Macro Manuscript

 

Although the manuscript is now considered a single artifact, its three plays were composed as separate manuscripts. Along with certain place names scattered throughout the plays, the particular dialects in which the three are written suggest that they originated in the East Midlands or East Anglia, particularly around Norfolk and Suffolk.^[2] The monk Thomas Hyngman transcribed Mankind and Wisdom between 1460 and 1475.^[3] Along with The Castle of Perseverance, Hyngman's Mankind and Wisdom were acquired by the Reverend Cox Macro of Bury St Edmunds, Suffolk in the early 18th century. Macro bound them together somewhat arbitrarily, along with three other non-dramatic manuscripts. Early 19th-century owner Henry Gurney separated The Castle, Wisdom, and Mankind from the other manuscripts and bound them together as a collection in a separate volume. In August of 1936, Joseph Quincy Adams, the Director of the Folger Shakespeare Library, purchased this manuscript from the antiquarian firm Bernard Quaritch for £1,125 (approximately $5,625).^[4] The manuscripts had been purchased by Quaritch earlier in 1936 at a Sotheby's auction on March 30^[5] for £440.^{[citation needed]}

 

As drama, the Macro plays remained in relative obscurity until 1823, when William Hone mentioned The Castle of Perseverance in Ancient Mysteries Described. The first intensive critical analysis came in 1832 from John Payne Collier in The History of English Dramatic Poetry.^[6] The three plays were first published together in Furnivall's edition of 1882.^[7]

References in The Castle of England to "crakows" (an early 15th-century shoe fashion with pointed toes) indicate that the play was written between 1400 and 1425, making it the earliest complete extant English morality play.^[8] The Macro manuscript's Castle was transcribed around 1440.^[9] Despite being chronologically first, the play is bound third in the Macro manuscript, in folios 154–191. The play has 38 extant leaves, with two gatherings of 16 leaves and a third gathering of six leaves, with nearly 3,700 lines in total. Evidence of two missing leaves suggests that there are around 100 lines that have been lost.^[10] Stylistic differences in dialect, rhyme scheme and stanza pattern between the banns (an advertisement for the coming performance that begins the play) and certain sections of the play text lead to the argument that the play may have had two or three authors.^[11][12][10]

The play's full performance would have required about three and a half hours and upwards of twenty actors. The large size of the cast required suggests that the play was performed by traveling players in the speaking roles with locals acting the mute minor roles.

 

Through references to contemporary coinage, Mankind has been dated to 1465–1470.^[13] Thirteen extant leaves make up the manuscript. The play was performed by groups of traveling players for a paying audience; Eccles notes that Mankind is the first English play to "mention gathering money from an audience".^[14] The cast is considerably smaller than that of The Castle or Wisdom, requiring as few as six players to perform. Scholars have been interested by the contrast between serious theological material and comic moments in Mankind. The play is interested in the humor of transgression – five out of seven speaking roles are comic villains, making Mankind the lightest and most colloquial of the Macro plays.^[15] In his introduction to Furnivall's edition, Pollard writes that the "low tone" of the play is due to its nature as an economic venture, since the tone appealed to the largely uneducated common audiences for whom players performed.^[16]

Also known as Mind, Will, and Understanding, Wisdom dates from the mid-1460s. The manuscript contains two quires of twelve leaves each. Like Mankind, it belonged to (and was possibly transcribed by) the monk Thomas Hyngman. While the play in its complete form is known only through the Macro Manuscript, fragments of the play are preserved in a Digby Manuscript at the Bodleian Library (MS Digby 133). Unlike the other Macro plays, Wisdom splits the incarnation of man into nine different characters: Anima (the soul of man), the three faculties of the soul (Mind, Will, and Understanding), and the five senses. Scholars disagree on the number of players required to perform the play, varying from over twenty to as few as twelve.^[17]

• Baker, D. C., J. L. Murphy, and L. B. Hall, Jr., eds. The Late Medieval Religious Plays of Bod¬leian MSS Digby 133 and E. Museo 160. Oxford: Oxford University Press, 1982.
• Beadle, Richard and Piper, A.J. eds. "Monk Thomas Hyngham's hand in the Macro Manuscript", New Science out of Old Books: Studies in Manuscripts and Early Printed Books. Aldershot: Scolar Press, 1995, pp. 315-41.
• Bennet, Jacob. "The 'Castle of Perseverance': Redactions, Place, and Date", Mediaeval studies, xxiv, p. 141-52. 1962.
• Bevington, David, ed. The Macro Plays: A Facsimile Edition with Facing Transcription. New York: Johnson Reprint, 1972.
• Coldewey, John, ed. Early English Drama: An Anthology. New York: Garland, 1993.
• Davenport, William. Fifteenth-Century English Drama: The Early Moral Plays and Their Literary Relations. Boydell & Brewer, 1982.
• Eccles, Mark, ed. The Macro Plays. EETS o.s. 262. London: Oxford University Press, 1969.
• Fifield, Merle. The Rhetoric of Free Will: The Five-action structure of the English Morality Play. Leeds Texts and Monographs New Series 5, University of Leeds School of English, 1974.
• Furnivall, Frederick James and Pollard, Alfred William eds. The Macro Plays. For the Early English Text Society, 1904.
• Gibson, Gail McMurray. The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages. University of Chicago Press, 1994.
• Klausner, David N, ed. Two Moral Interludes: The Pride of Life and Wisdom. Michigan: Medieval Institute Publications, 2008.
• Lester, G. A., ed. Three Late Medieval Morality Plays. The New Mermaids ser. London: A&C Black, 1981.
• Riggio, Milla Cozart, ed. The Play of Wisdom: Its Texts and Contexts. New York: AMS Press, 1998.
• Smart, Walter. Some English and Latin Sources and Parallels for the Morality of Wisdom. 1912.
• Spector, Stephen. "Paper evidence and the genesis of the macro plays", Mediaevalia 5: 217-32. 1979.
• Spivack, Bernard. Shakespeare and the Allegory of Evil. 1957.
• Southern, Richard. The Staging of Plays Before Shakespeare. London: Faber, 1973.
• Walker, Greg, ed. Medieval Drama. Oxford: Blackwell, 2000.
• Wickham, Glynne, ed. English Moral Interludes. London: Dent, 1976.

• Lynch, Kathleen (20 October 2015). "What to do about the Macro manuscripts?". The Collation. Folger Shakespeare Library. Retrieved 20 October 2015.

• Images of the Macro Plays from the Folger Shakespeare Library Digital Image Collection