The xhubleta is an undulating, bell-shaped folk skirt, traditionally worn by Albanian women in northern Albania, Kosovo, North Macedonia and Montenegro.
 Woman from Grudë wearing a xhubleta in a 19th-century Pietro Marubi photo. | |
| Type | Albanian folk skirt |
|---|---|
| Material | Felt and black wool |
| Place of origin | Albania |
| Xhubleta, skills, craftsmanship and forms of usage | |
|---|---|
| Country | Albania |
| Reference | 01880 |
| Region | Europe and North America |
| Inscription history | |
| Inscription | 2022 (17th session) |
| List | Need of Urgent Safeguarding |
The xhubleta is a garment that survived from ancient times exclusively in Albanian inhabited territories,[1] and it is a unique type of dress for its particular shape, structure, and decorating system.[2] There are two types of xhubleta: one is narrow and the other is large.[2]
This Albanian garment was included in the List of Intangible Cultural Heritage in Need of Urgent Safeguarding by UNESCO in 2022.[3][4]
History
editThe xhubleta has ancient origins.[5] It represents similarities to wearing of some Neolithic figures found in Bosnia, but also in other areas of the Mediterranean region, belonging to the second millennium BC, and linking accordingly with old Mediterranean civilisation.[6][7] It is usually decorated with Albanian symbolic elements of ancient pagan origins, such as the symbols of the sun, of the moon, of the stars, eagles, and serpents. The mostly geometric ornaments show the archaic character of this costume.[7]
Description
editThe xhubleta usually is hung on the shoulders using two straps. It has 13 to 17 strips and 5 pieces of felt. The bosom and the part of the xhubleta covered by the apron are made out of crocheted black wool.[8] The bell shape is accentuated in the back part.[9]
There are two types of xhubleta: one is narrow and the other is large.[2] In regard to colors, only two colors are nowadays used: the white one for the unmarried women and the black one for the married ones,[2] however in the past many colors were used, as witnessed by a 17th-century author, who claimed that the peacock did not have as many colors as the xhubleta worn by the women of Kelmend.[9] It is thought that the diminishing in colors in the last two centuries is due to the limitation of its use only in remote mountainous areas.[9]
References
edit- ^ Bido 1998, p. 701.
- ^ a b c d Etudes et documents balkaniques et méditerranéens. Paul Henri Stahl. 2001. pp. 34–37.
- ^ "UNESCO - Xhubleta, skills, craftsmanship and forms of usage". ich.unesco.org. Retrieved 2022-12-13.
- ^ "Xhubleta shqiptare, tashmë pasuri e gjithë njerëzimit, UNESCO e merr në mbrojtje bashkë me dijebërjen e saj! Margariti: Vendim unanim, copëz Shqipërie për botën - Shqiptarja.com". shqiptarja.com (in Albanian). Retrieved 2022-12-13.
- ^ Gjergji 2004, p. 185.
- ^ "Database of Cultural Heritage of Kosovo". Archived from the original on 2019-09-21. Retrieved 2015-12-24.
- ^ a b Condra, Jill (2013-04-09). Encyclopedia of National Dress: Traditional Clothing around the World [2 volumes]. Abc-Clio. ISBN 9780313376375.
- ^ Gjergji, Andromaqi (2004). Albanian Costumes Through the Centuries: Origin, Types, Evolution. Academy of Sciences of Albania. p. 153. ISBN 978-99943-614-4-1.
- ^ a b c Selami Pulaha; Seit Mansaku; Andromaqi Gjergji (1982). Shqiptarët dhe trojet e tyre. 8 Nëntori. pp. 136–138.
Bibliography
edit- Bido, Agim (1998). "Pagan Symbols in Albanian "Xhubleta"". The Thracian world at the crossroads of civilisations. Vol. 2. Institutul Român de Tracologie. pp. 701–712.