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Tobias Picker

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Tobias Picker
Born (1954-07-18) July 18, 1954 (age 70)
New York City, U.S.
Education
OccupationComposer
Years active1975–present
Websitetobiaspicker.com

Tobias Picker (born July 18, 1954) is an American composer, pianist, and conductor,[1] noted for his orchestral works Old and Lost Rivers, Keys To The City, and The Encantadas, as well as his operas Emmeline, Fantastic Mr. Fox, An American Tragedy and Lili Elbe, among many other works.[2][3][4]

Biography

[edit]

1954–1975: Early years, influences, and education

[edit]

Picker was born in New York City on July 18, 1954, the son of painter and fashion designer Henriette Simon Picker and news-writer Julian Picker, and the cousin of film executive David V. Picker, businessman Harvey Picker, former CEO of The American Film Institute Jean Picker Firstenberg, art-patron Stanley Picker,[5] filmmaker Jimmy Picker,[6] and economist Kenneth Rogoff. At the age of eight, he began composing and studying the piano:

I was raised by my teachers on a diet of Bach, Mozart, Beethoven, Chopin, Schuman, and eventually Brahms, my favorite. There was always some "modern" music thrown in.... With the discovery of each new composer a new world opened up for me. It wasn't really until I discovered the music of Charles Wuorinen with whom I began studying at eighteen that I finally was exposed to Carter (with whom I later studied) and Boulez and Stravinsky and Stefan Wolpe.[7]

Picker started composing in 1962, and, that same year, began corresponding with composer Gian Carlo Menotti, who encouraged his studies. Three years later, Picker was taken into the preparatory division of the Juilliard School of Music for instruction in piano and theory. At the age of eighteen, Picker was an improvising pianist for Martha Graham at the Martha Graham Center of Contemporary Dance,[8] and, that same year, he enrolled at the Manhattan School of Music, where he studied with Charles Wuorinen. After graduating in 1976, he returned to the Juilliard School of Music to take instruction in composition from Elliott Carter and, afterwards, pursued graduate studies at Princeton University with Milton Babbitt.[8]

1976–1992: Early success

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In 1976, at the age of twenty-two, Picker was commissioned to compose "Sextet No. 3" by Speculum Musicae, which premiered at Alice Tully Hall.[9] Soon after, in 1978, the premiere of Rhapsody for Violin and Piano led New Yorker critic Andrew Porter to deem Picker "a genuine creator with a fertile, unforced vein of invention".[10] By the age of thirty, Picker had been recognized with numerous awards, including fellowships from the National Endowment of the Arts, the Joseph H. Bearns Prize (Columbia University), a Charles Ives Scholarship, and a Guggenheim Fellowship.[11]

Picker's Symphony No. 1 premiered at the San Francisco Symphony in 1983, and, that same year, Picker was the soloist in his Piano Concerto No. 2: "Keys to the City", commissioned by the city of the New York for the Brooklyn Bridge Centennial.[12] Later that year, Picker's "The Encantadas" was premiered by the Albany Symphony Orchestra. In 1985, Picker was appointed the first composer-in-residence of the Houston Symphony[13] where he introduced his most popular orchestral work, Old and Lost Rivers, as well as two symphonies and other concerted works. In 1992, Picker was awarded the Academy of Arts and Letters Award in Music.[11]

Since 1993: Operas, directorship, and later career

[edit]

In 1993, Picker began composing his first opera, Emmeline, commissioned by the Santa Fe Opera, with a libretto by J. D. McClatchy; Emmeline premiered in 1996.[14][15] In 1998, two years after the debut of Emmeline, Picker's second opera, Fantastic Mr. Fox premiered at the Los Angeles Opera.[16] Fantastic Mr. Fox was recorded by the Boston Modern Orchestra Project and Odyssey Opera in 2019 and released on Albany Records; this album won the 2020 Grammy Award for Best Opera Recording.[17][18][19] A consortium of The Dallas Opera, San Diego Opera, and Opéra de Montréal commissioned Picker's third opera, Thérèse Raquin, which debuted in 2001.[20] In 2005, The Metropolitan Opera debuted Picker's fourth opera, An American Tragedy, based on the novel by Theodore Dreiser; a revised version was premiered at The Glimmerglass Festival in 2014.[21]

In 2010, Picker composed a ballet, Awakenings, for the Rambert Dance Company, inspired by the work of Oliver Sacks.[22][23] That same year, he co-founded Opera San Antonio, where he served as artistic director from 2010 to 2015.[24] In 2012, Picker was elected to a lifetime membership of the American Academy of Arts and Letters.[25] Picker's fifth opera, Dolores Claiborne, based on the Stephen King novel of the same name, premiered at the San Francisco Opera in September 2013; soon after, in 2015, the Opera Theatre of Saint Louis mounted a new production of Emmeline, which garnered positive reviews.[26][27][28] Picker was appointed artistic director of Tulsa Opera from 2016 to 2022.[29] His tenure at Tulsa Opera would see the selection of Lucia Lucas as the first transgender opera singer to have a leading role on the American stage[30] (for which she is featured in James Kicklighter's documentary film, The Sound of Identity),[31][32][33][34][35][36] a baseball-themed production of Rigoletto adapted for an open-air baseball stadium to accommodate the gathering restrictions during the COVID-19 pandemic,[37] "Greenwood Overcomes," a concert with new works by African-American composers to honor the memory of the Tulsa Race Massacre of 1921,[38][39] as well as a Thaddeus Strassberger-directed production of Salome.[40][41]

In 2022, Picker's opera Awakenings, based on Awakenings, Oliver Sacks's 1960's chronicle of his efforts to help the victims of an encephalitis epidemic,[42] premiered at Opera Theatre of Saint Louis.[43][44][45][46][47] The East Coast premiere of Awakenings was performed by Odyssey Opera in partnership with Boston Modern Orchestra Project, conducted by Gil Rose and directed by James Robinson, on February 25, 2023, at the Huntington Theater.[48][49]

Picker's Lili Elbe, starring Lucia Lucas, premiered in October, 2023, at Theater St. Gallen.[50][51][52][53]

Works

[edit]
Main article: List of compositions by Tobias Picker

Instrumental music

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Picker's symphonic music, including the tone poem Old and Lost Rivers, has been performed by major orchestras such as the New York Philharmonic, the Chicago Symphony Orchestra, the Cleveland Orchestra, the Philadelphia Orchestra, the BBC Philharmonic, The Munich Philharmonic, the Tonhalle Orchester Zurich, and the Vienna Radio Symphony Orchestra. His piano concerto Keys to the City (written for the Centenary of the Brooklyn Bridge) is recorded on Chandos with his cello concerto and the orchestral work And Suddenly It's Evening.[54] Following this release, BBC Music Magazine proclaimed Picker's recent music "one of the glories of the current musical scene".[55]

The Encantadas (for narrator and orchestra) features texts drawn from Herman Melville's descriptions of the Galápagos Islands. It was recorded on Virgin Classics by the Houston Symphony Orchestra with narration by Sir John Gielgud.[11]

Other works include Tres sonetos de amor, settings of Neruda love poems in versions for baritone and orchestra, and voice and piano; and The Blue Hula, a work for chamber ensemble. Picker's complete orchestral catalogue includes three symphonies, four piano concertos and concertos for violin, viola, cello and oboe.[56]

Picker has also composed numerous chamber works. In 2009, the American String Quartet commissioned and premiered his String Quartet No. 2 at Merkin Concert Hall in New York.[57] In that same year, the pianist Ursula Oppens premiered Picker's Four Etudes for Ursula and Three Nocturnes for Ursula at Baisly Powell Elebash Recital Hall, also in New York.[58] In 2011, Picker was featured in a Miller Theatre Composer Portrait Concert, featuring the Signal Ensemble, Sarah Rothenberg, and the Brentano String Quartet, who premiered his Piano Quintet "Live Oaks".[59]

Operas

[edit]

Stage works

[edit]
Picker and Oliver Sacks

Picker composed the ballet, Awakenings (2010), inspired by Awakenings by his long-time friend, Oliver Sacks,[73] and commissioned by the Rambert Dance Company. The piece was premiered by Rambert in Salford, UK, in September 2010. Rambert toured the work around the UK with over 80 performances in the 2010–11 season.[74]

Select discography

[edit]

Additional recordings of the composer's music are available on Sony Classics, Virgin, Nonesuch Records, Ondine, Bridge and First Edition, among others.

Collaborators

[edit]

Directors most often associated with Picker's operas are Francesca Zambello (Emmeline, An American Tragedy, Thérèse Raquin),[76] James Robinson (Dolores Claiborne, Emmeline, Awakenings),[77] and Lee Blakeley,[78] as well as librettists J. D. McClatchy (Emmeline, Dolores Claiborne)[79] and Gene Scheer (Thérèse Raquin and An American Tragedy).[80] He collaborated with Roald Dahl's biographer, Donald Sturrock, on Fantastic Mr. Fox,[81] and most recently Aryeh Lev Stollman on Awakenings,[70] as well as poets Richard Howard[82] and W. S. Merwin.[83] Picker's conductor collaborators have included Leon Botstein,[84] Peter Ash,[85] James Conlon,[86] Sergiu Comissiona,[87] Edo de Waart,[88] Lukas Foss,[89] Giancarlo Guerrero,[90] James Levine,[91] George Manahan,[92] Kurt Masur,[93] Gil Rose,[94] John Williams,[95] Pinchas Zukerman[96] and Christoph Eschenbach.[95] He has also collaborated with pianists Jeremy Denk,[97] Peter Serkin,[98] Emanuel Ax,[99] and Ursula Oppens, who has championed Picker's work since 1977,[100] as well as violist Paul Neubauer,[101] cellists Lynn Harrell[102] and Paul Watkins,[103] and flutist Carol Wincenc.[104] The sopranos Judith Bettina[105] and Patricia Racette[106] have been frequent collaborators. Picker has also worked with William Burden,[107] Gerald Finley,[108] Elizabeth Futral,[109] Susan Graham,[80] Nathan Gunn,[80] Lucia Lucas,[110] Jennifer Larmore,[111] Diana Soviero,[112] and Dolora Zajick.[113]

Personal life

[edit]
Picker, Aryeh Lev Stollman, and Ruth Bader Ginsburg

Picker's partner since 1980 has been Aryeh Lev Stollman. They were married on March 9, 2016, in a ceremony officiated by Supreme Court Justice Ruth Bader Ginsburg at the United States Supreme Court.[114][115]

Picker has Tourette syndrome.[14] He has mentioned that there are "tourettic" elements in his music. Picker appeared in a BBC Horizon television documentary, titled Mad But Glad, exploring a link between Tourette's syndrome and creativity,[116] and has been involved in mentoring programs for children with Tourette's.[117] Picker has tics which he says disappear when he is composing, playing the piano, or conducting. He has said, "I live my life controlled by Tourette's...but I use music to control it. I have harnessed its energy—I play with it, manipulate it, trick it, mimic it, taunt it, explore it, exploit it, in every possible way."[118] Sacks wrote of the inspiration he took from Picker's music in the preface to his book, The Island of the Colorblind, saying he "owe[d] a special debt to Tobias Picker's version of The Encantadas", and that "whenever, in the writing, memory failed me, listening to the piece operated as a sort of Proustian mnemonic, transporting me back to the Marianas and the Carolines".[119]

References

[edit]
  1. ^ "Biography". Tobiaspicker.com. Archived from the original on February 7, 2009. Retrieved January 25, 2009.
  2. ^ Matthew Gurewitsch (October 25, 2001). "A Soap Opera in Song". Wall Street Journal. Retrieved September 21, 2020. "Which has also attracted the notice of Tobias Picker, our finest composer for the lyric stage."
  3. ^ Andrew Porter (November 13, 1978). "Musical Events". The New Yorker. Retrieved September 21, 2020. A genuine creator with a fertile, unforced vein of invention.
  4. ^ Michael Kennedy; Joyce Bourne Kennedy (2007). "Picker, Tobias". The Concise Oxford Dictionary of Music. Oxford University Press. ISBN 978-0-19-920383-3. Retrieved September 21, 2020.
  5. ^ "House and Collection". The Stanley Picker Trust. Retrieved September 24, 2020.
  6. ^ "Jimmy Picker, Producer". Academy Awards. Retrieved September 24, 2020.
  7. ^ "An Interview with Tobias Picker". Sequenza 21. Retrieved September 17, 2020.
  8. ^ a b Slice, John Van der (2001). "Picker, Tobias". Grove Music. doi:10.1093/gmo/9781561592630.article.42554. ISBN 978-1-56159-263-0. Retrieved September 17, 2020.
  9. ^ Schonberg, Harold C. (January 22, 1977). "Concert: Speculum Musicae Presents 'Old' and New". The New York Times. Retrieved July 9, 2018.
  10. ^ Andrew Porter (November 13, 1978). "Musical Events". The New Yorker. Retrieved September 21, 2020. "A genuine creator with a fertile, unforced vein of invention."
  11. ^ a b c "Tobias Picker". Schott Music. Retrieved September 21, 2020. By the age of thirty, Picker was the recipient of numerous awards and honors including the Bearns Prize (Columbia University), a Charles Ives Scholarship, and a Guggenheim Foundation Fellowship. ... He received the prestigious Award in Music from the American Academy of Arts and Letters in 1992 and was elected to lifetime membership in the Academy in 2012. ... The Encantadas (for actor and orchestra) features texts drawn from Herman Melville's poetic descriptions of the Galapagos Islands and was recorded by the Houston Symphony with Sir John Gielgud; it has been performed throughout the world in seven languages.
  12. ^ Page, Tim (May 25, 1983). "A concerto to the beat of the city". The New York Times. Retrieved September 19, 2020.
  13. ^ Zinn, Joshua (February 24, 2017). "Picker, Paganini, And The Piano | Houston Public Media". Houston Public Media. Retrieved July 9, 2018.
  14. ^ a b Schwarz, K. Robert (May 2, 1999). "A Composer Freed by Opera To Be Tonal And Tuneful". The New York Times. Retrieved September 19, 2020. It was a signal moment in the rebirth of tonality. When the curtain rose on Tobias Picker's first opera, Emmeline, in 1996, the orchestra conjured an atmosphere of grim foreboding, circling endlessly around a single, brooding chord. As if to emphasize his immersion in the dark realm of B flat minor, Mr. Picker prefaced the score with a device long scorned by modernists: a key signature.
  15. ^ Smith, Steve (September 11, 2009). "Tobias Picker's Oedipal Opera at Dicapo Theater". The New York Times. Retrieved July 9, 2018.
  16. ^ Hofler, Robert (November 16, 1998). "'Mr. Fox' bows in L.A." Variety. Retrieved July 9, 2018.
  17. ^ Salazar, David. "Composer Profile: Tobias Picker, Dynamic American Composer". Opera Wire. Retrieved September 12, 2020.
  18. ^ "Review". Gramophone. Retrieved November 12, 2020.
  19. ^ Madonna, Zoë (January 27, 2020). "Boston Modern Orchestra Project wins Grammy for Fantastic Mr. Fox". The Boston Globe. Retrieved November 12, 2020.
  20. ^ Midgette, Anne (February 19, 2007). "Some Advice for Spurned Lovers: Decline Invitations for Boat Trips". The New York Times. Retrieved June 16, 2020.
  21. ^ "Glimmerglass Festival: An American Tragedy (July 25)". The New Yorker. Retrieved September 19, 2020.
  22. ^ "Awakenings – Rambert". Rambert. Retrieved July 9, 2018.
  23. ^ Harries, Rhiannon. "How We Met: Oliver Sacks & Tobias Picker". The Independent. Retrieved September 19, 2020.
  24. ^ "Tobias Picker to Depart From Artistic Director Post at Opera San Antonio". Opera News. The Metropolitan Opera Guild. Retrieved September 9, 2020.
  25. ^ "Franzen, Chabon and Lahiri Named to the American Academy of Arts and Letters". The New York Times. March 9, 2020. Retrieved September 14, 2020.
  26. ^ "Opera: Powerful St. Louis revival of Tobias Picker's 'Emmeline'". Dallas News. June 20, 2015. Retrieved November 11, 2020.
  27. ^ Waleson, Heidi (June 22, 2015). "Emmeline, Richard the Lionheart and La Rondine Reviews". The Wall Street Journal. Retrieved November 11, 2020.
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  31. ^ "The Sound of Identity | Film Threat". August 20, 2020. Retrieved November 19, 2020.
  32. ^ "Q & A: Director James Kicklighter on His Film "The Sound of Identity"". Opera Wire. August 21, 2020. Retrieved November 19, 2020.
  33. ^ MarBelle (September 7, 2020). "How James Kicklighter Captured TransOpera Singer Lucia Lucas' Historic Tuls Performance in The Sound of Identity". Directors Notes. Retrieved September 11, 2022.
  34. ^ "The Sound of Identity, a Film Review". TransGenderPartners.com. September 11, 2020. Retrieved November 19, 2020.
  35. ^ "The Sound of Identity Begins Indie Festival Journey". The Independent Critic. Retrieved November 19, 2020.
  36. ^ "Seems More About Arts Production Than Gender Identity – Just As It Should Be". Butts In the Seats. August 24, 2020. Retrieved November 19, 2020.
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  38. ^ Waleson, Heidi. "'The Road We Came' and 'Greenwood Overcomes' Reviews: Commemorating Black History and Artistry". The Wall Street Journal. Retrieved September 3, 2022.
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  40. ^ Watts, James. "Tulsa Opera presents "Salome"". Tulsa Public Radio. Retrieved September 8, 2022.
  41. ^ Watts, James. "Tulsa native brings unique vision to 'Salome' opera". The Tulsa World. Retrieved September 8, 2022.
  42. ^ MacCarthy, Fiona (December 5, 1985), "Travels round a couch", The Times
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  44. ^ a b Cohn, Fred. "Re-Awakenings". Opera News. Retrieved September 3, 2022.
  45. ^ a b Barone, Joshua (May 25, 2022). "An Oliver Sacks Book Becomes an Opera, With Help From Friends". The New York Times. Retrieved September 3, 2022.
  46. ^ a b Brook, Tom. "Awakenings opera opens three decades after Hollywood movie". BBC. Retrieved September 3, 2022.
  47. ^ a b Waleson, Heidi. "'Awakenings', 'Harvey Milk' and 'Carmen' Review: Two Poignant Premieres and an Old Favorite". The Wall Street Journal. Retrieved September 3, 2022.
  48. ^ Orbey, Eren (February 20, 2023). "Oliver Sacks Gets An Opera". The New Yorker. Retrieved February 27, 2023.
  49. ^ Madonna, A.Z. (February 27, 2023). "'Awakenings' is the stuff of dreams". The Boston Globe. Retrieved February 27, 2023.
  50. ^ "Lili Elbe: Oper von Tobias Picker und Aryeh Lev Stollman". tobiaspicker.com. June 14, 2023. Retrieved June 11, 2023.
  51. ^ "Lili Elbe". konzertundtheater.ch. June 10, 2023. Retrieved June 11, 2023.
  52. ^ a b Charles Shafaieh. "Living Authentically". Opera News. Retrieved September 11, 2022.
  53. ^ Richard Cannon. "Lucia Lucas: The BBC Music Magazine Interview". BBC Music Magazine. Retrieved September 11, 2023.
  54. ^ "Picker: Keys to the City/ And Suddenly It's Evening/Concerto for Cello and Orchestra Orchestral & Concertos Contemporary Chandos". Chandos Records. Retrieved November 12, 2020.
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  56. ^ Pasles, Chris. "Three Sonnets in Search of a Setting". Los Angeles Times. Retrieved September 21, 2020.
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  58. ^ "Ursula Oppens Performs World Premiere of Tobias Picker's 'Three Nocturnes for Ursula'". www.schott-music.com. Archived from the original on September 11, 2012. Retrieved February 3, 2022.
  59. ^ "Nine Rivers – Part I: Leukosis". Millertheatre.com. Retrieved December 14, 2016.
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  61. ^ "Investec Opera Holland Park LondonInvestec Opera Holland Park". Rbkc.gov.uk. Retrieved December 14, 2016.
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  63. ^ "2020 Grammy Awards: The Full List Of Winners". NPR. January 26, 2020. Retrieved November 11, 2020.
  64. ^ "You are being redirected..." www.operanews.com. Retrieved November 12, 2020.
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  66. ^ "An American Tragedy – Theopera – An American Tragedy – Theopera". Anamericantragedy-theopera.org. Archived from the original on November 3, 2005. Retrieved December 14, 2016.
  67. ^ "The Key to Tobias > Opera News > the Met Opera Guild". Archived from the original on October 28, 2007. Retrieved April 3, 2007.
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  69. ^ Johnson, Lawrence A. (January 18, 2012). "San Francisco Opera to present three American world premieres in 2013". The Classical Review. Retrieved December 14, 2016.
  70. ^ a b "'Awakenings' Opera Premiering In St. Louis Came From Couple's 'Mutual Inspiration'". St. Louis Public Radio. February 13, 2020. Retrieved September 14, 2020.
  71. ^ "Lili Elbe: Oper von Tobias Picker und Aryeh Lev Stollman". tobiaspicker.com. June 14, 2023. Retrieved June 11, 2023.
  72. ^ "Lili Elbe". tobiaspicker.com. Retrieved January 11, 2022.
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  74. ^ "Rambert Dance Company: The Making of Awakenings". The Ballet Bag. Retrieved December 14, 2016.
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  76. ^ "Francesca Zambello". Bard College. May 23, 2015. Retrieved September 27, 2020.
  77. ^ "James Robinson". Aspen Music Festival and School. Retrieved September 27, 2020.[permanent dead link‍]
  78. ^ Driscoll, F. Paul. "Lee Blakeley, 45, One of the Most Admired Opera and Theater Directors of his Generation, has Died". Retrieved September 27, 2020.
  79. ^ Fox, Margalit (April 11, 2018). "J. D. McClatchy, Poet of the Body, in Sickness and Health, Dies at 72". The New York Times. Retrieved April 12, 2018.
  80. ^ a b c Tommasini, Anthony (December 5, 2005). "Dreiser's Chilling Tale of Ambition and Its Price". The New York Times.
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  83. ^ Agarwala, Sudeep (March 6, 2009). "Concert Review: When Sound Worlds Collide". The Tech. Retrieved September 27, 2020.
  84. ^ "The American 1980's". The American Symphony Orchestra Archives. ASO. 2020. Retrieved December 4, 2020.
  85. ^ Griffiths, Paul (December 17, 1998). "Opera Review; Foxes, Hedgehogs, Rats and Humans". The New York Times. Retrieved October 15, 2020.
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  87. ^ Bruce Duffie (1996). "Interview". bruceduffie.com. Bruce Duffie. Retrieved October 17, 2020.
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  93. ^ James R. Oestreich (September 26, 1992). "Review/Music; Masur Conducts Bruckner Ninth". The New York Times. Retrieved October 18, 2020.
  94. ^ Waxberg, Greg (April 11, 2020). "Q&A: COMPOSER TOBIAS PICKER ON WINNING THE GRAMMY & WHY HE LOVES OPERA". Boston Modern Orchestra Project. Retrieved October 18, 2020.
  95. ^ a b "The London Symphony Orchestra". npr.org. NPR. 1998. Retrieved October 18, 2020.
  96. ^ "Tobias Picker's The Encantadas in Boston". Schott Music. September 1, 2006. Retrieved October 18, 2020.
  97. ^ Seckerson, Edward. "Picker Orchestral Works: Three concertante works in a familiar post-Gershwin style but with an individual twist". Gramophone. Retrieved September 27, 2020.
  98. ^ Holland, Bernard (September 26, 1992). "Review/Recital; Peter Serkin in a Showcase Of Original Pieces for Piano". The New York Times. Retrieved September 27, 2020.
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  100. ^ Tristan McKay (January 23, 2019). "5 Questions to Ursula Oppens (pianist) on her 75th Birthday". I Care If You Listen. Retrieved September 14, 2020.
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  102. ^ Shen, Ted (July 24, 1999). "HARRELL, MULLIGAN DISPLAY TEAMWORK AND VIRTUOSITY". Chicago Tribrune. Retrieved October 18, 2020.
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  104. ^ "Carol Wincenc". New York Classical Players. February 1999. Retrieved October 18, 2020.
  105. ^ Crutchfield, Will (26 February 1987). "Recital: Judith Bettina". The New York Times. Retrieved 8 May 2019.
  106. ^ David Salazar (July 18, 2020). "Composer Profile: Tobias Picker, Dynamic American Composer". Opera Wire.
  107. ^ Karren Alenier (December 12, 2005). "An American Tragedy – Tobias Picker". Culture Vulture. Retrieved October 17, 2020.
  108. ^ "Gerald Finley". New York Philharmonic.
  109. ^ "Elizabeth Futral". Retrieved October 18, 2020.
  110. ^ "Transgender Opera Singer Makes US Debut in Don Giovanni". HuffPost. May 2, 2019. Retrieved October 5, 2019.
  111. ^ "Jennifer Larmore". Cedille Records. January 23, 2019. Retrieved October 14, 2020.
  112. ^ "Picker Thérèse Raquin: An energetic new opera ably performed". Gramophone. Retrieved October 18, 2020.
  113. ^ "Dolora Zajick Withdraws From Upcoming World Premiere of Tobias Picker's Dolores Claiborne at San Francisco Opera; Patricia Racette to Sing Title Role". Opera News. August 26, 2013. Retrieved October 17, 2020.
  114. ^ Buono, Alla Vita (October 24, 2013). "The World Premiere of Dolores Claiborne, an Opera by Tobias Picker". GEV Magazine. Archived from the original on July 30, 2017. Retrieved September 19, 2020.
  115. ^ Lebrecht, Norman (April 20, 2016). "US Composer is Married by Supreme Court Justice". Slipped Disc. Archived from the original on April 11, 2019. Retrieved September 19, 2020.
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  117. ^ "TSANJ partners with Rutgers on Tourette syndrome clinic" (PDF). Tsanj.org. Archived from the original (PDF) on February 15, 2006. Retrieved December 14, 2016.
  118. ^ Oliver Sacks, Musicophilia: Tales of Music and the Brain, revised and expanded (New York: Random House, 2007), p. 252. ISBN 978-0-676-97979-4
  119. ^ Oliver Sacks, The Island of the Colorblind, illustrated edition, (New York: Vintage, 1998), p. xxi. ISBN 9780375700736
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