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2020 – today

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2022
[j17]
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  - journals/sensors/CanazzaPV22
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Sergio Canazza, Giovanni De Poli, Alvise Vidolin:
Gesture, Music and Computer: The Centro di Sonologia Computazionale at Padova University, a 50-Year History. Sensors 22(9): 3465 (2022)
2020
[j16]
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Niccolò Pretto, Edoardo Micheloni, Silvia Gasparotto, Carlo Fantozzi, Giovanni De Poli, Sergio Canazza:
Technology-Enhanced Interaction with Cultural Heritage: An Antique Pan Flute from Egypt. ACM Journal on Computing and Cultural Heritage 13(2): 8:1-8:20 (2020)

2010 – 2019

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2019
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Sergio Canazza, Giovanni De Poli:
Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale. Comput. Music. J. 43(4): 58-80 (2019)
2015
[j14]
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Sergio Canazza, Giovanni De Poli, Antonio Rodà:
CaRo 2.0: An Interactive System for Expressive Music Rendering. Adv. Hum. Comput. Interact. 2015: 850474:1-850474:13 (2015)
2014
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Antonio Rodà, Sergio Canazza, Giovanni De Poli:
Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane. IEEE Trans. Affect. Comput. 5(4): 364-376 (2014)
[j12]
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Giovanni De Poli, Sergio Canazza, Antonio Rodà, Emery Schubert:
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts. ACM Trans. Appl. Percept. 11(4): 22:1-22:20 (2014)
[c29]
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Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri:
How blue is Mozart? Non verbal sensory scales for describing music qualities. ICMC 2014
[c28]
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Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza:
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? ICMC 2014
2010
[j11]
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Luca Mion, Giovanni De Poli, Ennio Rapanà:
Perceptual organization of affective and sensorial expressive intentions in music performance. ACM Trans. Appl. Percept. 7(2): 14:1-14:21 (2010)
[j10]
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Sergio Canazza, Giovanni De Poli, Gian Antonio Mian:
Restoration of Audio Documents by Means of Extended Kalman Filter. IEEE Trans. Speech Audio Process. 18(6): 1107-1115 (2010)

2000 – 2009

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2008
[j9]
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Luca Mion, Giovanni De Poli:
Score-Independent Audio Features for Description of Music Expression. IEEE Trans. Speech Audio Process. 16(2): 458-466 (2008)
2007
[j8]
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Nicola Laurenti, Giovanni De Poli, Daniele Montagner:
A Nonlinear Method for Stochastic Spectrum Estimation in the Modeling of Musical Sounds. IEEE Trans. Speech Audio Process. 15(2): 531-541 (2007)
[c27]
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Luca Mion, Giovanni De Poli:
Music Expression Understanding Based on a Joint Semantic Space. AI*IA 2007: 614-625
2005
[j7]
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Antonio Camurri, Gualtiero Volpe, Giovanni De Poli, Marc Leman:
Communicating Expressiveness and Affect in Multimodal Interactive Systems. IEEE Multim. 12(1): 43-53 (2005)
2004
[j6]
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Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin:
Modeling and control of expressiveness in music performance. Proc. IEEE 92(4): 686-701 (2004)
2003
[j5]
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Patrick Zanon, Giovanni De Poli:
Estimation of Parameters in Rule Systems for Expressive Rendering of Musical Performance. Comput. Music. J. 27(1): 29-46 (2003)
[j4]
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Balázs Bank, Federico Avanzini, Gianpaolo Borin, Giovanni De Poli, Federico Fontana, Davide Rocchesso:
Physically Informed Signal Processing Methods for Piano Sound Synthesis: A Research Overview. EURASIP J. Adv. Signal Process. 2003(10): 941-952 (2003)
[c26]
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Damien Cirotteau, Giovanni De Poli, Luca Mion, Alvise Vidolin, Patrick Zanon:
Recognition of Musical Gestures in Known Pieces and in Improvisations. Gesture Workshop 2003: 497-508
2002
[c25]
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Sergio Canazza, Giovanni De Poli, Gian Antonio Mian, Alessandro Scarpa:
Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire. ICMC 2002
[c24]
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Sergio Canazza, Giovanni De Poli, Antonio Rodà, Giulio Soleni, Patrick Zanon:
Real Time Analysis of Expressive Contents in Piano Performances. ICMC 2002
[c23]
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Patrick Zanon, Giovanni De Poli, Alessandro Dorigatti:
Time-varying estimation of parameters in rule systems for music performance. ICMC 2002
[c22]
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  - conf/nime/OboeP02
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Roberto Oboe, Giovanni De Poli:
Multi-instrument virtual keyboard - the MIKEY project. NIME 2002: 23-28
2001
[c21]
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Sergio Canazza, Guido Coraddu, Giovanni De Poli, Gian Antonio Mian:
An Objective and Subjective Comparison of Audio Restoration Systems. ICHIM (2) 2001: 273-281
[c20]
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Sergio Canazza, Alvise Vidolin, Giovanni De Poli, Carlo Drioli, Antonio Rodà:
Expressive Morphing for Interactive Performance of Musical Scores. WEDELMUSIC 2001: 116-122
2000
[j3]
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Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin:
Audio Morphing Different Expressive Intentions for Multimedia Systems. IEEE Multim. 7(3): 79-83 (2000)
[j2]
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Gianpaolo Borin, Giovanni De Poli, Davide Rocchesso:
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems. IEEE Trans. Speech Audio Process. 8(5): 597-605 (2000)
[c19]
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Andrea Bari, Sergio Canazza, Giovanni De Poli, Gian Antonio Mian:
Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music. ICMC 2000
[c18]
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Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Federico Zamperini:
Real-Time Morphing Among Different Expressive Intentions in Audio Playback. ICMC 2000

1990 – 1999

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1999
[j1]
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Augusto Sarti, Giovanni De Poli:
Toward nonlinear wave digital filters. IEEE Trans. Signal Process. 47(6): 1654-1668 (1999)
[c17]
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Sergio Canazza, Giovanni De Poli, Riccardo Di Federico, Carlo Drioli, Antonio Rodà:
Expressive Processing of Audio and MIDI Performances in Real Time. ICMC 1999
[c16]
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  - conf/icmcs/BezziPR99
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Marco Bezzi, Giovanni De Poli, Davide Rocchesso:
Sound Authoring Tools for Future Multimedia Systems. ICMCS, Vol. 2 1999: 512-517
[c15]
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Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin:
Adding Expressiveness to Musical Messages. ICMCS, Vol. 2 1999: 518-523
1998
[c14]
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Sergio Canazza, Giovanni De Poli, Gianni Di Sanzo, Alvise Vidolin:
A Model To Add Expressiveness To Automatic Musical Performance. ICMC 1998
1997
[c13]
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Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin:
Analysis by synthesis of the expressive intentions in musical performance. ICMC 1997
1996
[c12]
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Augusto Sarti, Giovanni De Poli:
Generalized adaptors with memory for nonlinear wave digital structures. EUSIPCO 1996: 1-4
[c11]
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Sergio Canazza, Giovanni De Poli, Stefano Rinaldin, Alvise Vidolin:
Sonological Analysis of Clarinet Expressivity. Joint International Conference on Cognitive and Systematic Musicology 1996: 431-440
[c10]
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Sergio Canazza, Giovanni De Poli, Alvise Vidolin:
Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance. Joint International Conference on Cognitive and Systematic Musicology 1996: 441-450
1994
[c9]
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  - conf/icmc/BresinPBV94
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Roberto Bresin, Giovanni De Poli, Giovanni U. Battel, Alvise Vidolin:
Neural Networks vs. Rules System: Evaluation of Test of Automatic Performance. ICMC 1994
[c8]
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Antonio Camurri, Giovanni De Poli, Roger B. Dannenberg, Julius O. Smith III:
Instruction of Computer Music for Computer Engineering Students and Professionals. ICMC 1994
[c7]
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Piero Cosi, Giovanni De Poli, Paolo Prandoni:
Timbre Characterization with Mel-Cepstrum and Neural Nets. ICMC 1994
1993
[c6]
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Giovanni De Poli, Paolo Tonella:
Self-organizing Neural Network and Grey's Timbre Space. ICMC 1993
1992
[c5]
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Roberto Bresin, Giovanni De Poli, Alvise Vidolin:
Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance. ICMC 1992

1980 – 1989

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1989
[c4]
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Gianpaolo Borin, Giovanni De Poli, Augusto Sarti:
A Modular Approach to Excitator-Resonator Interaction in Physical Models Synthesis. ICMC 1989
1984
[c3]
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Giovanni B. Debiasi, Giovanni De Poli, Graziano Tisato, Alvise Vidolin:
Centro Di Sonologia Computazionale C. S. C. University of Padova. ICMC 1984
[c2]
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Giovanni De Poli:
Frequency Dependent Waveshaping. ICMC 1984

1970 – 1979

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1978
[c1]
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James Dashow, Giovanni De Poli, Graziano Tisato, Alvise Vidolin:
Computer Music at University of Padova. ICMC 1978

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