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Kosuke Okahara (born 1980) is a Japanese photographer who covers social issues in the tradition of humanistic documentary photography.

Image of Kosuke Okahara

Okahara is a winner of PDN's 30,[citation needed] Joop Swart Masterclass of World Press Photo,[citation needed] Eugene Smith Fellowship, Getty Images Grant, and Pierre & Alexandra Boulat Award.

Biography

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Okahara was born in Tokyo, Japan. After a period of training and competing in freestyle skiing at the international level, he[1] studied education at Waseda University. Upon obtaining his degree, he embarked on a career as a photographer, alternating between news- reporting and long-term personal projects. His initial trip led him to Sudan (2004), Burma (2007), China (2007), as well as his first trip to Colombia (2006).

In 2004, he began "Ibasyo" a long-term photographic essay[2] on adolescent self-harm in Japan. Japanese society generally ignores this phenomenon as it considers it to be shameful. Okahara took on the pluralistic roles of photographer, close friend, witness, and social worker. One of his series that he photographed in Colombia has been published and exhibited as a part of "100 years of Leica photography".

Other topics he has photographed are the Arab Spring, the chaos on the Russian periphery,[3][4] and migrants around Calais in 2008. Since the Fukushima nuclear accident in 2011, he documents the region devastated by the disaster with a particular attention given to the signs of time.[5] This latter work is the subject of a book, Fukushima Fragments (2015).[6]

Okahara was a member of Agence VU' between 2007 and 2010.[citation needed]

Books

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  • Contact #1 -Any given day-. Backyard Project, 2013.
  • Vanishing Existence. Backyard Project, 2013.
  • Ibasyo Book Journey. Handependent, 2014.
  • Almost Paradise. Only Photography, 2014.
  • Fukushima Fragments. France: Martinière, 2015. ISBN 978-2732470009.
  • Ibasyo. Japan: Kousakusha, 2018. ISBN 978-4875024903.
  • blue affair. Japan: THE BACKYARD, 2020

Awards

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Exhibitions

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Solo exhibitions

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  • Resistance, Nikon Salon, Tokyo, 2005; Nikon Salon, Osaka, Japan, 2005; Foreign Correspondents' Club of Thailand, Bangkok, 2006.
  • Ibasyo, Kunsthal, Rotterdam, The Netherlands, 2011.[10]
  • Surviving for existence – Abkhazia, the country that doesn't exist,.[11] Festival Photoreporter, Saint-Brieuc, France, 2013.
  • Fukushima Fragments, Photo Antalya, Antalya, Turkey, 2015.
  • Almost Paradise, Only Photography Gallery, Berlin, 2015.
  • Fukushima Fragments, Polka Gallery, Paeis, 2016.

Group exhibitions

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  • 100 years of Leica Photography, House of Photography, Hamburg, Germany, 2015;[12] C/O Berlin, Berlin, 2015.[13]

References

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  1. ^ "NYTimes.com Search". query.nytimes.com. Retrieved 2016-01-03.
  2. ^ "Video: Photographer Kosuke Okahara on Japanese Women Who Cut Themselves". Asia Society. Retrieved 2016-01-02.
  3. ^ Rykoff, Mark. "Pictures of Transnistria: An Unrecognized State Caught Between Past and Present". Time. Retrieved 2016-01-02.
  4. ^ "In Sochi's Shadow". Newsweek. Retrieved 2016-01-02.
  5. ^ "Fragments of Fukushima". New York Times - Lens Blog. Retrieved 2016-01-02.
  6. ^ "Fukushima, Fragments - Kosuke Okahara". www.editionsdelamartiniere.fr. Retrieved 2016-01-02.
  7. ^ "Darcy Padilla receives $30,000 W. Eugene Smith photography grant". pmanewsline.com. Retrieved 2016-01-02.
  8. ^ Wallace, Vaughn. "Getty Awards $80,000 to Four Photojournalists at Perpignan". Time. Retrieved 2016-01-02.
  9. ^ Hatakeyama, Takuya (2015-02-04). "Award-winning photographer vows to continue work with Colombia's drug gangs". The Japan Times Online. ISSN 0447-5763. Retrieved 2016-01-02.
  10. ^ "Ibasyo - Kunsthal". www.kunsthal.nl. Archived from the original on 2016-01-20. Retrieved 2016-01-02.
  11. ^ "Kosuke Okahara - Festival Photoreporter". Festival Photoreporter. Retrieved 2016-01-02.
  12. ^ Hamburg, Deichtorhallen. "100 years of Leica". deichtorhallen.de. Kehrer Vertag. Retrieved 2016-01-02.
  13. ^ "Eyes Wide Open!". C/O Berlin. Retrieved 2016-01-02.
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