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HAID 2006: Glasgow, UK
- David K. McGookin, Stephen A. Brewster
:
Haptic and Audio Interaction Design, First International Workshop, HAID 2006, Glasgow, UK, August 31 - September 1, 2006, Proceedings. Lecture Notes in Computer Science 4129, Springer 2006, ISBN 3-540-37595-3
Interaction
- Kent Walker, William L. Martens:
Perception of Audio-Generated and Custom Motion Programs in Multimedia Display of Action-Oriented DVD Films. 1-11 - Lode Vanacken, Chris Raymaekers, Karin Coninx:
Evaluating the Influence of Multimodal Feedback on Egocentric Selection Metaphors in Virtual Environments. 12-23
Psychophysics
- Federico Avanzini
Haptic-Auditory Rendering and Perception of Contact Stiffness. 24-35 - Ville Tikka, Pauli Laitinen:
Designing Haptic Feedback for Touch Display: Experimental Study of Perceived Intensity and Integration of Haptic and Audio. 36-44
Music and Gesture
- Andrew Crossan, Roderick Murray-Smith:
Rhythmic Interaction for Song Filtering on a Mobile Device. 45-55 - Paul Vickers
Lemma 4: Haptic Input + Auditory Display = Musical Instrument? 56-67
Visual Impairments I
- Eva-Lotta Sallnäs, Kajsa Bjerstedt-Blom, Fredrik Winberg, Kerstin Severinson Eklundh:
Navigation and Control in Haptic Applications Shared by Blind and Sighted Users. 68-80 - Kirsten Rassmus-Gröhn
User Evaluations of a Virtual Haptic-Audio Line Drawing Prototype. 81-91
Visual Impairments II
- Graham McAllister, Jacopo Staiano
Creating Accessible Bitmapped Graphs for the Internet. 92-101 - Fredrik Winberg:
Supporting Cross-Modal Collaboration: Adding a Social Dimension to Accessibility. 102-110 - Charlotte Magnusson
Non Visual Haptic Audio Tools for Virtual Environments. 111-120
Design I
- Emma Murphy, Antti Pirhonen
A Semiotic Approach to the Design of Non-speech Sounds. 121-132 - Graeme W. Coleman, Catriona Macaulay, Alan F. Newell:
Listen to This - Using Ethnography to Inform the Design of Auditory Interfaces. 133-144 - Conor O'Sullivan, Angela Chang:
An Activity Classification for Vibrotactile Phenomena. 145-156
Design II
- Stephen Barrass
Haptic-Audio Narrative: From Physical Simulation to Imaginative Stimulation. 157-165
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