Barry Fitzgerald

 

Fitzgerald was born William Joseph Shields in Walworth Road, Portobello, Dublin, Ireland, the son of Fanny Sophia (née Ungerland) and Adolphus Shields. His father was Irish and his mother was German.^[3][4][5] He was the older brother of Irish actor Arthur Shields.

He attended Skerry's College in Dublin before going on to work in the civil service, starting as a junior clerk at the Dublin Board of Trade in 1911.^[6][7] He later went to work for the unemployment office. "It was an easy job, full of leisure," he later said.^[8]

Interested in acting, he began appearing in amateur dramatic societies such as the Kincora Players. He joined his brother Arthur Shields in the Abbey in 1915. He chose the stage name Barry Fitzgerald so as not to get in trouble with his superiors in the civil service.^[7]

Fitzgerald's early appearances at the Abbey included bit parts in plays such as The Casting Out of Martin Whelan and a four-word part in The Critic.^[9][10]

His breakthrough performance at the Abbey came in 1919, when he was in The Dragon by Lady Gregory.^[11] However he continued to act part-time until 1929, keeping his job in the civil service during the day.^[8] He was in The Bribe, An Imaginary Conversation, John Bull's Other Island and others.^[11]

In 1924, Fitzgerald's salary at the Abbey was £2/10 a week.^[12] That year he appeared in the world premiere of Juno and the Paycock by famed playwright Seán O'Casey.^[13] Fitzgerald played Captain Jack Boyle.

He received much acclaim for his performance in Paul Twyning during 1925. The following year he was in the premiere of O'Casey's The Plough and the Stars, playing Fluther Good. The play was controversial, causing riots and protests. One night in February 1926, three gunmen turned up to Fitzgerald's mother's house intending to kidnap him and prevent the play from being performed, but they were unable to find him.^[14]

In 1926, Fitzgerald was in The Would-Be Gentleman.^[15] Other appearances at the Abbey included The Far Off Hills, Shadow of a Gunman and The Playboy.^[16]

O'Casey wrote a part, especially for Fitzgerald in the play The Silver Tassie, but it was rejected by the Abbey. The play was picked up for production in London in 1929. Fitzgerald decided to leave his civil service job to join the production and at age 41, he became a full-time actor.^[9]

Fitzgerald made his film debut in Alfred Hitchcock's version of Juno and the Paycock (1930), shot in London.

In early 1931, Fitzgerald toured England in a production of Paul Twyning. He returned to Ireland in June of that year to perform the play at the Abbey.^[17] Between 1931 and 1936, he appeared in three plays by Irish playwright Teresa Deevy—A Disciple,^[18] In Search of Valour^[19] and Katie Roche^[20]—which were also Abbey Theatre productions.

In 1932, Fitzgerald travelled to the United States with the Abbey Players to appear in Things That Are Caesar's and The Far-off Hills.^[21]

Fitzgerald and the Players returned to the US in 1934 to tour a series of plays in repertory around the country. These included The Plough and the Stars, Drama at Inish, The Far-off Hills, Look at the Heffernans, The Playboy of the Western World, The Shadow of the Glen, Church Street, The Well of the Saints and Juno and the Paycock.^[22]

Fitzgerald appeared in a short Irish silent film, Guests of the Nation, released only in Ireland in 1935. The film was not seen or distributed outside of Ireland until 2011.

In March 1936, Fitzgerald and three other members of the Abbey arrived in Hollywood to star in the film version of The Plough and the Stars (1936), directed by John Ford.^[4] Fitzgerald decided to remain in Hollywood where he soon found constant employment as a character actor.^[7] He had support roles in Ebb Tide (1937) at Paramount, Bringing Up Baby (1938) at RKO, Four Men and a Prayer (1938) directed by John Ford for 20th Century-Fox, and The Dawn Patrol (1938) at Warner Bros.

Fitzgerald made a series of films at RKO: Pacific Liner (1939) with Victor McLaglen, and two directed by John Farrow, The Saint Strikes Back (1939) and Full Confession (1939). In between the two Farrow films, Fitzgerald returned to Broadway in 1939 in The White Steed.^[23]

After Full Confession Fitzgerald went back to Broadway with Kindred (1939–40) and a revival of Juno and the Paycock (1940) which went for 105 performances.^[9]

Back in Hollywood, Fitzgerald was reunited with John Ford in The Long Voyage Home (1940). He appeared in San Francisco Docks (1940) at Universal and The Sea Wolf (1941) at Warner Bros., before making another film with Ford, How Green Was My Valley (1941), for Fox. He went to Metro-Goldwyn-Mayer for Tarzan's Secret Treasure (1941).

Fitzgerald and Shields starred in Tanyard Street (1941) on Broadway, directed by Shields, which only had a short run. However, Fitzgerald's personal notices were excellent, The New York Times calling him "the incarnation of the comic spirit. People start laughing the moment he pokes his squint face on set."^[24]

Back in Hollywood, Fitzgerald appeared in a series of films for Universal: The Amazing Mrs. Holliday (1943), Two Tickets to London (1943) and Corvette K-225 (1943).

 

Fitzgerald unexpectedly became a leading man when Leo McCarey cast him opposite Bing Crosby in Going My Way released by Paramount in 1944. The film was a huge success and Fitzgerald's performance as Father Fitzgibbon was nominated for both the Academy Award for Best Supporting Actor (which he ultimately won) and the Academy Award for Best Actor;^[4] voting rules were changed shortly after this occurrence to prevent further dual nominations for the same role. An avid golfer, he later accidentally decapitated his Oscar while practising his golf swing. During World War II, Oscar statuettes were made of plaster instead of gold-plated bronze to accommodate wartime metal shortages. The academy provided Fitzgerald with a replacement statuette.^[25]

After Going My Way, Paramount signed Fitzgerald to a long-term contract. The studio cast him in a supporting role in I Love a Soldier (1944) and he was borrowed by RKO for None But the Lonely Heart (1944).

In March 1944, Fitzgerald was involved in a car accident which resulted in the death of a woman and the injury of her daughter. He was charged with manslaughter but was acquitted in January 1945 due to lack of evidence.^[26]

Back at Paramount, Fitzgerald supported Alan Ladd in Two Years Before the Mast, made in 1944 by John Farrow, but not released until 1946. He supported Betty Hutton in Incendiary Blonde (1945) and The Stork Club (1945). In between he had a cameo as himself in Duffy's Tavern (1945) and was borrowed by United Artists to play the lead in And Then There Were None (1945), based on the novel and play by Agatha Christie. In January 1945 his fee was reported to be $75,000 a film.^[27]

Fitzgerald made two more films with John Farrow: California (1947) with Ray Milland and Easy Come, Easy Go (1947), where he was top billed.

Paramount reunited Fitzgerald with Bing Crosby in Welcome Stranger (1947) and appeared in another cameo as himself in Variety Girl (1947).

Mark Hellinger borrowed Fitzgerald to play the lead in a cop film at Universal, The Naked City (1948) which was a solid success. Back at Paramount, he was in The Sainted Sisters (1948) and Miss Tatlock's Millions (1948), then appeared in a third film with Crosby, Top o' the Morning (1949).

Fitzgerald went to Warner Bros. for The Story of Seabiscuit (1949) with Shirley Temple, then to Paramount for Union Station (1950) with William Holden and Silver City (1951) with Yvonne de Carlo. He made his television debut with an episode of The Ford Theatre Hour, "The White-Headed Boy" in 1950.

Fitzgerald went to Italy to star in the comedy Ha da venì... don Calogero (1952). John Ford gave him third billing in the classic The Quiet Man (1952) which was shot in Ireland. He then appeared in Happy Ever After (1954) with De Carlo and David Niven.

Fitzgerald appeared in TV on episodes of Lux Video Theatre, General Electric Theater, and Alfred Hitchcock Presents.

He had a supporting role in MGM's The Catered Affair (1956) and was top billed in the British comedy Rooney (1958).

Fitzgerald was top billed in the Irish film Broth of a Boy (1959).

Fitzgerald never married. In Hollywood, he shared an apartment with his stand-in, Angus D. Taillon, who died in 1953.^[21][28] Fitzgerald returned to live in Dublin in 1959,^[4] where he lived at 2 Seafield Ave, Monkstown. In October that year, he underwent brain surgery.^[29] He appeared to recover, but in late 1960 he re-entered the hospital. He died, as William Joseph Shields, of a heart attack in St Patrick's Hospital, James Street, on 4 January 1961.^[30][31][7]

Fitzgerald has two stars on the Hollywood Walk of Fame, for motion pictures at 6252 Hollywood Boulevard and for television at 7001 Hollywood Boulevard.^[32]

Source: "Barry Fitzgerald". IMDb. Retrieved 9 October 2013.^{[unreliable source?]}

• List of Irish Academy Award winners and nominees
• List of actors with Academy Award nominations
• List of people on the postage stamps of Ireland

• Boylan, Henry (1999). A Dictionary of Irish Biography. Dublin: Gill and Macmillan. ISBN 0-7171-2945-4.

• Alistair, Rupert (2018). "Barry Fitzgerald". The Name Below the Title: 65 Classic Movie Character Actors from Hollywood's Golden Age (softcover) (First ed.). Great Britain: Independently published. pp. 97–100. ISBN 978-1-7200-3837-5.

• Barry Fitzgerald at IMDb  
• Barry Fitzgerald at the Internet Broadway Database  
• Barry Fitzgerald at Find a Grave  
• Photos of Barry Fitzgerald in The Long Voyage Home Archived 11 March 2022 at the Wayback Machine by Ned Scott
• Barry Fitzgerald at the Abbey Theatre
• Barry Fitzgerald at the Teresa Deevy Archive