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File:Bloody Saturday, Shanghai.jpg

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Summary

H. S. Wong: Bloody Saturday  wikidata:Q701174 reasonator:Q701174
Photographer
H. S. Wong  (1900–1981)  wikidata:Q262117
 
Alternative names
H.S. Wong; Newsreel Wong; Wang Haisheng; Wang Xiaoting; Newsreel Wang; H. S. "Newsreel" Wong
Description photographer, war photographer, photojournalist, camera operator and journalist
Date of birth/death 1900 Edit this at Wikidata 9 March 1981 Edit this at Wikidata
Location of birth/death Beijing Edit this at Wikidata Taipei Edit this at Wikidata
Authority file
creator QS:P170,Q262117
image of artwork listed in title parameter on this page
Title
Bloody Saturday
Object type photograph Edit this at Wikidata
Genre photojournalism Edit this at Wikidata
Original caption
English: This terrified baby was one of the only human beings left alive in Shanghai's South Station after the brutal Japanese bombing in China.
Description
English: Baby crying on a platform of Shanghai's South Station after aerial bombing by Japanese forces.
Français : Bébé pleurant sur le quai de la gare sud de Shanghai après un bombardement aérien par l'armée japonaise.
Español: Bebé llorando en una plataforma de la Estación Sur de Shanghái después del bombardeo aéreo de las fuerzas japonesas.
Date Taken on 28 August 1937
References
Source File:This terrified baby was almost the only human being left alive in Shanghai's South Station after brutal Japanese... - NARA - 535557.tif
Other versions
Image extraction process

This file has multiple extracted images:
This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: Complete restoration..

Licensing

Public domain
This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.

Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Chinese origin that have entered the public domain in the U.S. due to certain circumstances (such as publication in noncompliance with U.S. copyright formalities) may have had their U.S. copyright restored under the Uruguay Round Agreements Act (URAA) if the work was under copyright in its country of origin on the date that the URAA took effect in that country. (For the People's Republic of China, the URAA took effect on January 1, 1996. For the Republic of China (ROC), the URAA took effect on January 1, 2002.[1])
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Public domain

This work is in the public domain in the United States because it meets three requirements:

  1. it was first published outside the United States (and not published in the U.S. within 30 days),
  2. it was first published before 1 March 1989 without copyright notice or before 1964 without copyright renewal or before the source country established copyright relations with the United States,
  3. it was in the public domain in its home country on the URAA date (January 1, 1996 for most countries).
For background information, see the explanations on Non-U.S. copyrights.
Note: This tag should not be used for sound recordings.

Captions

Add a one-line explanation of what this file represents
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digital representation of

Bloody Saturday

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copyright status

public domain

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instance of

photograph

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genre

photojournalism

black-and-white photography

media type

image/jpeg

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checksum

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determination method or standard: SHA-1

data size

2,752,886 byte

height

2,396 pixel

width

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File history

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Date/TimeThumbnailDimensionsUserComment
current06:25, 31 July 2018Thumbnail for version as of 06:25, 31 July 20182,940 × 2,396 (2.63 MB)Yanncrop
20:48, 29 July 2018Thumbnail for version as of 20:48, 29 July 20182,952 × 2,396 (2.63 MB)Yann{{Information |Description={{en|''This terrified baby was one of the only human beings left alive in Shanghai's South Station after the brutal Japanese bombing in China.''}} |Source=File:This terrified baby was almost the only human being left alive in Shanghai's South Station after brutal Japanese... - NARA - 535557.tif |Date=1937-08-28 |Author={{Creator:H. S. Wong}} |Permission= |other_versions= }} {{retouched|Complete restoration.}} Category:Bloody Saturday (photograph) [[Categor...

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