The Four Ages of Poetry

Much of the ‘Four Ages’ is an attack from a utilitarian standpoint on the Romantic poets with whom Peacock was closely associated, and whom indeed he defended publicly from criticism elsewhere.^[2] But, ever the parodist, Peacock's argument cut both ways. As M. H. Abrams put it, “If he was a poet who mocked at poets from a Utilitarian frame of satirical reference, he was a Utilitarian who turned into ridicule the belief in utility and the march of intellect”.^[3] Nevertheless, while humorous, Peacock's essay also raised several serious critical points.^[4]

Peacock offered a mocking account of how poets originally developed a claim to be historians or moralists, seeing the first poetry as created by a bard “always ready to celebrate the strength of [the king’s] arm, being first duly inspired by that of his liquor”.^[5] As the inflater of royal ‘credit’, the poet was thus placed as precursor to contemporary speculators in paper money and financial credit.^[6]

"Mr Scott digs up the poachers and cattle-stealers of the ancient border. Lord Byron cruises for thieves and pirates on the shores of the Morea….Mr Wordsworth picks up village legends from old women".^[7] Peacock concluded that the present-day poet was a regressive influence opposed to progress and development, and (herein Peacock was outdoing Jeremy Bentham himself) of no utilitarian merit whatever.^[8]

 

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The Four Ages of Poetry

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