Joe Sample

Sample was born in Houston, Texas,^[1] the youngest son of Alexander Sample, a mail-carrier, and Agatha (née Osborne) Sample, a seamstress. Sample began to play the piano at the age of five. He was a student of the organist and pianist (Theodore or T.) Curtis Mayo.

In high school in the 1950s, Sample teamed up with friends saxophonist Wilton Felder and drummer "Stix" Hooper to form a group called the Swingsters. While studying piano at Texas Southern University, Sample met and added trombonist Wayne Henderson and several other players to the Swingsters, which became the Modern Jazz Sextet and then the Jazz Crusaders,^[3] in emulation of one of the leading progressive jazz bands of the day, Art Blakey's Jazz Messengers. Sample never took a degree from the university; instead, in 1960, he and the Jazz Crusaders made the move from Houston to Los Angeles. He was a member of Phi Beta Sigma fraternity.

The group quickly found opportunities on the West Coast, making its first recording, Freedom Sound, in 1961 and releasing up to four albums a year over much of the 1960s. The Jazz Crusaders played at first in the dominant hard bop style of the day, standing out by virtue of their unusual front-line combination of saxophone (played by Wilton Felder) and Henderson's trombone. Another distinctive quality was the funky, rhythmically appealing acoustic piano playing of Sample, who helped steer the group's sound into a fusion between jazz and soul^[4] in the late 1960s. The Jazz Crusaders became a strong concert draw during those years.

While Sample and his bandmates continued to work together, he and the other band members pursued individual work as well. In 1969, Sample made his first recording under his own name; Fancy Dance featured the pianist as part of a jazz trio.^[3] In the 1970s, as the Jazz Crusaders became simply the Crusaders and branched out into popular sounds, Sample became known as a Los Angeles studio musician, appearing on recordings by Joni Mitchell, Marvin Gaye, Miles Davis, B. B. King, Randy Crawford, George Benson, Joe Cocker, Michael Franks, Anita Baker(1994) and Steely Dan.^[5] Sample was a founding member of the L.A. Express, which was started as the backing band for Tom Scott; however, both Sample and fellow Crusader Larry Carlton left after that group's first album. In 1975, Sample went into the studio with bassist Ray Brown and drummer Shelly Manne to produce a then state-of-the-art recording direct to disc titled The Three. About this time, Blue Note Records reissued some of the early work by the Jazz Crusaders as The Young Rabbits. This was a compilation of their recordings produced between 1962 and 1968.

The electric keyboard was fairly new in the 1960s, and Sample became one of the instrument's pioneers. He began to use the electric piano while the group retained their original name, and the group hit a commercial high-water mark with the hit single "Street Life" and the album of the same name in 1979. He released Swing Street Café with R&B guitarist David T. Walker in 1981.

The Crusaders, after losing several key members, broke up after recording Life in the Modern World for the GRP label in 1987. Despite the disbanding of the Crusaders, the members would join each other to record periodically over the years, releasing Healing the Wounds in the early 1990s. Felder, Hooper, and Sample recorded their first album, called Rural Renewal, as the reunited Crusaders group in 2003 and played a concert in Japan in 2004.

After Sample's Fancy Dance (1969), he recorded several solo albums, including Sample This, produced by George Duke.

GRP also released Joe Sample Collection, and a three-disc Crusaders Collection, as testament to Sample's enduring legacy. Some of the pianist's recent recordings are The Song Lives On (1999), featuring duets with singer Lalah Hathaway, and The Pecan Tree (2002), a tribute to his hometown of Houston, where he relocated in 1994. His 2004 album on Verve, Soul Shadows, paid tribute to Duke Ellington and Jelly Roll Morton, and pre-jazz bandleader James Reese Europe. In 2007, he recorded Feeling Good with vocalist Randy Crawford. In the mid-1970s, the Crusaders added guitarist Larry Carlton.

Sample appeared on stage at the Waterfront Hall in Belfast, Northern Ireland, on 28 May 2000, playing keyboard solo on George Benson's "Deeper Than You Think". This concert was recorded and a DVD entitled George Benson: Absolutely Live was subsequently released. A studio version of "Deeper Than You Think" was recorded featuring Joe Sample in New York in May 1999 during sessions for a Benson collection that took the title Absolute Benson.

Some of Sample's works were featured on The Weather Channel's "Local on the 8s" segments and his song "Rainbow Seeker" is included in their 2008 compilation release, The Weather Channel Presents: Smooth Jazz II. Nicole Kidman sang his song "One Day I'll Fly Away" in the Baz Luhrmann film Moulin Rouge! (2001). The popular "In All My Wildest Dreams", also from the 1978 album Rainbow Seeker, was sampled on Tupac's "Dear Mama", De La Soul's "WRMS's Dedication to the Bitty", Toni Braxton's "What's Good" and Arrested Development's "Africa's Inside Me".^{[citation needed]}

Sample died of mesothelioma in Houston, Texas, at the age of 75. At the time of his death, Sample had been working on a project, "Quadroon," with singer-songwriter Jonatha Brooke.^[6]

Joe Sample was Catholic, and supported Catholic charities and churches throughout his life.^[7]

His son, bassist Nicklas Sample, was a member of the Coryell Auger Sample Trio featuring Julian Coryell and Karma Auger.^{[2][8][9][10]}

 

• Freedom Sound (Pacific Jazz, 1961)
• Lookin' Ahead (Pacific Jazz, 1962)
• The Jazz Crusaders at the Lighthouse (Pacific Jazz, 1962)
• Tough Talk (Pacific Jazz, 1963)
• Heat Wave (Pacific Jazz, 1963)
• Jazz Waltz (Pacific Jazz, 1963) with Les McCann
• Stretchin' Out (Pacific Jazz, 1964)
• The Thing (Pacific Jazz, 1965)
• Chile Con Soul (Pacific Jazz, 1965)
• Live at the Lighthouse '66 (Pacific Jazz, 1966)
• Talk That Talk (Pacific Jazz, 1966)
• The Festival Album (Pacific Jazz, 1966)
• Uh Huh (Pacific Jazz, 1967)
• Lighthouse '68 (Pacific Jazz, 1968)
• Powerhouse (Pacific Jazz, 1969)
• Lighthouse '69 (Pacific Jazz, 1969)
• Give Peace a Chance (Liberty, 1970)
• Old Socks New Shoes – New Socks Old Shoes (Chisa, 1970)
• Pass the Plate (Chisa, 1971)
• Hollywood (MoWest, 1972)
• Crusaders 1 (Blue Thumb, 1972)
• The 2nd Crusade (Blue Thumb, 1973)
• Unsung Heroes (Blue Thumb, 1973)
• Scratch (Blue Thumb, 1974)
• Southern Comfort (Blue Thumb, 1974)
• Chain Reaction (ABC/Blue Thumb, 1975)
• Those Southern Knights (ABC/Blue Thumb, 1976)
• Free as the Wind (ABC/Blue Thumb, 1977)
• Images (ABC/Blue Thumb, 1978)
• Street Life (MCA, 1979)
• Rhapsody and Blues (MCA, 1980)
• Standing Tall (MCA, 1981)
• Ongaku Kai - Live in Japan (Crusaders, 1981; GRP, 1993)
• Royal Jam (MCA, 1982) with B.B. King
• Ghetto Blaster (MCA, 1984)
• The Good and the Bad Times (MCA, 1986)
• Life in the Modern World (MCA, 1988)
• Healing the Wounds (GRP, 1991)
• Rural Renewal (Verve, 2003)

With CreoleJoe Band

• CreoleJoe Band (PRA, 2013)

 

Wikimedia Commons has media related to Joe Sample.

• Joe Sample discography at Discogs
• Joe Sample biography at Verve Records
• Joe Sample at IMDb
• Joe Sample at Find a Grave