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Cumhur Erkut
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2020 – today
- 2024
- [c49]Pelin Kiliboz
, Cumhur Erkut
Multimodal Looper: A Live-Looping System for Gestural and Audio-visual Improvisation. MOCO 2024: 8 - [i6]Anders Riddersholm Bargum, Simon Lajboschitz, Cumhur Erkut:
RAVE for Speech: Efficient Voice Conversion at High Sampling Rates. CoRR abs/2408.16546 (2024) - 2023
- [j15]David Südholt
Pruning Deep Neural Network Models of Guitar Distortion Effects. IEEE ACM Trans. Audio Speech Lang. Process. 31: 256-264 (2023) - [i5]Anders Riddersholm Bargum, Stefania Serafin, Cumhur Erkut, Julian D. Parker:
Differentiable Allpass Filters for Phase Response Estimation and Automatic Signal Alignment. CoRR abs/2306.00860 (2023) - [i4]David Südholt, Cumhur Erkut:
Vocal Timbre Effects with Differentiable Digital Signal Processing. CoRR abs/2306.10886 (2023) - [i3]Anders Riddersholm Bargum, Stefania Serafin
Reimagining Speech: A Scoping Review of Deep Learning-Powered Voice Conversion. CoRR abs/2311.08104 (2023) - 2021
- [i2]Juan Alonso, Cumhur Erkut:
Latent Space Explorations of Singing Voice Synthesis using DDSP. CoRR abs/2103.07197 (2021) - [i1]Francesco Ganis, Erik Frej Knudesn, Søren V. K. Lyster, Robin Otterbein, David Südholt, Cumhur Erkut:
Real-time Timbre Transfer and Sound Synthesis using DDSP. CoRR abs/2103.07220 (2021) - 2020
- [c48]Esbern Torgard Kaspersen, Dawid Górny, Cumhur Erkut
Generative Choreographies: The Performance Dramaturgy of the Machine. VISIGRAPP (1: GRAPP) 2020: 319-326 - [c47]Esbern Torgard Kaspersen, Tsampikos Kounalakis, Cumhur Erkut
Hydranet: A Real-Time Waveform Separation Network. ICASSP 2020: 4327-4331 - [c46]Francesco Bigoni, Cumhur Erkut
DogDog: Soma-Based Interface Design for an Improvising Musician. MOCO 2020: 23:1-23:4
2010 – 2019
- 2019
- [c45]Rasmus Eklund, Cumhur Erkut
A Positional Infrared Tracking System Using Non-individualised HRTFs to Simulate a Loudspeaker Setup and Its Influence on Externalisation of Music. ArtsIT/DLI 2019: 158-177 - [c44]Aishah Hussain, Camilla Modekjaer, Nicoline Warming Austad, Sofia Dahl
Evaluating movement qualities with visual feedback for real-time motion capture. MOCO 2019: 1:1-1:9 - [c43]Hanna Pajala-Assefa
A Study of Movement-Sound within Extended Reality: Skeleton Conductor. MOCO 2019: 30:1-30:4 - 2018
- [j14]Stefania Serafin
Sonic Interactions in Virtual Reality: State of the Art, Current Challenges, and Future Directions. IEEE Computer Graphics and Applications 38(2): 31-43 (2018) - [j13]Kristina Höök
Embracing First-Person Perspectives in Soma-Based Design. Informatics 5(1): 8 (2018) - [c42]Cumhur Erkut
Incorporating Virtual Reality in an Embodied Interaction Course. MOCO 2018: 45:1-45:6 - [c41]Cumhur Erkut
Mobile AR In and Out: Towards Delay-Based Modeling of Acoustic Scenes. VR 2018: 543-544 - 2017
- [c40]Cumhur Erkut
Embodied Interaction through Movement in a Course Work. MOCO 2017: 23:1-23:8 - [c39]Cumhur Erkut
Rhythmic interaction in VR: interplay between sound design and editing. SIVE@VR 2017: 1-4 - [c38]Alex Baldwin, Stefania Serafin
ScatAR: a mobile augmented reality application that uses scattering delay networks for room acoustic synthesis. VRST 2017: 73:1-73:2 - [e3]Cumhur Erkut:
17th International Conference on New Interfaces for Musical Expression, NIME 2017, Aalborg University, Copenhagen, Denmark, May 15-18, 2017. nime.org 2017 [contents] - [e2]Stefania Serafin, Rolf Nordahl, Amalia de Götzen, Cumhur Erkut, Niels Christian Nilsson, Francesco Grani, Federico Avanzini, Michele Geronazzo:
3rd IEEE VR Workshop on Sonic Interactions for Virtual Environments, SIVE@VR 2017, Los Angeles, CA, USA, March 19, 2017. IEEE 2017, ISBN 978-1-5386-0459-5 [contents] - 2016
- [j12]Stefania Serafin
Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions. Comput. Music. J. 40(3): 22-40 (2016) - [j11]Justyna Maculewicz, Cumhur Erkut
An investigation on the impact of auditory and haptic feedback on rhythmic walking interactions. Int. J. Hum. Comput. Stud. 85: 40-46 (2016) - [c37]Cumhur Erkut
Structuring Design and Evaluation of an Interactive Installation Through Swarms of Light Rays with Human-Artifact Model. ArtsIT/DLI 2016: 39-46 - [c36]Nikolaj Marimo Støvring, Esbern Torgard Kaspersen, Jeppe Milling Korsholm, Yousif Ali Hassan Najim, Soraya Makhlouf, Alireza Khani, Cumhur Erkut
Multi-kinect Skeleton Fusion for Enactive Games. ArtsIT/DLI 2016: 173-180 - [c35]Razvan Paisa
Electronic Armonica: a Tangible Musical Interface inspired by the Glass Harmonica. Audio Mostly Conference 2016: 251-257 - [c34]Stefania Serafin
Virtual reality musical instruments: Guidelines for multisensory interaction design. Audio Mostly Conference 2016: 266-271 - [c33]Cumhur Erkut
From Ecological Sounding Artifacts Towards Sonic Artifact Ecologies. CHI Extended Abstracts 2016: 560-570 - [c32]Cumhur Erkut
A Case of Cooperative Sound Design. NordiCHI 2016: 83 - 2015
- [j10]Justyna Maculewicz, Antti Jylhä
The Effects of Ecological Auditory Feedback on Rhythmic Walking Interaction. IEEE Multim. 22(1): 24-31 (2015) - [c31]Stefania Serafin
The digital Intonarumori. 3DUI 2015: 207-208 - [c30]Cumhur Erkut
Product Sound Design: Form, Function, and Experience. Audio Mostly Conference 2015: 10:1-10:6 - [c29]Francesco Grani
Spatial Sound and Multimodal Interaction in Immersive Environments. Audio Mostly Conference 2015: 17:1-17:5 - [c28]Cumhur Erkut
Beyond Command & Control: Sketching Embodied Interaction. CHI Extended Abstracts 2015: 1681-1686 - [c27]Justyna Maculewicz, Cumhur Erkut, Stefania Serafin:
An investigation on the influence of soundscapes and footstep sounds in affecting preferred walking pace. ICAD 2015: 133-137 - [c26]Jonas Fehr, Cumhur Erkut
Indirection between movement and sound in an interactive sound installation. MOCO 2015: 160-163 - [c25]Stefania Serafin
Sonic interaction in virtual environments. SIVE@VR 2015: 1-2 - [c24]Chanel Summers, Vangelis Lympouridis, Cumhur Erkut
Sonic interaction design for virtual and augmented reality environments. SIVE@VR 2015: 37-42 - [e1]Stefania Serafin, Federico Avanzini, Michele Geronazzo, Cumhur Erkut, Amalia de Götzen, Rolf Nordahl:
2nd IEEE VR Workshop on Sonic Interactions for Virtual Environments, SIVE@VR 2015, Arles, France, March 24, 2015. IEEE Computer Society 2015, ISBN 978-1-4799-1969-7 [contents] - 2014
- [c23]Cumhur Erkut
Design and evaluation of interactive musical fruit. IDC 2014: 197-200 - [c22]Cumhur Erkut
Exploring Felt Qualities of Embodied Interaction with Movement and Sound. ArtsIT 2014: 77-85 - [c21]Cumhur Erkut
Sketches in Embodied Interaction: Balancing Movement and Technological Perspectives. HCI (26) 2014: 30-35 - [c20]Stefania Serafin, Sofia Dahl, Amalia de Götzen, Cumhur Erkut, Dan Overholt, Hendrik Purwins, Bob L. Sturm:
Sound and Music Computing at Aalborg University in Copenhagen. ICMC 2014 - 2013
- [c19]Amit Anil Nanavati
SiMPE: 8th workshop on speech and sound in mobile and pervasive environments. Mobile HCI 2013: 626-629 - 2012
- [j9]Mikko-Ville Laitinen, Tapani Pihlajamäki, Cumhur Erkut
Parametric time-frequency representation of spatial sound in virtual worlds. ACM Trans. Appl. Percept. 9(2): 8:1-8:20 (2012) - [c18]Antti Jylhä
Rhythmic walking interactions with auditory feedback: an exploratory study. Audio Mostly Conference 2012: 68-75 - 2011
- [j8]Antti Jylhä
Design and Evaluation of Human-Computer Rhythmic Interaction in a Tutoring System. Comput. Music. J. 35(2): 36-48 (2011) - [j7]Umut Simsekli, Antti Jylhä
Real-Time Recognition of Percussive Sounds by a Model-Based Method. EURASIP J. Adv. Signal Process. 2011 (2011) - [c17]Antti Jylhä
Auditory feedback in an interactive rhythmic tutoring system. Audio Mostly Conference 2011: 109-115 - [c16]Cumhur Erkut
Rhythmic blueprints: a tutorial for design and evaluation of rhythmic interaction. MindTrek 2011: 3-4 - [c15]Juho Kostiainen, Cumhur Erkut
Design of an audio-based mobile journey planner application. MindTrek 2011: 107-113 - [c14]Cumhur Erkut, Antti Jylhä, Reha Discioglu:
A Structured Design and Evaluation Model with Application to Rhythmic Interaction Displays. NIME 2011: 477-480 - 2010
- [c13]Antti Jylhä
Simulation of rhythmic learning: a case study. Audio Mostly Conference 2010: 20 - [c12]Stefano Delle Monache
Basic Exploration of Narration and Performativity for Sounding Interactive Commodities. HAID 2010: 65-74
2000 – 2009
- 2009
- [c11]Antti Jylhä
A hand clap interface for sonic interaction with the computer. CHI Extended Abstracts 2009: 3175-3180 - 2008
- [c10]Koray Tahiroglu, Hannah Drayson, Cumhur Erkut:
An Interactive Bio-Music Improvisation System. ICMC 2008 - 2007
- [j6]Rudolf Rabenstein, Stefan Petrausch, Augusto Sarti, Giovanni De Sanctis, Cumhur Erkut
Blocked-based physical modeling for digital sound synthesis. IEEE Signal Process. Mag. 24(2): 42-54 (2007) - [j5]Leevi Peltola, Cumhur Erkut
Synthesis of Hand Clapping Sounds. IEEE Trans. Speech Audio Process. 15(3): 1021-1029 (2007) - 2005
- [c9]Cumhur Erkut:
Modular interactions and hybrid models: A conceptual map for model-based sound synthesis. EUSIPCO 2005: 1-4 - 2004
- [j4]Vesa Välimäki
Sound Synthesis of the Harpsichord Using a Computationally Efficient Physical Model. EURASIP J. Adv. Signal Process. 2004(7): 934-948 (2004) - [j3]Matti Karjalainen, Cumhur Erkut
Digital Waveguides versus Finite Difference Structures: Equivalence and Mixed Modeling. EURASIP J. Adv. Signal Process. 2004(7): 978-989 (2004) - [c8]Matti Karjalainen, Cumhur Erkut:
Digital Waveguides vs. Wave Digital Filters in physical modeling: Theoretical and computational aspects. EUSIPCO 2004: 289-292 - 2003
- [j2]Vesa Välimäki
Commuted Waveguide Synthesis of the Clavichord. Comput. Music. J. 27(1): 71-82 (2003) - [c7]Matti Karjalainen, Cumhur Erkut, Lauri Savioja:
Compilation of unified physical models for efficient sound synthesis. ICASSP (5) 2003: 433-436 - 2001
- [j1]Mikael Laurson, Cumhur Erkut
Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis. Comput. Music. J. 25(3): 38-49 (2001) - [c6]Cumhur Erkut, Mikael Laurson, Mika Kuuskankare, Vesa Välimäki:
Model-based Synthesis of the Ud and the Renaissance Lute. ICMC 2001 - 2000
- [c5]Cumhur Erkut
Model-based sound synthesis of tanbur, a Turkish long-necked lute. ICASSP 2000: 769-772 - [c4]Vesa Välimäki, Mikael Laurson, Cumhur Erkut, Tero Tolonen:
Model-Based Synthesis of the Clavichord. ICMC 2000
1990 – 1999
- 1999
- [c3]Mikael Laurson, Jarmo Hiipakka, Cumhur Erkut, Matti Karjalainen, Vesa Välimäki, Mika Kuuskankare:
From Expressive Notation to Model-Based Sound Synthesis: a Case Study of the Acoustic Guitar. ICMC 1999 - [c2]Tero Tolonen, Cumhur Erkut, Vesa Välimäki, Matti Karjalainen:
Simulation of Plucked Strings Exhibiting Tension Modeling Driving Force. ICMC 1999 - [c1]Vesa Välimäki, Matti Karjalainen, Tero Tolonen, Cumhur Erkut:
Nonlinear Modeling and Synthesis of the Kantele - a Traditional Finnish String Instrument. ICMC 1999
Coauthor Index
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last updated on 2024-09-30 00:58 CEST by the dblp team
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