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IS2 2023: Pisa, Italy
- 2023 4th International Symposium on the Internet of Sounds, Pisa, Italy, October 26-27, 2023. IEEE 2023, ISBN 979-8-3503-8254-9
- Matthew Peachey, Sageev Oore, Joseph W. Malloch:
Creating Latent Representations of Synthesizer Patches using Variational Autoencoders. 1-7 - Rosa Maris Alsina-Pagès, Marc Freixes, Daniel Bonet-Solà, Ester Vidaña-Vila, Carlos Guerrero, Xavier Sevillano:
"Sons al Balcó": Empowering Citizens in Assessing Urban Soundscapes and Quiet Zones. 1-5 - Marco Olivieri, Federico Simeon, Luca Comanducci, Fabio Antonacci, Augusto Sarti:
JumpApp: an online didactic game for music training and education. 1-7 - Maria Mannone, Luca Turchet:
Theoretical Quantum Modeling of Improvisation in Networked Music Performances to Regulate the Behaviour of Artificial Musicians. 1-7 - Chrisoula Alexandraki, Neoklis Mimidis, Yannis Viglis, Alexandros Nousias, Dimitris Milios, Konstantinos Tsioutas:
Collaborative Playalong Practices in Online Music Lessons: the MusiCoLab Toolset. 1-10 - Michele Rossi, Giovanni Iacca, Luca Turchet:
Explainability and Real-Time in Music Information Retrieval: Motivations and Possible Scenarios. 1-9 - Rory Hoy, Doug Van Nort:
Towards Accessible and Embodied Control of Telematic Sonic Space Through Browser-Based Facial Tracking. 1-5 - Jesús López Ballester, Jaume Segura, Santiago Felici-Castell, Maximo Cobos:
An AI-IoT Platform for Psycho-Acoustic Annoyance Assessment on the Edge. 1-7 - Rômulo Vieira, Débora C. Muchaluat-Saade, Pablo César:
Towards an Internet of Multisensory, Multimedia and Musical Things (Io3MT) Environment. 1-10 - Luca Borgianni, Md. Sabbir Ahmed, Davide Adami, Stefano Giordano:
Spectrogram Based Bee Sound Analysis with DNNs: a step toward Federated Learning approach. 1-8 - William Francis Wilson, Niccolò Granieri, Islah Ali-MacLachlan:
Ubiquitous Multimodality as a Tool in Violin Performance Classification. 1-8 - Matuszewski Benjamin, Golvet Aliénor:
Rapid Prototyping of Distributed Musical Things using Web Technologies. 1-5 - Luiz Naveda:
Exploring musical information through images: a method for leveraging musical iconography to the semantics of internet of things. 1-8 - Hendrik Vincent Koops, Gianluca Micchi, Ilaria Manco, Elio Quinton:
SERENADE: A Model for Human-in-the-loop Automatic Chord Estimation. 1-7 - Joséphine Calandra, Jean-Marc Chouvel, Myriam Desainte-Catherine, Erwan Michel:
Visualisation of Multi-scale Formal Diagrams for Music Analysis. 1-9 - Matej Istvanek, Stepán Miklánek, Klára Hedvika Mühlová, Lubomir Spurny, Zdenek Smékal:
Application of Computational Methods for Comparative Music Analysis. 1-6 - Chrisoula Alexandraki, Demosthenes Akoumianakis, Dimitris Milios, Alexandras Nousias, Yannis Viglis, Michael Kalochristianakis, Konstantinos Velenis, Maximos A. Kaliakatsos-Papakostas:
Collaborative Score Transformations in Online Music Lessons: the MusiCoLab Toolset. 1-10 - Ève Poudrier, Bryan Jacob Bell, Jason Yin Hei Lee, Craig Stuart Sapp:
Listeners' Perceived Emotions in Musical Excerpts with Ordered vs. Randomized Pitch and Register. 1-9 - Cárthach Ó Nuanáin, Kevin O'Mahony, Kevin Maye, Andrew De Juan, Joseph Clarke, Hugh McCarthy, Mike Griew, Sara Morrissey Tucker:
Réaltacht: Creating Immersive and Accessible Experiences of Irish Traditional Music in Virtual Reality. 1-5 - Amir Latifi Bidarouni, Jakob Abeßer:
Unsupervised Feature-Space Domain Adaptation applied for Audio Classification. 1-7 - Marco Tiraboschi, Stefano Papetti, Federico Avanzini:
Just a Sounding Object Notation: Sharing Objects for Sonic Interaction Design with JSON and OSC. 1-4 - Domenico Stefani, Luca Turchet:
Real-Time Embedded Deep Learning on Elk Audio OS. 1-10 - Damian T. Dziwis, Henrik von Coler, Christoph Pörschmann:
Live Coding in the Metaverse. 1-8 - Kurt Mikolajczyk, Sam Trolland, Alon Ilsar, Jon McCormack, Sam Ferguson, Oliver Bown:
Gestural Interactions with Object-Based Audio in an Internet of Sounds Ecosystem. 1-9 - Davide Lionetti, Antonios Pappas, Luca Comanducci, Alberto Bernardini, Massimiliano Zanoni, Augusto Sarti, Matthew Yee-King, Mark d'Inverno:
HandMonizer: a case study for personalized digital musical instrument design. 1-8 - Charles Patrick Martin, Alexander Hunter, Brent Schuetze, Yichen Wang:
Composing Interface Connections for a Networked Touchscreen Ensemble. 1-5 - Diego Bert, Nicola Domini, Riccardo Peloso, Leonardo Severi, Matteo Sacchetto, Andrea Bianco, Cristina Rottondi:
FPGA-based Low-Latency Audio Coprocessor for Networked Music Performance. 1-8 - Luca Turchet, Flavio Vella, Sandro Luigi:
The potential of high-performance computing for the Internet of Sounds. 1-7 - Davide Pisanò, Antonio Servetti:
Audio-aware applications at the edge using in-browser WebAssembly and fingerprinting. 1-9 - Mattia Mazzocchio:
Design and Implementation of an immersive, cooperative Net Art installation using Web Csound. 1-9 - Luca Serafini, Valeria Bruschi, Stefano Nobili, Emanuele Principi, Stefania Cecchi, Stefano Squartini:
Joint Detection and Active Cancellation of Snoring Signals in Real-Time. 1-9 - Marcelo F. Moreno, Nils Peters, Pedro H. V. Almeida, Carlos Pernisa:
Towards a representation model and fog-based device orchestration for audio-centric pervasive storytelling. 1-10 - Jingjing Tang, Geraint A. Wiggins, György Fazekas:
Pianist Identification Using Convolutional Neural Networks. 1-6 - Matthew Peachey, Joseph W. Malloch:
FAUSTMapper: Facilitating Complex Mappings for Smart Musical Instruments. 1-6 - Lam Pham, Tin Nguyen, Phat Lam, Dat Ngo, Anahid N. Jalali, Alexander Schindler:
Light-Weight Deep Learning Models for Acoustic Scene Classification Using Teacher-Student Scheme and Multiple Spectrograms. 1-8 - Marco Giordano, Claudia Rinaldi, Carlo Centofanti, Andrea Marotta:
On the perception of urgency in audition: sound design of an early warning alarm. 1-6 - Adriano Baratè, Goffredo Haus, Luca A. Ludovico, Davide A. Mauro:
Towards the Future of Multi-Layer Music Encoding: The IEEE 1599 v2.0 Draft. 1-10 - Matteo Sacchetto, Maria Sangüesa, Piera Bagnus, Chiara Nicora, Cristina Rottondi:
Collection of Design Directions for the Realization of a Visual Interface with Haptic Feedback to Convey the Notion of Sonic Grain to DHH Students. 1-7 - Carlo Aironi, Samuele Cornell, Leonardo Gabrielli, Stefano Squartini:
A Score-aware Generative Approach for Music Signals Inpainting. 1-7 - Oliver Hödl, Dennis Gubbels, Oleksandr Shabelnyk, Peter Reichl:
Improving a real-time music alignment algorithm for opera performances. 1-6 - Luca Turchet, Paolo Casari:
Assessing a Private 5G SA and a Public 5G NSA Architecture for Networked Music Performances. 1-6 - Francesco Zumerle, Luca Comanducci, Massimiliano Zanoni, Alberto Bernardini, Fabio Antonacci, Augusto Sarti:
Procedural music generation for videogames conditioned through video emotion recognition. 1-8 - Alberto Boem, Luca Turchet:
Musical Metaverse Playgrounds: exploring the design of shared virtual sonic experiences on web browsers. 1-9 - Luca Vignati, Stefano Dallona, Luca Turchet:
PLC Testbench: a modular tool for the study and comparison of audio Packet Loss Concealment algorithms. 1-8 - Alexander Carôt, Thomas Hans Fritz, Katja Englert:
Towards a System Supporting Music Feedback Exercise in Physical Tele-Rehabilitation. 1-7 - Nicole Cosme-Clifford, James Symons, Kavi Kapoor, Christopher Wm. White:
Musicological Interpretability in Generative Transformers. 1-9 - Federico Martusciello, Carlo Centofanti, Claudia Rinaldi, Andrea Marotta:
Edge-Enabled Spatial Audio Service: Implementation and Performance Analysis on a MEC 5G Infrastructure. 1-8
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