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Digitalization, copyright and innovation in the creative industries: an agent-based model. (2022). Martinelli, Arianna ; Russo, Emanuele ; Palagi, Elisa ; Nuvolari, Alessandro.
In: LEM Papers Series.
RePEc:ssa:lemwps:2022/03.

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References cited by this document

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  8. Fauchart, E. and E. von Hippel (2008). Norms-based intellectual property systems: The case of French chefs. Organization Science 19(2), 187–201.

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Cocites

Documents in RePEc which have cited the same bibliography

  1. Displacement and complementarity in the recorded music industry: evidence from France. (2024). Verboven, Frank ; Nicolle, Ambre ; Ivaldi, Marc ; Zhang, Jiekai.
    In: Journal of Cultural Economics.
    RePEc:kap:jculte:v:48:y:2024:i:1:d:10.1007_s10824-023-09471-0.

    Full description at Econpapers || Download paper

  2. The impact of licensed and unlicensed free goods: an empirical analysis of music, video, and book industries in Japan. (2023). Tanaka, Tatsuo ; Oshima, Hidetaka ; Iyanaga, Kotaro ; Sakaguchi, Hirohide ; Yamaguchi, Shinichi.
    In: SN Business & Economics.
    RePEc:spr:snbeco:v:3:y:2023:i:3:d:10.1007_s43546-023-00439-y.

    Full description at Econpapers || Download paper

  3. Displacement and Complementary in the recorded music industry: evidence from France. (2023). Zhang, Jiekai ; Verboven, Frank ; Nicolle, Ambre ; Ivaldi, Marc.
    In: Post-Print.
    RePEc:hal:journl:hal-04020859.

    Full description at Econpapers || Download paper

  4. Competition for Exclusivity and Customer Lock-in: Evidence from Copyright Enforcement in China. (2023). Liu, Youming.
    In: Staff Working Papers.
    RePEc:bca:bocawp:23-43.

    Full description at Econpapers || Download paper

  5. .

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  6. Online video sharing and revenues during the Pandemic. Evidence from musical stream data. (2022). Mourelatos, Haris.
    In: GLO Discussion Paper Series.
    RePEc:zbw:glodps:1050pre.

    Full description at Econpapers || Download paper

  7. Online video sharing and revenues during the Pandemic. Evidence from musical stream data. (2022). Mourelatos, Haris.
    In: GLO Discussion Paper Series.
    RePEc:zbw:glodps:1050.

    Full description at Econpapers || Download paper

  8. Digitalization, copyright and innovation in the creative industries: an agent-based model. (2022). Martinelli, Arianna ; Russo, Emanuele ; Palagi, Elisa ; Nuvolari, Alessandro.
    In: LEM Papers Series.
    RePEc:ssa:lemwps:2022/03.

    Full description at Econpapers || Download paper

  9. Streaming Stimulates the Live Concert Industry: Evidence from YouTube. (2022). Christensen, Finn.
    In: International Journal of Industrial Organization.
    RePEc:eee:indorg:v:85:y:2022:i:c:s0167718722000492.

    Full description at Econpapers || Download paper

  10. Streaming Stimulates the Live Concert Industry: Evidence from YouTube. (2021). Christensen, Finn .
    In: Working Papers.
    RePEc:tow:wpaper:2021-01.

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  11. Commodification 2.0: How Does Spotify Provide Its Services for Free?. (2021). Yalcintas, Altug ; Kasap, Orun.
    In: Review of Radical Political Economics.
    RePEc:sae:reorpe:v:53:y:2021:i:1:p:157-172.

    Full description at Econpapers || Download paper

  12. It takes two, baby! Feature artist collaborations and streaming demand for music. (2021). Mckenzie, Jordi ; Lenten, Liam ; Crosby, Paul.
    In: Journal of Cultural Economics.
    RePEc:kap:jculte:v:45:y:2021:i:3:d:10.1007_s10824-020-09396-y.

    Full description at Econpapers || Download paper

  13. Platforms, Power, and Promotion: Evidence from Spotify Playlists. (2021). Waldfogel, Joel ; Aguiar, Luis.
    In: Journal of Industrial Economics.
    RePEc:bla:jindec:v:69:y:2021:i:3:p:653-691.

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  14. The economic impact of streaming beyond GDP. (2020). Haskel, Jonathan ; Goodridge, Peter ; Edquist, Harald.
    In: ITS Conference, Online Event 2020.
    RePEc:zbw:itso20:224851.

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  15. Business models for streaming platforms: Content acquisition, advertising and users. (2020). Carroni, Elias ; Paolini, Dimitri.
    In: Information Economics and Policy.
    RePEc:eee:iepoli:v:52:y:2020:i:c:s0167624520301219.

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  16. Business models for streaming platforms: content acquisition, advertising and users. (2020). Carroni, Elias ; Paolini, D.
    In: Working Paper CRENoS.
    RePEc:cns:cnscwp:202001.

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  17. Cyclical phenomena in technological change. (2020). Coccia, Mario.
    In: Papers.
    RePEc:arx:papers:2010.03168.

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  18. The business model of a streaming platform. (2019). Paolini, Dimitri ; Carroni, Elias.
    In: Working Paper CRENoS.
    RePEc:cns:cnscwp:201902.

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  19. Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists. (2018). Waldfogel, Joel ; Aguiar, Luis.
    In: JRC Working Papers on Digital Economy.
    RePEc:ipt:decwpa:2018-04.

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  20. Changing Their Tune: How Consumers’ Adoption of Online Streaming Affects Music Consumption and Discovery. (2018). Bronnenberg, Bart J ; Knox, George ; Datta, Hannes.
    In: Marketing Science.
    RePEc:inm:ormksc:v:37:y:2018:i:1:p:5-21.

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  21. Pricing of Digital Video Supply Chain: Free versus Paid Service on the Direct Distribution Channel. (2018). Mo, Jeonghoon ; Kim, Yunhyoung.
    In: Sustainability.
    RePEc:gam:jsusta:v:11:y:2018:i:1:p:46-:d:192346.

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  22. As streaming reaches flood stage, does it stimulate or depress music sales?. (2018). Waldfogel, Joel ; Aguiar, Luis.
    In: International Journal of Industrial Organization.
    RePEc:eee:indorg:v:57:y:2018:i:c:p:278-307.

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  23. The Rise of Streaming Music and Implications for Music Production. (2017). Walter, Jason ; Jason, Walter ; Scott, Hiller R.
    In: Review of Network Economics.
    RePEc:bpj:rneart:v:16:y:2017:i:4:p:351-385:n:2.

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