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Haruhiro Katayose
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2010 – 2019
- 2017
- [c55]Shunnosuke Ando
, Haruhiro Katayose:
UPP (Unreal Prank Painter): Graffiti System Focusing on Entertainment of Mischievous Play. ACE 2017: 626-636 - [c54]Eita Nakamura, Kazuyoshi Yoshii, Haruhiro Katayose:
Performance Error Detection and Post-Processing for Fast and Accurate Symbolic Music Alignment. ISMIR 2017: 347-353 - 2016
- [c53]Wataru Ogasa, Masanori Fukui
Find Kirigami!: an Augmented Papercutting Play Activity Realized with Tablet Terminals. ACE 2016: 44:1-44:6 - 2014
- [j3]Haruhiro Katayose, Dennis Reidsma
Special issue: Ten years of Advances in Computer Entertainment. Entertain. Comput. 5(4): 439 (2014) - 2013
- [c52]Nobuto Fujii, Yuichi Sato, Hironori Wakama, Koji Kazai, Haruhiro Katayose:
Evaluating Human-like Behaviors of Video-Game Agents Autonomously Acquired with Biological Constraints. Advances in Computer Entertainment 2013: 61-76 - [e1]Dennis Reidsma
Advances in Computer Entertainment - 10th International Conference, ACE 2013, Boekelo, The Netherlands, November 12-15, 2013. Proceedings. Lecture Notes in Computer Science 8253, Springer 2013, ISBN 978-3-319-03160-6 [contents] - 2012
- [c51]Nobuto Fujii, Yuichi Sato, Hironori Wakama, Haruhiro Katayose:
Autonomously Acquiring a Video Game Agent's Behavior: Letting Players Feel Like Playing with a Human Player. Advances in Computer Entertainment 2012: 490-493 - 2011
- [c50]Hironori Wakama, Haruhiro Katayose:
Takumi: a real-time video converter that generates cartoon-style animated images using depth map. Advances in Computer Entertainment Technology 2011: 61 - [c49]Florent Berthaut, Haruhiro Katayose, Hironori Wakama, Naoyuki Totani, Yuichi Sato:
First Person Shooters as Collaborative Multiprocess Instruments. NIME 2011: 44-47 - 2010
- [c48]Saburo Hirano, Takashi Ikebuchi, Haruhiro Katayose:
MoPH: a media performance system with a multi-touch interface. Advances in Computer Entertainment Technology 2010: 20-23 - [c47]Takashi Baba, Mitsuyo Hashida, Haruhiro Katayose:
"VirtualPhilharmony": A Conducting System with Heuristics of Conducting an Orchestra. NIME 2010: 263-270
2000 – 2009
- 2009
- [j2]Hajime Sakamoto, Haruhiro Katayose, Koji Miyazaki, Ryohei Nakatsu:
Extended-Knee Walk for Humanoid Robot with Parallel Link Legs. Int. J. Humanoid Robotics 6(4): 565-584 (2009) - [c46]Mitsuyo Hashida, Shunji Tanaka, Haruhiro Katayose:
Mixtract: A directable musical expression system. ACII 2009: 1-6 - [c45]Tetsuro Kitahara, Naoyuki Totani, Ryosuke Tokuami, Haruhiro Katayose:
BayesianBand: Jam Session System Based on Mutual Prediction by User and System. ICEC 2009: 179-184 - [c44]Masanori Morise, Masato Onishi, Hideki Kawahara
v.morish'09: A Morphing-Based Singing Design Interface for Vocal Melodies. ICEC 2009: 185-190 - [c43]Ryo Kanda, Mitsuyo Hashida, Haruhiro Katayose:
Mims: Interactive Multimedia Live Performance System. NIME 2009: 45-47 - [c42]Nozomi Kugimoto, Rui Miyazono, Kosuke Omori, Takeshi Fujimura, Shinichi Furuya, Haruhiro Katayose, Hiroyoshi Miwa, Noriko Nagata:
CG animation for piano performance. SIGGRAPH Posters 2009 - 2008
- [c41]Nobuto Fujii, Mitsuyo Hashida, Haruhiro Katayose:
Strategy-acquisition system for video trading card game. Advances in Computer Entertainment Technology 2008: 175-182 - [c40]Shingo Hattahara, Nobuto Fujii, Shinpei Nagae, Koji Kazai, Haruhiro Katayose:
Brain activity during playing video game correlates with player level. Advances in Computer Entertainment Technology 2008: 360-363 - [c39]Tetsuro Kitahara, Yusuke Tsuchihashi, Haruhiro Katayose:
Music Genre Classification and Similarity Calculation Using Bass-Line Features. ISM 2008: 574-579 - [c38]Mitsuyo Hashida, Toshie Matsui, Haruhiro Katayose:
A New Music Database Describing Deviation Information of Performance Expressions. ISMIR 2008: 489-494 - [c37]Yusuke Tsuchihashi, Tetsuro Kitahara, Haruhiro Katayose:
Using Bass-line Features for Content-Based MIR. ISMIR 2008: 620-625 - [c36]Mitsuyo Hashida, Yosuke Ito, Haruhiro Katayose:
A Directable Performance Rendering System: Itopul. NIME 2008: 277-280 - 2007
- [c35]Ryota Oiwa, Mitsuyo Hashida, Haruhiro Katayose:
Crossing colorful communication: a system for enhancing sound communication. Advances in Computer Entertainment Technology 2007: 296-297 - [c34]Mitsuyo Hashida, Noriko Nagata
jPop-E: An Assistant System for Performance Rendering of Ensemble Music. NIME 2007: 313-316 - 2005
- [c33]Haruhiro Katayose, Kazuhiko Imanishi:
ARMS: a trading card game using AR technology. Advances in Computer Entertainment Technology 2005: 354-355 - [c32]Michael Bylstra, Haruhiro Katayose:
Painting as an Interface for Timbre Design. ICEC 2005: 303-314 - [c31]Mitsuyo Hashida, Kenzi Noike, Noriko Nagata
On Cognition of Musical Grouping: Relationship Between the Listeners' Schema Type and Their Musical Preference. ICEC 2005: 334-344 - [c30]Ryota Oiwa, Haruhiro Katayose, Ryohei Nakatsu:
Making Collaborative Interactive Art "Ohka Rambu". ICEC 2005: 515-518 - 2004
- [c29]Ken'ichi Toyoda, Kenzi Noike, Haruhiro Katayose:
Utility System For Constructing Database Of Performance Deviations. ISMIR 2004 - [c28]Haruhiro Katayose, Keita Okudaira:
iFP: A Music Interface Using an Expressive Performance Template. ICEC 2004: 529-540 - [c27]Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
Rencon 2004: Turing Test for Musical Expression. NIME 2004: 120-123 - [c26]Haruhiro Katayose, Keita Okudaira:
Using an Expressive Performance Template in a Music Conducting Interface. NIME 2004: 124-129 - 2003
- [c25]Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
After the first year of Rencon. ICMC 2003 - 2002
- [c24]Rumi Hiraga, Mitsuyo Hashida, Keiji Hirata, Haruhiro Katayose, Kenzi Noike:
RENCON: toward a new evaluation system for performance rendering systems. ICMC 2002 - [c23]Akio Yatsui, Haruhiro Katayose:
An accomodating piano which augments intention of inexperienced players. IWEC 2002: 249-256 - 2000
- [c22]Osamu Ishikawa, Yushi Aono, Haruhiro Katayose, Seiji Inokuchi:
Extraction of Musical Performance Rules Using a Modified Algorithm of Multiple Regression Analysis. ICMC 2000
1990 – 1999
- 1999
- [c21]Haruhiro Katayose, Hideki Kawahara:
Applying STRAIGHT toward Music Systems - Accurate F0 Estimation and Application for Data-driven Synthesis. ICMC 1999 - [c20]Hideki Kawahara, Haruhiro Katayose, Alain de Cheveigné, Roy D. Patterson:
Fixed point analysis of frequency to instantaneous frequency mapping for accurate estimation of F0 and periodicity. EUROSPEECH 1999: 2781-2784 - 1998
- [c19]Yushi Aono, Haruhiro Katayose, Seiji Inokuchi:
A Real-time Session Composer with Acoustic Polyphonic Instruments. ICMC 1998 - [c18]Shigeyuki Hirai, Haruhiro Katayose, Tsutomu Kanamori, Seiji Inokuchi:
Software Sensors for Interactive Digital Art. ICMC 1998 - [c17]Haruhiro Katayose, Shigeyuki Hirai, Tsutomu Kanamori, Hirokazu Kato, Seiji Inokuchi:
Physiological Measurement of Performers' Tension and its Utilization for Media Control. ICMC 1998 - 1997
- [c16]Haruhiro Katayose, Hirotsugu Shirakabe, Tsutomu Kanamori, Seiji Inokuchi:
A Toolkit for Interactive Digital Art. ICMC 1997 - [c15]Yuichi Uwabu, Haruhiro Katayose, Seiji Inokuchi:
A Structural Analysis Tool for Expressive Performance. ICMC 1997 - 1996
- [c14]Haruhiro Katayose, Tsutomu Kanamori, Seiji Inokuchi:
An Environment for Interactive Art - Sensor Integration and Applications. ICMC 1996 - 1995
- [c13]Yushi Aono, Haruhiro Katayose, Seiji Inokuchi:
An Improvisational Accompaniment System Observing Performer's Musical Gesture. ICMC 1995 - [c12]Tsutomu Kanamori, Haruhiro Katayose, Yushi Aono, Seiji Inokuchi, Takashi Sakaguchi:
Sensor Integration for Interactive Digital Art. ICMC 1995 - [c11]Haruhiro Katayose, Seiji Inokuchi:
A Model of Pattern Processing for Music. ICMC 1995 - [c10]Yoichi Nagashima, Haruhiro Katayose, Seiji Inokuchi:
A Compositional Environment with Intersection and Interaction between Musical Model and Graphical Model: "Listen to the Graphics, Watch the Music". ICMC 1995 - 1994
- [c9]Haruhiro Katayose, Tsutomu Kanamori, Satoshi Shimura, Seiji Inokuchi:
Demonstration of Gesture Sensors for the Shakuhachi. ICMC 1994 - 1993
- [j1]Haruhiro Katayose, Seiji Inokuchi:
Learning performance rules in a music interpretation system. Comput. Humanit. 27(1): 31-40 (1993) - [c8]Tsutomu Kanamori, Haruhiro Katayose, Satosi Simura, Seiji Inokuchi:
Gesture Sensor in Virtual Performer. ICMC 1993 - [c7]Haruhiro Katayose, Tsutomu Kanamori, Katsuyuki Kamei, Yoichi Nagashima, Kosuke Sato, Seiji Inokuchi, Satosi Simura:
Virtual Performer. ICMC 1993 - [c6]Yoichi Nagashima, Haruhiro Katayose, Seiji Inokuchi:
Pegasus-2: Real-Time Composing Environment with Chaotic Interaction Model. ICMC 1993 - 1990
- [c5]Haruhiro Katayose, Seiji Inokuchi:
The Kansei Music System '90. ICMC 1990 - [c4]Haruhiro Katayose, Toshiyuki Fukuoka, Keishi Takami, Seiji Inokuchi:
Expression extraction in virtuoso music performances. ICPR (1) 1990: 780-784
1980 – 1989
- 1989
- [c3]Haruhiro Katayose, Hirokazu Kato, Masakazu Imai, Seiji Inokuchi:
An Approach to an Artificial Music Expert. ICMC 1989 - [c2]Haruhiro Katayose, Keishi Takami, Toshiyuki Fukuoka, Seiji Inokuchi:
Music Interpreter in the Kansei Music System. ICMC 1989 - 1988
- [c1]Haruhiro Katayose, Masakazu Imai, Seiji Inokuchi:
Sentiment extraction in music. ICPR 1988: 1083-1087
Coauthor Index
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last updated on 2024-10-07 21:18 CEST by the dblp team
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