enrico Marchetto, Federico Avanzini, Carlo Drioli:
Estimation of a physical model of the vocal folds via dynamic programming techniques. MAVEBA 2007: 129-132 - [c12]Luca Mion, Federico Avanzini
Real-time auditory-visual distance rendering for a virtual reaching task. VRST 2007: 179-182 - 2006
- [j4]Federico Avanzini
Integrating physically based sound models in a multimodal rendering architecture. Comput. Animat. Virtual Worlds 17(3-4): 411-419 (2006) - [c11]Federico Avanzini
Haptic-Auditory Rendering and Perception of Contact Stiffness. HAID 2006: 24-35 - 2005
- [j3]Federico Avanzini
Interactive Simulation of Rigid Body Interaction With Friction-Induced Sound Generation. IEEE Trans. Speech Audio Process. 13(5-2): 1073-1081 (2005) - [c10]Federico Avanzini, Simone Maratea, Carlo Drioli:
Physiological control of low-dimensional glottal models with applications to voice source parameter matching. MAVEBA 2005: 55-58 - 2004
- [j2]Federico Avanzini
Designing an Urban-Scale Auditory Alert System. Computer 37(9): 55-61 (2004) - [c9]Federico Avanzini, Davide Rocchesso, Stefania Serafin:
Friction Sounds for Sensorial Substitution. ICAD 2004 - 2003
- [j1]Balázs Bank
Physically Informed Signal Processing Methods for Piano Sound Synthesis: A Research Overview. EURASIP J. Adv. Signal Process. 2003(10): 941-952 (2003) - [c8]Carlo Drioli, Federico Avanzini:
Non-modal voice synthesis by low-dimensional physical models. MAVEBA 2003: 151-154 - 2002
- [c7]Federico Avanzini, Alberto Belussi, Alessandro Dal Palù, Agostino Dovier, Davide Rocchesso:
Optimal Placement of Acoustic Sources in a Built-up Area using CLP(FD). APPIA-GULP-PRODE 2002: 139-154 - [c6]Federico Avanzini, Matthias Rath, Davide Rocchesso:
Physically-based realtime synthesis of contact sounds. ICMC 2002 - [c5]Federico Avanzini
Physically-based audio rendering of contact. ICME (2) 2002: 445-448 - 2001
- [b1]Federico Avanzini:
Computational issues in physically-based sound models. University of Padua, Italy, 2001 - [c4]Federico Avanzini, Davide Rocchesso:
Controlling Material Properties in Physical Models of Sounding Objects. ICMC 2001 - [c3]Federico Avanzini, Paavo Alku, Matti Karjalainen:
One-delayed-mass model for efficient synthesis of glottal flow. INTERSPEECH 2001: 51-54 - [c2]Carlo Drioli, Federico Avanzini:
A physically-informed model of the glottis with application to voice quality assessment. MAVEBA 2001: 117-122 - 2000
- [c1]Federico Avanzini:
On the Use of Weighted Sample Methods in Digitizing the Clarinet Equations. ICMC 2000
Coauthor Index
Luca A. Ludovico
aka: Luca Andrea Ludovico
aka: Luca Andrea Ludovico
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last updated on 2024-10-23 21:27 CEST by the dblp team
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