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Carl Hagenbeck

Carl Hagenbeck (10 June 1844 – 14 April 1913) was a German merchant of wild animals who supplied many European zoos, as well as P. T. Barnum.[1] He created the modern zoo with animal enclosures without bars that were closer to their natural habitat. [2] He was also an ethnography showman and a pioneer in the display of members of "savage tribes" in Völkerschauen, known nowadays in English as "ethnic shows" or "human zoos",[3][4] which were controversial at the time[5] and are now widely considered racist.[6][7][8][9] The transformation of the zoo architecture initiated by him is known as the Hagenbeck revolution.[10] Hagenbeck founded Germany's most successful privately owned zoo, the Tierpark Hagenbeck, which moved to its present location in Hamburg's Stellingen district in 1907.[4]

Carl Hagenbeck
Born(1844-06-10)10 June 1844
Hamburg, Germany
Died14 April 1913(1913-04-14) (aged 68)
Hamburg, Germany
NationalityGerman
Known for
SpouseAmanda (n. Mehrman)
Children2
ParentClaus Gottfried Carl Hagenbeck
Hagenbeck with his lions

Biography

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Hagenbeck was born on 10 June 1844, to Claus Gottfried Carl Hagenbeck (1810–1887), a fishmonger who ran a side business buying, showing, and selling exotic animals.[11]

When Hagenbeck was 14, his father gave him some seals and a polar bear.[11][12] He took a more proactive role in the animal trade and his collection of animals grew until he needed large buildings to keep them. Hagenbeck left his home in Hamburg to accompany hunters and explorers on trips to jungle regions and snow-clad mountains. He captured animals in nearly every continent in the world. In 1874, on the suggestion of Heinrich Leutemann, a painter and friend of the family, he decided to exhibit Samoan and Sámi people (then known as Laplanders) as "purely natural" populations, with their tents, weapons, sleds, near a group of reindeer, as the animal display business was undergoing a downturn.[13][14][3]

In 1875, Hagenbeck began to exhibit his animals in all the large cities of Europe as well as in the United States, merging his interests in commercial success, the preservation and "acclimatization" of animals, and bringing the "exotic" to industrializing countries.[15]

In 1876, he sent a collaborator to the Egyptian Sudan to bring back some wild beasts and Nubians. The Nubian exhibit was a success in Europe, and toured Paris, London, and Berlin.[13] In 1880, his agent Johan Adrian Jacobsen recruited a group of eight Labrador Inuit. The group toured Hamburg, Berlin, Prague, Frankfurt, Darmstadt, Krefeld and Paris. One member of the group, Abraham Ulrikab, kept a diary during his travels in Europe. All eight Inuit were killed by smallpox; Jacobsen had failed to arrange for the Inuit to receive the inoculations they were legally require to have. Medical tests became a standard feature of recruitment for the shows afterwards.[3]

Hagenbeck's exhibit of human beings, considered as "savages in a natural state" was the probable source of inspiration for Albert Geoffroy Saint-Hilaire's similar "human zoo" exhibition in the Jardin d'acclimatation in Paris. Saint-Hilaire organized in 1877 two "ethnological exhibitions", presenting Nubians and Greenlandic Inuit to the public, thereby doubling the number of visitors of the zoo.[13]

 
Portrait of Carl Hagenbeck in his Zoo by Lovis Corinth (1911), oil on canvas, 200 × 271 cm, Hamburger Kunsthalle, Hamburg, Germany

Hagenbeck also trained animals for his circuses at the World's Columbian Exposition in Chicago, Illinois, in 1893, and the Louisiana Purchase Exposition in St. Louis in 1904. Hagenbeck's circus was one of the most popular attractions. His collection included large animals and reptiles. Many of the animals were trained to do tricks. The circus that Hagenbeck assembled for the Louisiana Purchase Expo was purchased and merged into the B. E. Wallace Circus as the Hagenbeck–Wallace Circus. Hagenbeck's trained animals also performed at amusement parks in New York City's Coney Island before 1914.

Hagenbeck planned a permanent exhibit where animals could live in surroundings like their natural homes. Despite the existence of the Zoological Garden of Hamburg, Hagenbeck opened his great zoo, the Tierpark Hagenbeck at Stellingen, near Hamburg in 1907.[12]

In 1909–1910 he supervised the building of the Giardino Zoologico in Rome. Today his ideas are followed by most large zoos.

In 1905, Hagenbeck used his skills as an animal collector to capture a thousand camels for the German Empire for use in Africa. He described his adventures and his methods of capturing and training animals in his book Beasts and Men, published in 1909.

Hagenbeck was one of the first Europeans to report living dinosaurs.[16] In Beasts and Men Hagenbeck claimed he had received reports of "a huge monster, half elephant, half dragon" inhabiting the interior of Rhodesia. Hagenbeck thought the animal was some kind of dinosaur similar to a brontosaurus and unsuccessfully searched for it. His claim made headlines in newspapers around the world and helped launch legends of living dinosaurs.[17]

Hagenbeck died on 14 April 1913 in Hamburg from a bite by a snake, probably a boomslang.[1] After Hagenbeck's death, his sons Heinrich and Lorenz continued the zoo and circus business; the Nazis banned the Völkerschauen upon coming to power, as they were opposed to the possibility of sexual relationships between the performers and German citizens.[3] The Hamburg zoo still retains his name.

See also

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References

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  1. ^ a b "Carl Hagenbeck. Famous Animal Dealer and Exhibitor Dies in Hamburg". The New York Times. April 14, 1913. Archived from the original on 2018-07-28. Retrieved 2008-07-22. Carl Hagenbeck, the animal collector and senior partner of the ... menagerie and park at Stellingen, near Hamburg died to-day.
  2. ^ "Hagenbeck Tierpark und Tropen-Aquarium". Zoo and Aquarium Visitor. Archived from the original on 2009-12-21. Retrieved 2008-07-22.
  3. ^ a b c d Hilke Thode-Arora (22 Dec 2021). Demski, Dagnosław; Czarnecka, Dominika (eds.). Staged Otherness: Ethnic Shows in Central and Eastern Europe, 1850–1939. Central European University Press. pp. 45–75. ISBN 9789633866887.
  4. ^ a b Ames, Eric (2008). Carl Hagenbeck's Empire of Entertainments. Seattle & London: University of Washington Press. ISBN 978-0-295-98833-7.
  5. ^ "The human zoo".
  6. ^ "Carl Hagenbeck: Inventor of the modern animal park – DW – 06/11/2019". Deutsche Welle.
  7. ^ "Human zoos: When people were the exhibits – DW – 03/10/2017". Deutsche Welle.
  8. ^ "The Other: The Harmful Legacy of Human Zoos".
  9. ^ "6 images of the racist human zoos that time forgot". Independent.co.uk. 19 November 2016.
  10. ^ "Managing Love and Death at the Zoo: The Biopolitics of Endangered Species Preservation" Archived 2012-11-24 at the Wayback Machine, Australian Humanities Review, Issue 50, May 2011
  11. ^ a b 46;Nigel Rothfels, Savages and Beasts: The Birth of the Modern Zoo. (Baltimore: The Johns Hopkins University Press, 2002)
  12. ^ a b Chisholm 1911.
  13. ^ a b c Human Zoos Archived 2020-11-27 at the Wayback Machine, by Nicolas Bancel, Pascal Blanchard [fr] and Sandrine Lemaire, in Le Monde diplomatique, August 2000 French Archived 2014-04-05 at the Wayback Machine
  14. ^ Savages and Beasts - The Birth of the Modern Zoo Archived 2012-06-29 at archive.today, Nigel Rothfels, Johns Hopkins University Press
  15. ^ Daum. Wissenschaftspopularisierung. p. 412.
  16. ^ Loxton, Daniel; Prothero, Donald R. (2013). Abominable science! origins of the Yeti, Nessie, and other famous cryptids. New York: Columbia university press. ISBN 978-0-231-15320-1.
  17. ^ Mullis, Justin (2019-02-18). "Cryptofiction! Science fiction and the rise of cryptozoology". In Caterine, Darryl; Morehead, John W. (eds.). The Paranormal and Popular Culture: A Postmodern Religious Landscape (1 ed.). Routledge. pp. 240–252. doi:10.4324/9781315184661-19. ISBN 978-1-315-18466-1.

Further reading

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  • Chisholm, Hugh, ed. (1911). "Hagenbeck, Carl" . Encyclopædia Britannica. Vol. 12 (11th ed.). Cambridge University Press. p. 814.
  • Carl Hagenbeck, Beasts and men. Being Carl Hagenbeck's experiences for half a century among wild animals. (London & New York: Longmans, Green, and Co., 1912).
  • Eric Ames, Carl Hagenbeck's Empire of Entertainments (Seattle and London: University of Washington Press, 2009)
  • Edward Alexander, "Carl Hagenbeck and His Stellingen Tierpark: The Moated Zoo," in: Edward Alexander, Museum Masters: Their Museums and Their Influence. (Nashville: American Association for State and Local History, 1983), pp. 311–340.
  • Andreas Daum, Wissenschaftspopularisierung im 19. Jahrhundert: Bürgerliche Kultur, naturwissenschaftliche Bildung und die deutsche Öffentlichkeit, 1848–1914. Munich: Oldenbourg, 1998, ISBN 3-486-56337-8.
  • Herman Reichenbach, "A Tale of Two Zoos: The Hamburg Zoological Garden and Carl Hagenbeck's Tierpark" in: R. J. Hoage and William A. Deiss, eds. New Worlds, New Animals. (Baltimore: Johns Hopkins University Press, 1996), pp. 51–62.
  • Rothfels, Nigel (2002), Savages and Beasts: The Birth of the Modern Zoo, Johns Hopkins University Press, ISBN 0-8018-6910-2 excerpt
  • Reptiles of the world by Raymond L. Ditmar talks about him capturing most of the Gavhrials found on exhibit.
  • Spartaco Gippoliti 2004 Carl Hagenbeck's plan for Rome Zoo - and what became of it. Int. Zoo News 51: 24-28.
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