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23rd ICMC 1997: Thessaloniki, Greece
- Proceedings of the 1997 International Computer Music Conference, ICMC 1997, Thessaloniki, Greece, September 25-30, 1997. Michigan Publishing 1997
- Isabelle Peretz, Lise Gagnon, Bernard Bouchard:
Music and emotion: the brain neglected side. - Carol Krumhansl:
Psychophysiology of Musical Emotions. - Jean-Claude Risset:
Rhythmic Paradoxes and Illusions: a Musical Illustration. - Thomas Stainsby, Hugh J. McDermott, Colette M. McKay, Graeme M. Clark:
Preliminary Results on Spectral Shape Perceptions and Discrimination of Musical Sounds by Normal Hearing Subjects and Cochlear Implantees. - Richard Pamcutt:
Modeling piano performance: Physics and cognition of a virtual pianist. - Eric Clarke:
Perception and Critique: Ecological Acoustics, Critical Theory and Music. - Jonathan Berger, Dan Gang:
A Neural Network Model of Metric Perception and Cognition in the Audition of Functional Tonal Music. - Dan Gang, Daniel Lehmann, Naftali Wagner:
Harmonizing Melodies in Real-Time: the Connectionist Approach. - Daniel Pressnitzer, Stephen McAdams:
Influence of phase effects on roughness modeling. - Yinong Ding, Xiaoshu Qian:
Sinusoidal and Residual Decomposition and Residual Modeling of Musical Tones Using the QUASAR Signal Model. - Shlomo Dubnov, Xavier Rodet:
Statistical Modeling of Sound Aperiodicities. - Gianpaolo Evangelista, Sergio Cavaliere:
Analysis and Regularization of Inharmonic Sounds via Pitch-Synchronous Frequency Warped Wavelets. - Jean Laroche, Mark Dolson:
About this phasiness business. - Thomas Gerwin:
On Acoustic Ecology and "Integral Art". - Agostino Di Scipio:
Towards a critical theory of (music) technology: Computer music and subversive rationalization. - Alex Lane Igoudin:
Impact of MIDI on Electroacoustic Art Music. - Karen Eliot-Kahn:
Computer Music Compositional Style Variation Between Genders and the Role of Education. - Stephen Travis Pope:
http: //Web.La.Radia: Comments on the Social, Economic, and Political Aspects of Media Art and Art Technology. - Bruce W. Pennycook:
Music, Media and Technology at McGill University: Studio Report. - Matthew Wright, Adrian Freed:
Open SoundControl: A New Protocol for Communicating with Sound Synthesizers. - Hai Qi, Taichi Muramatsu, Shuji Hashimoto:
Multimedia Environment for Sound Database System. - Michael Hamman:
Composition of Data and Process Models: a Paralogical Approach to Human/Computer Interaction. - Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin:
Analysis by synthesis of the expressive intentions in musical performance. - Yuichi Uwabu, Haruhiro Katayose, Seiji Inokuchi:
A Structural Analysis Tool for Expressive Performance. - Christina Anagnostopoulou, Gert Westermann:
Classification in Music: A Computational Model for Paradigmatic Analysis. - Robert Rowe, Eric Singer:
Two Highly Integrated Real-Time Music and Graphics Performance Systems. - Nicola Orio:
A Gesture Interface Controlled by the Oral Cavity. - Chris Chafe:
Statistical Pattern Recognition for Prediction of Solo Piano Performance. - Dominique M. Richard:
The Beast's glove: The tactile and the digital in computer music. - Xavier Serra, Jordi Bonada, Perfecto Herrera, Ramon Loureiro:
Integrating complementary spectral models in the design of a musical synthesizer. - Eric Incerti:
Modeling Methods for Sound Synthesis. Network Combinations and Complex Models for Physical Modeling: Application to Modes Clustering. - Tony S. Verma, Scott N. Levine, Teresa H.-Y. Meng:
Transient Modeling Synthesis: a flexible analysis/synthesis tool for transient signals. - Piero Pierucci, Andrea Paladin:
Singing Voice Analysis and Synthesis System through Glottal Excited Formant Resonators. - Guiseppe Cuzzocoli, Vincenzo Lombardo:
Physical model of the plucking process in the classical guitar. - Christophe Vergez, Xavier Rodet:
Comparison of Real Trumpet Playing, Latex Model of Lips and Computer Model. - Cern I. Duruöz:
Synthesis of Transients in Guitar Sounds. - Alvin W. Y. Su:
On Searching the Model Parameters Of Digital Waveguide Filters By Using Error Backpropagation Methods. - Maarten van Walstijn, Vesa Välimäki:
Digital Waveguide Modeling of Flared Acoustical Tubes. - Riitta Väänänen, Vesa Välimäki, Jyri Huopaniemi, Matti Karjalainen:
Efficient and Parametric Reverberator for Room Acoustics Modeling. - Heinrich Taube, Tobias Kunze:
An HTTP Interface to Common Music. - Stephen Travis Pope:
Siren: Software for Music Composition and Performance in Squeak. - Bernhard Wagner:
A Visual Programming Environment for Composing Interactive Performance Systems. - Paolo Andrenacci, Fabio Armani, Renato Bessegato, Andrea Paladin, Patrizio Pisani, Angelo Prestigiacomo, Claudio Rosati, Sylviane Sapir, Mauro Vetuschi:
The new MARS workstation. - Mark Danks:
Real-time Image and Video Processing in GEM. - Miller S. Puckette:
Pure Data. - Takayuki Rai:
Introduction of Computer Music Studio of Sonology Departmen Kunitachi College of Music. - Richard Andrews:
Center for New Music & Audio Technologies (CNMAT): Studio Report. - Libor Zajicek:
Studio F at the Czech Radio in Prague: Studio Report. - Jean-Marc Jot:
Efficient models for reverberation and distance rendering in computer music and virtual audio reality. - Vesa Välimäki, Tero Tolonen:
Multirate Extensions for Model-Based Synthesis of Plucked String Instruments. - Scott A. Van Duyne:
Coupled Mode Synthesis. - Scott A. Van Duyne, David A. Jaffe, Gregory Pat Scandalis, Timothy Stilson:
A Lossless, Click-free, Pitchbend-able Delay Line Loop Interpolation Scheme. - Stephan Tassart, Régis Msallam, Philippe Depalle, Samuel Dequidt:
A fractional delay application: time-varying propagation speed in waveguides. - Gary P. Scavone, Julius O. Smith III:
Digital Waveguide Modeling of Woodwind Toneholes. - Julius O. Smith III:
Nonlinear Commuted Synthesis of Bowed Strings. - Jøran Rudi:
DSP - for children. - George Robertson, Derek R. Mcauley:
Sample Rate Synchronization across an ATM Network. - Steve Malloch, Stephen Arnold, Torsten Pflicke:
Using Java to stream audio over ATM. - Dimitri Konstantas, Yann Orlarey, Simon Gibbs, Olivier Carbonel:
Distributed Musical Rehearsal. - Dan Gang, Gregory V. Chockler, Tal Anker, Alex Kremer, Tomas Winkler:
TransMIDI: A System for MIDI Sessions Over the Network Using Transis. - Fernando Lopez-Lezcano:
CCRMA Studio Report. - Mara Helmuth, Michael Robert Barnhart, Carlos Fernandes, Cheekong Ho, Bonnie Miksch:
(CCM)2 - College-Conservatory of Music Center for Computer Music, University of Cincinnati. - Naotoshi Osaka, Keiji Hirata, Takafumi Hikichi:
Studio Report of Computer Music Research Group. - Rumi Hiraga, Shigeru Igarashi:
Psyche: University of Tsukuba, Computer Music Project. - Lorin Grubb, Roger B. Dannenberg:
A Stochastic Method of Tracking a Vocal Performer. - Hideyuki Sawada, Naoyuki Onoe, Shuji Hashimoto:
Sounds in Hands: A Sound Modifier Using Datagloves and Twiddle Interface. - Teresa Marrin, Joseph A. Paradiso:
The Digital Baton: a Versatile Performance Instrument. - Osamu Takashiro, Takayuki Rai:
The Interactive Multi-media Computer System using SGI and NeXT/ISPW computers. - M. Sile O'Modhrain:
Feel the Music: Narration in Touch and Sound. - Todor Todoroff, Caroline Traube, Jean-Marc Ledent:
NeXTSTEP Graphical Interfaces to Control Sound Processing and Spatialization Instruments. - Josep Lluís Arcos, Ramón López de Mántaras, Xavier Serra:
SaxEx: a case-based reasoning system for generating expressive musical performances. - Peter Desain, Henkjan Honing, Hank Heijink:
Robust Score-Performance Matching: Taking Advantage of Structural Information. - Aggelos Pikrakis, Sergios Theodoridis, Dimitris Kamarotos:
Recognition of Isolated Musical Patterns in the context of Greek Traditional Music using Dynamic Time Warping Techniques. - Roger B. Dannenberg, Belinda Thom, David Watson:
A Machine Learning Approach to Musical Style Recognition. - Andrew Horner, Lydia Ayers:
Modelling Chinese Musical Instruments in Csound. - Gianpaolo Borin, Davide Rocchesso, Francesco Scalcon:
A Physical Piano Model for Music Performance. - Lonce Wyse:
Flexible Sound Effects. - Francisco Iovino, René Caussé, Richard Dudas:
Recent work around Modalys and Modal Synthesis. - Ramon Loureiro, Xavier Serra:
A web interface for a sound database and processing system. - Gérard Assayag, Carlos Agón, Joshua Fineberg, Peter Hanappe:
An Object Oriented Visual Environment For Musical Composition. - Kurt Thywissen:
Evolutionary Based Algorithmic Composition: A Demonstration of Recent Developments in GeNotator. - Jon Drummond:
Integrated Development Environment for Computer Music Composition. - Lippold Haken, Kelly Fitz, Edwin Tellman, Patrick J. Wolfe, Paul Christensen:
A Continuous Music Keyboard Controlling Polyphonic Morphing Using Bandwidth-Enhanced Oscillators. - Peter Beyls:
A survey of agents based real-time interactive systems. - James L. Wright, Daniel V. Oppenheim, David Jameson:
CyberBand: A "Hands-On" Music Composition Program. - Matthew Wright, David Wessel, Adrian Freed:
New Musical Control Structures from Standard Gestural Controllers. - Yann Orlarey, Dominique Fober, Stéphane Letz:
Elody: a Java+MidiShare based Music Composition Environment. - Richard Boulanger, Max V. Mathews:
The 1997 Mathews Radio-Baton and Improvisation Modes. - Brad Garton, David Topper:
RTcmix - Using CMIX in Real Time. - Dionysios Politis, Ioannis A. Tsoukalas, Panagiotis Linardis, Alexandros Bakalakos:
VIDI - A Voice Instrument Digital Interface for Byzantine Music. - Steven Trautmann:
Wavetable Acceleration Using Intermediate Buffering and Program Code Trimming. - Riccardo Di Federico, Gianpaolo Borin:
Synthesis of the trumpet tone based on physical models. - Chrysanthy Nathanail, Catherine Lavandier, Jean-Dominique Polack, Olivier Warusfel:
Influence of Sensory Interactions between Vision and Audition on the Perceptual Characterisation of Room Acoustics. - Xavier Rodet, Adrien Lefèvre:
The Diphone program: New features, new synthesis methods and experience of musical use. - Pauli Laine:
Generating Musical Patterns Using Mutually Inhibited Artificial Neurons. - Yuzuru Hiraga:
Structural Recognition of Music by Pattern Matching. - Dominik Hörnel, Peter Degenhardt:
A Neural Organist improvising baroque-style melodic variations. - Seong Won Yeo, Min-Uk Han, Chong Ho Lee:
A New Connectionist Model for Associative Retrieval of Harmonic Tunes. - Stella Paraskeva, Stephen McAdams:
Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas. - Yuri Bekhtin:
Musical Informatics: Curriculum or a New Area of Musicology? - Masataka Goto, Ryo Neyama, Yoichi Muraoka:
RMCP: Remote Music Control Protocol - Design and Applications. - Lauri Väkevä, Juha Ojala:
Networking Music Education: WWW applications in music teacher training: a praxial perspective. - K. Tsahalinas, K. Tzedaki, Perry R. Cook, S. Psaroudakes, Dimitris Kamarotos, T. Rikakis:
Physical Modeling Simulation of the ancient Greek Elgin Auloi. - Corey I. Cheng:
High-frequency compensation of low sample-rate audio files: A wavelet-based spectral excitation algorithm. - Timothy S. Stilson:
Applying Root-Locus Techniques to the Analysis of Coupled Modes in Piano Strings. - Maureen Mellody, Gregory H. Wakefield:
A Modal Distribution Study of Violin Vibrato. - Andrew Sterian, Gregory H. Wakefield:
A Frequency-Dependent Bilinear Time-Frequency Distribution for Improved Event Detection. - Mark A. Bromwich:
The Metabone : An interactive sensory control mechanism for virtuoso trombone. - Haruhiro Katayose, Hirotsugu Shirakabe, Tsutomu Kanamori, Seiji Inokuchi:
A Toolkit for Interactive Digital Art. - Adrian Freed, Amar Chaudhary, Brian Davila:
Operating Systems Latency Measurement and Analysis for Sound Synthesis and Processing Applications. - Colby Leider:
A Realtime MIDI Library for an Inexpensive General-Purpose Microcontroller-Based Interactive Performance System. - Eric D. Lyon:
Rhythmic Rendering. - Yayoi Uno, Michael C. Mozer:
Neural net Architectures in Modeling Compositional Syntax: Prediction and Perception of Continuity in Minimalist Works by Phillip Glass and Louis Andriessen.
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