Eugène Flandin

In 1839, Flandin was, along with Coste, made a laureate of the Institut de France, and they both joined the embassy of the Comte de Sercey [fr] to Iran (1839–41). After parting from de Sercey's mission, they left Isfahan (31 May 1841) with very limited financial means and retinue. They pursued their periplus towards Hamadān, Kangāvar, Bīsotūn, Ḥolwān, etc. They went back to Isfahan and then on to Shiraz and the Persian Gulf (Būšehr), returning to Tehran via Shiraz, Isfahan, and Kashan. They then traveled to Tabrīz, where disastrous sanitary conditions hampered their return through Trabzon or Tiflis so that they had to take the Tabrīz-Baghdad route through Kurdistan instead. Flandin's courage during this journey was praised by Coste, who also noted his intrepidity and his violent temper (Notes I, pp. 162 f., 367 f.). Their timetable and work were strictly organized. After Flandin's return to France, he was awarded the Légion d’honneur.

 

In March 1843, after fruitless searching for the site of Nineveh, Paul-Émile Botta (1802–70) discovered the Assyrian capital of Dur Sharrukin on the site of modern Khorsabad. Botta mistook the place for the actual site of Nineveh (Assyro-Babylonian cuneiform had not yet been deciphered). In October, Flandin was appointed to Botta's mission by the Académie des inscriptions et belles-lettres to draw the excavated remains and inscriptions. He also participated in the excavations which ended in October 1844.

Despite its many predecessors, Flandin's Voyage en Perse remains a model of its kind and an important source, particularly on early Qajar Iran, due to both its text and its illustrations. It provides many precious observations on history, archeology, arts, architecture, geography, social and court life, royal and provincial administration, military organization, etc. Itineraries are carefully noted. A table of distances between clearly identified stages is given in “time necessary at the ordinary pace of a horse”.^[1]

Endowed with many gifts and professional skills (classical, military, and Orientalist painting; archeological drawing; writing and reporting; military and civil administration), Flandin provides us with very precious observations, accounts, and pictures. There is hardly any illustrated book on Iran, particularly one dealing with the Qajar period, without reproductions of his celebrated paintings of monuments, bazaars, personages and costumes, street scenes, landscapes, etc. All this work, supplemented with precise written observations, was accomplished despite the many hardships endured by Coste and Flandin during their travels. However, Flandin's pioneering work in archeological drawing was, soon after his Oriental expeditions, superseded by the new art of photography. Daguerreotype and calotype made it possible to prepare pictures, notably of archeological remains, quickly and precisely, although archeological drawing still remains an indispensable complement to research and publication.

• List of Orientalist artists
• Orientalism

  Media related to Eugène Flandin at Wikimedia Commons