Post-disco

Subgenuri
Post-disco
Origini stilistice	Muzică experimentală, muzică electronică, Urban music, (și anume soul și funk), Disco, dub
Origini culturale	Sf. anilor 1970 – înc. anilor 1980; New York City, Miami, Montréal, Londra
Instrumente tipice	Sintetizator, sintetizator de ritm, sequencer, vocal, clape, sampler
Popularitate	Mare - în anii 1980
Forme derivate	Dance-pop, Italo-disco, dance-rock, dance-punk, house, freestyle, techno
Boogie
Alte subiecte
rare groove, electro, garage house, Chicago house, post-punk, Disco Demolition Night
Modifică text

Post-disco (uneori numit muzică de club sau dance)^[1] se referă la mișcarea disco caracterizată prin utilizarea intensă a instrumentelor cu clape, apărută în Statele Unite la finele anilor 1970 și terminându-se odată cu apariția mainstream-ului de muzică house la sfârșitul anilor 1980.^[2]^[3]

Post-disco este genul premergător care, prin amplificarea accentului electronic și experimental al muzicii disco,^[4]^[5] a dat naștere stilurilor dance-pop,^[1]^[6] boogie,^[5] Italo disco și alternative dance timpuriu.^[5]

Muzica techno și cea house își au de asemenea rădăcinile în post-disco.^[1]^[7]^[8]^[9]^[10]^[11]

Istorie

Post-disco a apărut la finele aniilor 1970 ca o mișcare contra sunetului disco clasic. Aceasta mișcare a început în SUA și s-a răspândit și în țăriie vecine. În Europa, post-disco a devenit popular din 1981-82, când majoritatea cântăreților încercau să implementeze instrumente electronice.

Caracteristici

Post-disco pune accent pe sunetul tobei mici și elimină ritmul 4 pe 4. De obicei chitarele se folosesc pentru un sunet de efect cea ce este opusul muzicii disco, care folosea chitara ca pe unul dintre instrumentele principale. Chitara bas a continuat să fie folosită frecvent până în 1983, cand post-disco a ajuns aproape complet electric. Sunetele de vioară, violoncel și alte instrumente similare sunt rar auzite în cântecele post-disco. Cântecele folosesc de obicei acorduri mai simple și mai puține decât cele din muzica disco.

Artiști post-disco de renume

Case de discuri proeminente

Michael Jackson și Madonna: cei mai de succes artiști post-disco.

Note

^ ^a ^b ^c Slant Magazine | Music | 100 Greatest Dance Songs. Retrieved on 2-2-2009
^ "Though it makes sense to classify any form of dance music made since disco as post-disco, each successive movement has had its own characteristics to make it significantly different from the initial post-disco era, whether it's dance-pop or techno or trance." — Allmusic
^ Reynolds, Simon (2009) Grunge's Long Shadow - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009"
^ „Walsh, Fintan (June, 2012): Eumir Deodato and the exploration of Post-Disco”. The 405 magazine (UK). Arhivat din original la 9 noiembrie 2013. Accesat în 30 iunie 2012.
^ ^a ^b ^c „Explore music…Genre: Post-disco/Dance rock”. Allmusic. Accesat în 11 aprilie 2009.
^ Smay, David & Cooper, Kim (2001). Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears: "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. ISBN 0-922915-69-5.
^ Haggerty, George E. (2000). Gay Histories and Cultures: An Encyclopedia. Taylor & Francis. p. 256. ISBN 0-8153-1880-4. House music is a form of post-disco dance music made popular in the mid-1980s in Chicago clubs…"
^ Demers, Joanna (2006). „Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste”. Popular Music. Cambridge Univ Press. 25 (3): 25, 401–414. doi:10.1017/S0261143006001012. "In terms of its song repertoire, DDR is rooted in disco and post-disco forms such as techno and house. But DDR can be read as the ultimate postmodern dance experience because the game displays various forms of dance imagery without stylistic or historical continuity (Harvey 1990, p. 62,…)
^ Campbell, Michael (2008). Popular Music in America. Cengage Learning. p. 352. ISBN 0-495-50530-7. Glossary: techno – post-disco dance music in which most or all of the sounds are electronically generated
^ AllMusic - explore music... House: "House music grew out of the post-disco dance club culture of the early '80s." Retrieved on 12-27-2009
^ St. John, Graham (2004), Rave Culture and Religion, p. 50, ISBN 0-415-31449-6, "[sic] house music. As a post-disco party music, house features a repetitive 4/4 beat and a speed of 120 or more beats per minute..."

[Slant-1] Slant Magazine | Music | 100 Greatest Dance Songs. Retrieved on 2-2-2009

[2] "Though it makes sense to classify any form of dance music made since disco as post-disco, each successive movement has had its own characteristics to make it significantly different from the initial post-disco era, whether it's dance-pop or techno or trance." — Allmusic

[shadow-3] Reynolds, Simon (2009) Grunge's Long Shadow - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009"

[deo-4] „Walsh, Fintan (June, 2012): Eumir Deodato and the exploration of Post-Disco”. The 405 magazine (UK). Arhivat din original la 9 noiembrie 2013. Accesat în 30 iunie 2012.

[AMG1-5] „Explore music…Genre: Post-disco/Dance rock”. Allmusic. Accesat în 11 aprilie 2009.

[6] Smay, David & Cooper, Kim (2001). Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears: "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. ISBN 0-922915-69-5.

[7] Haggerty, George E. (2000). Gay Histories and Cultures: An Encyclopedia. Taylor & Francis. p. 256. ISBN 0-8153-1880-4. House music is a form of post-disco dance music made popular in the mid-1980s in Chicago clubs…"

[DancingMachines-8] Demers, Joanna (2006). „Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste”. Popular Music. Cambridge Univ Press. 25 (3): 25, 401–414. doi:10.1017/S0261143006001012. "In terms of its song repertoire, DDR is rooted in disco and post-disco forms such as techno and house. But DDR can be read as the ultimate postmodern dance experience because the game displays various forms of dance imagery without stylistic or historical continuity (Harvey 1990, p. 62,…)

[9] Campbell, Michael (2008). Popular Music in America. Cengage Learning. p. 352. ISBN 0-495-50530-7. Glossary: techno – post-disco dance music in which most or all of the sounds are electronically generated

[10] AllMusic - explore music... House: "House music grew out of the post-disco dance club culture of the early '80s." Retrieved on 12-27-2009

[11] St. John, Graham (2004), Rave Culture and Religion, p. 50, ISBN 0-415-31449-6, "[sic] house music. As a post-disco party music, house features a repetitive 4/4 beat and a speed of 120 or more beats per minute..."

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]