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Bose-Einstein Dynamics and Adaptive Contracting in the Motion Picture Industry.. (1996). Walls, W. ; De Vany, Arthur .
In: Economic Journal.
RePEc:ecj:econjl:v:106:y:1996:i:439:p:1493-1514.

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  5. There’s an app for that! understanding the drivers of mobile application downloads. (2021). van Bruggen, Gerrit H ; Ataman, Berk M ; Gokgoz, Zeynep Aydin.
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  6. Big data comes to Hollywood: Audiovisuelle Medienmärkte im digitalen Zeitalter. (2020). Ganssle, Sophia.
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  8. Innovation and Corporate Dynamics: A Theoretical Framework. (2020). Riccaboni, Massimo ; Pammolli, Fabio ; Growiec, Jakub.
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  9. Movie Industry Demand and Theater Availability. (2020). Yuan, Jia ; Qi, Shi ; Leung, Tin Cheuk.
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  10. The Indian film industry in a changing international market. (2020). Ghosh Dastidar, Sayantan ; Elliott, Caroline.
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  12. Conquering the box office: Factors influencing success of international movies in Russia. (2019). Budzinski, Oliver ; Astakhova, Daria ; Ganssle, Sophia.
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  13. The Role of Business Model Design in the Diffusion of Innovations: An Analysis of a Sample of Unicorn-Tech Companies. (2019). Frattini, Federico ; Chiesa, Vittorio ; Chiaroni, Davide ; Urbinati, Andrea.
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  14. New evidence on income and the geographical distribution of imports: The case of audiovisuals. (2019). Masood, Maria.
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  17. Blockbusters and market expansion: evidence from the motion picture industry. (2018). Smirnov, Vladimir ; Mckenzie, Jordi.
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  18. Behind film performance in China’s changing institutional context: The impact of signals. (2018). Wei, Yingqi ; Wang, Chengang ; Konara, Palitha ; Elliott, Caroline ; Ling, Haiyi.
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  19. Industry characteristics, stages of E-commerce communications, and entrepreneurs and SMEs revenue growth. (2018). Saridakis, George ; Hansen, Jared M ; Mohammed, Anne-Marie ; Lai, Yanqing .
    In: Technological Forecasting and Social Change.
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  20. Conquering the Box Office: Factors Influencing Success of International Movies in Russia. (2018). Budzinski, Oliver ; Daria, Astakhova ; Oliver, Budzinski ; Sophia, Gaenssle.
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  21. First mover or higher quality? Optimal product strategy in markets with positive feedbacks. (2018). Lamberson, PJ ; Page, Scott E.
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  22. Do Movie Majors Really Collude? Indirect Evidence from Release Schedules. (2017). Prieto-Rodriguez, Juan ; Orea, Luis ; Gutierrez-Navratil, Fernanda ; Fernández-Blanco, Víctor ; Sanchez, Luis Orea ; Fernandez-Blanco, Victor.
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  23. Piracy and box office movie revenues: Evidence from Megaupload. (2017). Peukert, Christian ; Kretschmer, Tobias ; Claussen, Jörg.
    In: International Journal of Industrial Organization.
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  24. Information transmission in high dimensional choice problems: The value of online ratings in the restaurant market. (2016). Schaffner, Florian.
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  25. Measuring Economic Efficiency in the Motion Picture Industry: a Data Envelopment Analysis Approach. (2016). Hababou, Moez ; Jedidi, Kamel ; Amrouche, Nawel.
    In: Customer Needs and Solutions.
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  26. Pooled Modelling of the Product Life Cycle of Feature Films in Poland (Modelowanie panelowe cyklu zycia filmu kinowego w Polsce). (2016). Zbyrowski, Rafa ; Gmerek, Natalia .
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  27. Persistence and change in age-specific gender gaps: Hollywood actors from the silent era onward. (2016). Hanssen, F. Andrew ; Fleck, Robert K.
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  28. The impact of deregulation on the movie box office after Taiwan’s entry into the WTO: the difference-in-differences estimation. (2015). Chen, Wei-Peng ; Jane, Wen-Jhan ; Hsu, Yuan-Lin.
    In: Eurasian Business Review.
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  29. Factors Affecting the Financial Success of Motion Pictures: What is the Role of Star Power?. (2015). Selvaretnam, Geethanjali ; Yang, Jen-Yuan .
    In: Discussion Paper Series, Department of Economics.
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  30. Economics of motion pictures: the state of the art. (2015). Walls, W. ; Fernández-Blanco, Víctor ; Fernandez-Blanco, Victor ; Chisholm, Darlene ; Ravid, Abraham S..
    In: Journal of Cultural Economics.
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  31. Factors Affecting the Financial Success of Motion Pictures: What is the Role of Star Power?. (2015). Selvaretnam, Geethanjali ; Yang, Jen-Yuan .
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  32. Factors Affecting the Financial Success of Motion Pictures: What is the Role of Star Power?. (2015). Yang, Jen-Yuan ; Selvaretnam, Geethanjali .
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  33. A two-stage proxy variable approach to estimating movie box office receipts. (2014). Williams, Nancy ; Derrick, Frederick ; Scott, Charles.
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  34. Cheap Tuesdays and the demand for cinema. (2014). Mckenzie, Jordi ; de Roos, Nicolas.
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  35. Copyright without Creators. (2014). Barnett Jonathan M., .
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  36. Diversity in teams and the success of cultural products. (2013). Ehrmann, Thomas ; Meiseberg, Brinja.
    In: Journal of Cultural Economics.
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  37. New horizons or a strategic mirage? Artist-led-distribution versus alliance strategy in the video game industry. (2013). Broekhuizen, Thijs L. J., ; Lampel, Joseph ; Rietveld, Joost .
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  38. Land cover change using an energy transition paradigm in a statistical mechanics approach. (2013). Zachary, Daniel S..
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  39. Predicting box office with and without markets: Do internet users know anything?. (2013). Mckenzie, Jordi.
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  40. A Peer-based Model of Fat-tailed Outcomes. (2013). Klemens, Ben .
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  41. Whose and What Chatter Matters? The Effect of Tweets on Movie Sales. (2012). Liu, Yizao ; Whinston, Andrew ; Rui, Huaxia.
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  42. Modelling skewness and kurtosis with the BCPE density in GAMLSS. (2012). Voudouris, Vlasios ; Stasinopoulos, Dimitrios ; Rigby, Robert ; Gilchrist, Robert ; Sedgwick, John .
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  43. The effects of having more than one good reputation on distributor investments in the film industry. (2012). Wijnberg, Nachoem ; Ebbers, Joris .
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  44. The effect of feedback consistency on success in markets with positive feedbacks. (2012). Lamberson, PJ ; Page, Scott E..
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  45. As Good as It Gets ?Blockbusters and the Inequality of Box Office Results Since 1950.. (2012). Prieto-Rodriguez, Juan ; Ginsburgh, Victor ; Fernández-Blanco, Víctor ; Fernandez-Blanco, Victor ; Weyers, Sheila.
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  46. Government Intervention to Prevent Bankruptcy: the Effect of Blind-Bidding Laws on Movie Theaters. (2012). Mulligan, James ; Wedzielewski, Daniel J..
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  47. Screen Wars, Star Wars, and Sequels: Nonparametric Reanalysis of Movie Profitability. (2012). .
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  48. Whose and What Chatter Matters? The Effect of Tweets on Movie Sales. (2012). Whinston, Andrew ; Liu, Yizao ; Rui, Huaxia.
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  49. To Review or Not to Review? Limited Strategic Thinking at the Movie Box Office. (2012). Brown, Alexander ; Lovallo, Dan ; Camerer, Colin F. ; ColinF. Camerer, .
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  50. Fairness Ex Ante and Ex Post: Experimentally Testing Ex Post Judicial Intervention into Blockbuster Deals. (2011). Engel, Christoph ; Kurschilgen, Michael.
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  51. Innovation and Corporate Dynamics: A Theoretical Framework. (2011). Riccaboni, Massimo ; Pammolli, Fabio ; Growiec, Jakub.
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  54. Motion Pictures. (2011). Chisholm, Darlene C.
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  55. Vertical Integration during the Hollywood Studio Era. (2010). Hanssen, F. Andrew.
    In: Journal of Law and Economics.
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  56. Consumers as risk takers: Evidence from the film industry during the 1930s. (2010). Sedgwick, John ; POKORNY, MICHAEL.
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  57. Movie producers and the statistical distribution of achievement. (2010). Mckenzie, Jordi.
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  58. Do African American films perform better or worse at the box office? An empirical analysis of motion picture revenues and profits. (2010). Mckenzie, Jordi.
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  60. Fairness Ex Ante & Ex Post – An Experimental Test of the German “Bestseller Paragraph”. (2010). Kurschilgen, Michael ; Engel, Christoph.
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  61. Superstars and heavy tails in recorded entertainment: empirical analysis of the market for DVDs. (2010). Walls, W..
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  62. Expert judgements and the demand for novels in Flanders. (2010). Werck, Kristien ; Ashworth, John ; Heyndels, Bruno.
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  63. How do theatrical box office revenues affect DVD retail sales? Australian empirical evidence. (2010). Mckenzie, Jordi.
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  64. Commercial success and artistic recognition of motion picture projects. (2010). Hadida, Allegre .
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  66. Profitability trends in Hollywood, 1929 to 1999: somebody must know something -super-1. (2010). Sedgwick, John ; POKORNY, MICHAEL.
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    In: Empirical Economics.
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  69. Social Learning and Optimal Advertising in the Motion Picture Industry. (2009). Joo, Hailey ; University, Ohio ; Department of Economics, .
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  72. Revealed word-of-mouth demand and adaptive supply: survival of motion pictures at the Australian box office. (2009). Mckenzie, Jordi.
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  73. Broadway productions and the value of a Tony Award. (2009). Boyle, Melissa ; Chiou, Lesley.
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  74. The Effects of Vertical Integration on the Release of New Films. (2009). Saavedra, Eduardo ; Agostini, Claudio.
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  75. The Market for Motion Pictures in Thailand: Rank, Revenue, and Survival at the Box Office. (2009). Walls, W..
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  76. ILLEGAL MUSIC DOWNLOADING AND ITS IMPACT ON LEGITIMATE SALES: AUSTRALIAN EMPIRICAL EVIDENCE. (2009). Mckenzie, Jordi.
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  77. Demand Distribution Dynamics in Creative Industries: the Market for Books in Italy. (2008). Gaffeo, Edoardo ; Scorci, Antonello E. ; Vici, Laura.
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  78. Demand Distribution Dynamics in Creative Industries: the Market for Books in Italy. (2008). scorcu, antonello ; Gaffeo, Edoardo ; Vici, Laura.
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  79. Determinants of UK Box Office Success: The Impact of Quality Signals. (2008). Simmons, Robert ; Elliott, Caroline.
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  80. Behavioral finance in corporate governance: economics and ethics of the devil’s advocate. (2008). Morck, Randall.
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  81. Social network markets: a new definition of the creative industries. (2008). Potts, Jason ; ormerod, paul ; Cunningham, Stuart ; Hartley, John.
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  82. The Effect of Superstar Software on Hardware Sales in System Markets. (2008). Stremersch, Stefan ; Binken, Jeroen ; Binken, J. L. G., .
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  83. Demand distribution dynamics in creative industries: The market for books in Italy. (2008). Vici, Laura ; scorcu, antonello ; Gaffeo, Edoardo.
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  84. Demand Distribution Dynamics in Creative Industries: the Market for Books in Italy. (2008). Vici, Laura ; scorcu, antonello ; Gaffeo, Edoardo.
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  85. Bayesian Information Transmission and Stable Distributions: Motion Picture Revenues at the Australian Box Office. (2008). Mckenzie, Jordi.
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  86. How many viewers does a cable network need? A survival analysis of cable networks. (2007). Brown, Keith.
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  87. Evolutionary Concept, Genetic Algorithm and Exhibition Contract in Movie Industry. (2007). Kean Siang, Ch'ng.
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  88. The Role and Determinants of Concession Sales in Movie Theaters: Evidence from the Spanish Exhibition Industry. (2007). Gil, Ricard ; Hartmann, Wesley .
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    In: Centre on Regulation and Competition (CRC) Working papers.
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    In: Research Policy.
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    In: Carleton Economic Papers.
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  124. On the perceived quality of movies. (1999). Ginsburgh, Victor ; Weyers, Sheila.
    In: ULB Institutional Repository.
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  125. Scaling laws, talent amplification, and executive compensation in the commercial bank industry. (1999). Walls, W..
    In: Journal of Economics and Finance.
    RePEc:spr:jecfin:v:23:y:1999:i:2:p:133-142.

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  126. Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry. (1999). POKORNY, MICHAEL ; Sedgwick, John.
    In: Journal of Cultural Economics.
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  127. Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office?. (1999). Walls, W. ; Devany, Arthur ; De Vany, Arthur .
    In: Journal of Cultural Economics.
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