Michael Cunningham (born November 6, 1952)[1] is an American novelist and screenwriter. He is best known for his 1998 novel The Hours, which won the Pulitzer Prize for Fiction[2] and the PEN/Faulkner Award[3] in 1999. Cunningham is Professor in the Practice of Creative Writing at Yale University.[4]
Michael Cunningham | |
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Born | Cincinnati, Ohio, U.S. | November 6, 1952
Occupation |
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Education | Stanford University (BA) University of Iowa (MFA) |
Notable work | The Hours |
Notable awards | Pulitzer Prize for Fiction PEN/Faulkner Award |
Signature | |
Early life and education
editCunningham was born in Cincinnati, Ohio, and grew up in La Cañada Flintridge, California.[5][6] He studied English literature at Stanford University, where he earned his degree. Later, at the University of Iowa, he received a Michener Fellowship and was awarded a Master of Fine Arts degree from the Iowa Writers' Workshop. While studying at Iowa, he had short stories published in the Atlantic Monthly and The Paris Review. His short story "White Angel" was later used as a chapter in his novel A Home at the End of the World. It was included in "The Best American Short Stories, 1989", published by Houghton Mifflin.
In 1988, Cunningham received a National Endowment for the Arts Fellowship[7] and in 1993 a Guggenheim Fellowship.[8] In 1995 he was awarded a Whiting Award.[9] Cunningham has taught at the Fine Arts Work Center in Provincetown, Massachusetts, and in the creative writing M.F.A. program at Brooklyn College.
Career
editThe Hours established Cunningham as a major force in the American writing sphere, and his 2010 novel, By Nightfall, was also well received by U.S. critics.[10] Cunningham edited a book of poetry and prose by Walt Whitman,[11] Laws for Creations, and co-wrote, with Susan Minot, a screenplay adapted from Minot's novel Evening. He was a producer for the 2007 film Evening, starring Glenn Close, Toni Collette, and Meryl Streep.
In November 2010, Cunningham judged one of NPR's "Three Minute Fiction" contests.[12]
In April 2018, it was announced that Cunningham would serve as consulting producer for a revival of the Tales of the City miniseries, which is based on Armistead Maupin's book series of the same name.[13] The miniseries premiered on June 7, 2019.
Personal life
editAlthough Cunningham is gay, and married to psychoanalyst Ken Corbett,[14] he dislikes being referred to as a gay writer, according to a PlanetOut article.[15] While he often writes about gay people, he does not "want the gay aspects of [his] books to be perceived as their single, primary characteristic."[16] Cunningham lives in Brooklyn, New York and works in Manhattan.[17]
Bibliography
editNovels
edit- Golden States (1984)
- A Home at the End of the World (1990)
- Flesh and Blood (1995)
- The Hours (1998)
- Specimen Days (2005)
- By Nightfall (2010)
- The Snow Queen (2014)
- Day (2023)
Short stories
editCollections:
- A Wild Swan and Other Tales (2015), Farrar, Straus and Giroux ISBN 978-0374290252, collection of 11 short stories:
- "Dis. Enchant.", "A Wild Swan", "Crazy Old Lady", "Jacked", "Poisoned", "A Monkey's Paw", "Little Man", "Steadfast; Tin", "Beasts", "Her Hair", "Ever/After"
Uncollected short stories:
- "White Angel" (1989), later used as a chapter in novel A Home at the End of the World
- "Mister Brother" (1999)
- "The Destruction Artist" (2007), collected in A Memory, a Monologue, a Rant, and a Prayer (2007), edited by Eve Ensler and Mollie Doyle
- "A Wild Swan" (2010), collected in anthology My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales (2010), edited by Kate Bernheimer and Carmen Giménez Smith
Non-fiction
edit- "The Slap of Love". Open City. 6. 1996., article
- Land's End: A Walk in Provincetown (2002), travels
- Company (2008), an essay on the influence of Virginia Woolf on Cunningham's writing
- About Time: Fashion and Duration (2020), with Andrew Bolton, couture
Screenplays
edit- A Home at the End of the World (2004)
- Evening (2007)
- The Christmas Letter (2024)
Contributor
edit- Drawn by the Sea (2000) (exhibition catalogue text; 110 signed copies)
- The Voyage Out (2001), by Virginia Woolf (Modern Library Classics edition) (Introduction)
- I Am Not This Body: The Pinhole Photographs of Barbara Ess (2001) (Text)
- Washington Square (2004), by Henry James (Signet Classics edition) (Afterword)
- Death in Venice (2004), by Thomas Mann (new translation by Michael Henry Heim) (Introduction)
- Laws for Creations (2006), poems by Walt Whitman (Editor and introduction)
- Fall River Boys (2012), photo book by Richard Renaldi, introductory essay[18]
Adaptations
edit- The Hours (2002), film directed by Stephen Daldry, based on novel The Hours
- The Hours (2022), opera with music by Kevin Puts and libretto by Greg Pierce, based on the novel and the film
- A Home at the End of the World (2004), film directed by Michael Mayer, based on novel A Home at the End of the World
- The Destruction Artist (2012), short film directed by Michael Sharpe, based on short story "The Destruction Artist"
- The Hours: A Live Tribute (2016), short film directed by Tim McNeill, based on novel The Hours
Awards and achievements
edit- "White Angel" was included in the 1989 Best American Short Stories.
- "Mister Brother" was included in the 2000 O. Henry Prize Stories.
For The Hours, Cunningham was awarded the:
- Pulitzer Prize for Fiction - 1999
- PEN/Faulkner Award - 1999
- Gay, Lesbian, Bisexual, and Transgender Book Award - 1999
In 1995, Cunningham received the a Whiting Award.
In 2011, Cunningham won the Fernanda Pivano Award for American Literature in Italy.[19] He won the Premio Gregor von Rezzori for Day in 2024.[20]
See also
editReferences
edit- ^ "Meet the Writers: Michael Cunningham". barnesandnoble.com. Barnes & Noble. c. 2009. Archived from the original on 2009-04-08. Retrieved 2009-06-26.
- ^ "The Hours, by Michael Cunningham (Farrar, Straus & Giroux)". www.pulitzer.org. Retrieved 2023-12-11.
- ^ "Past Award Winners & Finalists | The PEN/Faulkner Foundation". www.penfaulkner.org. Retrieved 2023-12-11.
- ^ "Michael Cunningham | English". english.yale.edu. Retrieved 2023-12-11.
- ^ "Michael Cunningham". SBA The Steven Barclay Agency. Archived from the original on 2023-06-26. Retrieved 2023-10-03.
- ^ Felicelli, Anita (September 13, 2022). "The Moment: Introducing the Special Guest in Conversation with Julie Otsuka". Alta. Archived from the original on 2022-09-13.
- ^ "Literature Fellowships". www.arts.gov. Retrieved 2023-12-11.
- ^ "Michael Cunningham". John Simon Guggenheim Memorial Foundation... Retrieved 2023-12-11.
- ^ "Michael Cunningham". www.whiting.org. Retrieved 2023-12-11.
- ^ metacritic entry on "Specimen Days"[dead link ]
- ^ "For Every Atom Belonging to Me: Poet Michael Cunningham", Radio Netherlands Archives, October 7, 2006
- ^ "Three-Minute Fiction: The Winner Is ..." NPR.org.
- ^ Petski, Denise (April 24, 2018). "Armistead Maupin's Tales of the City Revival Gets Series Order At Netflix; Ellen Page Joins Cast". Deadline Hollywood. Retrieved June 12, 2019.
- ^ Leland, John (October 24, 2002). "At Home With: Michael Cunningham; This Is the House The Book Bought". The New York Times. Retrieved September 7, 2013.
- ^ PlanetOut Entertainment Archived August 29, 2009, at the Wayback Machine
- ^ Moore, Chadwick (September 30, 2010). "Catching Up with Michael Cunningham". Out. Retrieved September 7, 2013.
- ^ Alter, Alexandra (September 13, 2023). "Michael Cunningham Couldn't Help but Write a Pandemic Novel". The New York Times. Retrieved December 11, 2023.
- ^ "Charles Lane Press | Books".
- ^ "Le menzogne di Cunningham e la musica di Servillo - la Repubblica.it". July 2011.
- ^ "Michael Cunningham, Day". Rai Cultura (in Italian). Retrieved October 13, 2024.
External links
edit- Official website
- Michael Cunningham at IMDb
- 2004 article by Randy Shulman from Metro Weekly
- Michael Cunningham's profile in Yale University
- Michael Cunningham's profile at The Whiting Foundation
- Speculative Fiction and the Art of Subversion - Conversation between Michael Cunningham and Margaret Atwood at Key West Literary Seminar
- Michael Cunningham, A Life In Writing, article in The Guardian