Rome 11:00

In response to a newspaper ad seeking a secretary for an accountant's office, two hundred women gather on a small building's staircase, hoping for an interview. They come from diverse backgrounds: fallen nobles, prostitutes seeking to change their lives, wives with unemployed husbands, and affluent daughters with not enough pension to survive.

Waiting on the stairs, the women exchange impressions and discuss their lives of misery and their tricks for making a living. Gianna is first in line, the pawn of a strong-willed mother, while Caterina is a prostitute hoping for a new life. Angelina is a servant, also hoping to escape her situation.^[2] Other characters include a pregnant unwed mother, a young woman who wants to be a singer, and an artist's mistress.^[2]

When a poor workman's wife, Luciana Renzoni, tries to move ahead in the line, the resulting scuffle among the women causes the staircase to collapse.^[2]

The injured are taken to a hospital, but to be treated, the hospital is demanding a payment of 2,300 Lire per day. Many of them are unable to pay and are forced to go home.

New York Times film critic Bosley Crowther called Rome 11:00 a "vivid, raw-boned movie" and "a film of absorbing interest and persistent emotional power." He also praised Carla Del Poggio for her sensitive portrayal of the anguish felt by her character, Luciana Renzoni, after precipitating the tragedy.^[2]

• Nastro d'Argento for Best Music (Mario Nascimbene)

In 1956, filmmaker Elio Petri published Roma ore 11, a collection of his interviews with people involved in the tragedy. The documentation originally served as a basis for the film.^[1][3] The work was republished in 2004.

• Tre storie proibite, a film by Augusto Genina based on the same incident

• Rome ore 11 at IMDb