L'anima del filosofo, ossia Orfeo ed Euridice (The Soul of the Philosopher, or Orpheus and Euridice), Hob. 28/13, is an opera in Italian in four acts by Joseph Haydn and is one of the last two operas written during his life, the other being Armida (1783).The libretto, by Carlo Francesco Badini, is based on the myth of Orpheus and Euridice as told in Ovid's Metamorphoses. Composed in 1791 for His Majesty's Theatre during his first visit to England,[1] the opera was never performed during Haydn's lifetime and only given its formal premiere in 1951.[2]
| L'anima del filosofo | |
|---|---|
| Opera by Joseph Haydn | |
 Portrait of Haydn by Thomas Hardy, 1791 | |
| Translation | The Soul of the Philosopher |
| Other title | Orfeo ed Euridice |
| Librettist | Carlo Francesco Badini |
| Language | Italian |
| Based on | Myth of Orpheus |
| Premiere | 9 June 1951 Teatro della Pergola, Florence |
Background
editAfter his patron Prince Nikolaus Esterházy had died in 1790, Haydn travelled to London where he received a commission to write several symphonies. The impresario John Gallini offered him a contract to write an opera for The King's Theatre but due to a dispute between King George III and the Prince of Wales he was refused permission to stage it in May 1791. There are some uncertainties about why the opera was banned at the time.[clarification needed]
The score was nearly completed but was not published in its complete form before the 20th century. It was partially published by Breitkopf & Härtel in c. 1807.[3]
Various manuscripts were scattered in several European libraries.[4] H. C. Robbins Landon did much to assemble the available scores.
Performance history
editL'anima del filosofo remained unperformed until 9 June 1951, when it appeared at the Teatro della Pergola, Florence, with a cast including Maria Callas and Boris Christoff, under the conductor Erich Kleiber.
The UK premiere was in 1955, a concert performance at the St Pancras Festival. This was the debut of the baritone Derek Hammond-Stroud.[5] It has been performed and recorded several times since then. The opera makes extensive use of the chorus.
Roles
edit| Role | Voice type | Premiere cast, 9 June 1951[6] Conductor: Erich Kleiber |
|---|---|---|
| Orfeo | tenor | Thyge Thygesen |
| Euridice | soprano | Maria Callas |
| Plutone | bass | Mario Frosini |
| Creonte | bass | Boris Christoff |
| Baccante | soprano | Liliana Poli |
| Genio | soprano | Julanna Farkas |
| First courtier | baritone | Camillo Righini |
| Second courtier/Warrior | tenor | Gino Orlandini |
| Third courtier | baritone | Edio Peruzzi |
| Fourth courtier | tenor | Lido Pettini |
Instrumentation
editThe opera is scored for two flutes, two oboes, two clarinets, two cors anglais, two bassoons, two horns, two trumpets, two trombones, timpani, harp, strings, and continuo.
Music
editHaydn borrowed previously composed music as the basis for select portions of the opera. One notable example is Genio's "C Major" aria which was a reformed version of Flaminia's aria "Ragion nell'alma siede" from the 1773 opera, Philemon und Baucis.[7]
Recordings
edit- 1951 – Herbert Handt (Orfeo), Judith Hellwig (Euridice), Alfred Poell (Creonte), Hedda Heusser (Genio), Walter Berry (Pluto), Richard Walleigh (First courtier) – Wiener Staatsopernchor und Orchester, Hans Swarowsky – 3 LPs The Haydn Society
- 1967 – Nicolai Gedda (Orfeo), Dame Joan Sutherland (Euridice), Spiro Malas (Creonte), Mary O'Brien (Genio), Simon Gilbert (Pluto) – Scottish Opera Chorus, Scottish National Orchestra, Richard Bonynge – 2 CDs Opera d'Oro
- 1994 – Robert Swensen (Orfeo), Helen Donath (Euridice), Thomas Quasthoff (Creonte), Sylvia Greenberg (Genio), Paul Hansen (Pluto), Azuko Suzuki (Baccante) – Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Leopold Hager – 2 CDs Orfeo
- 1997 – Uwe Heilmann (Orfeo), Cecilia Bartoli (Euridice), Ildebrando d'Arcangelo (Creonte), Cecilia Bartoli (Genio), Andrea Silvestrelli (Pluto), Angela Kazimierczuk (Baccante) – Academy of Ancient Music, Christopher Hogwood – 2 CDs L'Oiseau-Lyre
References
edit- ^ Geiringer, Karl (1939). "Haydn as an Opera Composer". Proceedings of the Musical Association. 66: 23–32. doi:10.1093/jrma/66.1.23. ISSN 0958-8442. JSTOR 765813.
- ^ Maluquer, Jordi (2004). "Las óperas de Haydn". El Ciervo. 53 (639): 38. ISSN 0045-6896. JSTOR 40831551.
- ^ Joseph Haydn : Orfeo ed Euridice (L'anima del filosofo) 1951 edition, Haydn Society Boston
- ^ The opera whose time hadn't come, Haydn Seek
- ^ Millington, Barry (27 May 2012). "Derek Hammond-Stroud obituary". The Guardian. Retrieved 11 July 2013.
- ^ Casaglia, Gherardo (2005). "L´anima del filosofo ossia Orfeo e Euridice, 9 June 1951". L'Almanacco di Gherardo Casaglia (in Italian).
- ^ Brago, Michael (1984). "Haydn, Goldoni, and Il mondo della luna". Eighteenth-Century Studies. 17 (3): 308–332. doi:10.2307/2738171. ISSN 0013-2586. JSTOR 2738171.
External links
edit- L'anima del filosofo: Scores at the International Music Score Library Project
- Loder, Sue (16 August 2007). "Haydn's L'anima del filosofo (Orfeo ed Eurydice) – A rare performance at Glimmerglass this summer, as part of their 'Orpheus' 2007 Festival season". Opera Today. Retrieved 9 October 2020.
- McCallum, Peter (4 December 2010). "L'anima del filosofo: Orpheus and Eurydice". The Sydney Morning Herald. Retrieved 11 July 2013.