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Art as an alternative asset class: Risk and return characteristics of the Middle Eastern & Northern African art markets

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  • Kräussl, Roman
Abstract
This chapter analyzes the risk and return characteristics of investments in artists from the Middle East and Northern Africa (MENA) region over the sample period 2000 to 2012. With hedonic regression modeling we create an annual index that is based on 3,544 paintings created by 663 MENA artists. Our empirical results prove that investing in such a hypothetical index provides strong financial returns. While the results show an exponential growth in sales since 2006, the geometric annual return of the MENA art index is a stable13.9 percent over the whole period. We conclude that investing in MENA paintings would have been profitable but also note that we examined the performance of an emerging art market that has only seen an upward trend without any correction, yet.

Suggested Citation

  • Kräussl, Roman, 2014. "Art as an alternative asset class: Risk and return characteristics of the Middle Eastern & Northern African art markets," CFS Working Paper Series 494, Center for Financial Studies (CFS).
  • Handle: RePEc:zbw:cfswop:494
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    References listed on IDEAS

    as
    1. Madeleine De La Barre & Sophie Docclo & Victor Ginsburgh, 1994. "Returns of Impressionist, Modern and Contemporary European Paintings 1962-1991," Annals of Economics and Statistics, GENES, issue 35, pages 143-181.
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    6. Goetzmann, William N, 1993. "Accounting for Taste: Art and the Financial Markets over Three Centuries," American Economic Review, American Economic Association, vol. 83(5), pages 1370-1376, December.
    7. Kraeussl, Roman & Logher, Robin, 2010. "Emerging art markets," Emerging Markets Review, Elsevier, vol. 11(4), pages 301-318, December.
    8. repec:adr:anecst:y:1994:i:35:p:06 is not listed on IDEAS
    9. Erdal Atukeren & Aylin Seçkin, 2006. "Art and the Economy: A First Look at the Market for Paintings in Turkey," Economics Bulletin, AccessEcon, vol. 26(3), pages 1-13.
    10. de la BARRE, M. & DOCCLO, S. & GINSBURGH, V., 1994. "Returns of impressionist, modern and contemporary European paintings," LIDAM Reprints CORE 1114, Université catholique de Louvain, Center for Operations Research and Econometrics (CORE).
    11. Anderson, Robert C, 1974. "Paintings as an Investment," Economic Inquiry, Western Economic Association International, vol. 12(1), pages 13-26, March.
    12. Luc Renneboog & Tom Van Houtte, 2000. "From realism to surrealism: investing in Belgian art," Brussels Economic Review, ULB -- Universite Libre de Bruxelles, vol. 165, pages 69-106.
    13. Pesando, James E, 1993. "Art as an Investment: The Market for Modern Prints," American Economic Review, American Economic Association, vol. 83(5), pages 1075-1089, December.
    14. Hayat, Raphie & Kraeussl, Roman, 2011. "Risk and return characteristics of Islamic equity funds," Emerging Markets Review, Elsevier, vol. 12(2), pages 189-203, June.
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    Cited by:

    1. Masset, Philippe & Weisskopf, Jean-Philippe & Faye, Benoît & Le Fur, Eric, 2016. "Red obsession: The ascent of fine wine in China," Emerging Markets Review, Elsevier, vol. 29(C), pages 200-225.

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    More about this item

    Keywords

    Alternative investments; Art price index; Optimal Asset Allocation;
    All these keywords.

    JEL classification:

    • G11 - Financial Economics - - General Financial Markets - - - Portfolio Choice; Investment Decisions
    • Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature

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