Ethnic Notions

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (August 2014) (Learn how and when to remove this message) This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Ethnic Notions" – news · newspapers · books · scholar · JSTOR (August 2014) (Learn how and when to remove this message) A major contributor to this article appears to have a close connection with its subject. It may require cleanup to comply with Wikipedia's content policies, particularly neutral point of view. Please discuss further on the talk page. (July 2013) (Learn how and when to remove this message) (Learn how and when to remove this message)

Ethnic Notions is a 1987 video essay^[1] documentary film directed by Marlon Riggs.^[2] It examines anti-Black stereotypes that permeated popular culture from the ante-bellum period until the advent of the Civil Rights Movement of the 1960s.^[2]

Ethnic Notions takes viewers on a disturbing voyage through American history, tracing the deep-rooted stereotypes which have fueled anti-Black prejudice. Through these images, we can understand the evolution of racial consciousness in the United States.

Ethnic Notions exposes and describes common stereotypes (The Tom, The Sambo, The Mammy, The Coon, The Brute, The Pickaninnies, The Minstrels) from the period surrounding the Civil War and the World Wars. The stereotypes roll across the screen in cartoons, feature films, popular songs, minstrel shows, advertisements, folklore, household artifacts, and even children's rhymes. Narration by Esther Rolle and commentary by respected scholars [Barbara Christian, UC Berkeley; Pat Turner, University of Massachusetts, Boston; George Fredrickson, Stanford University; Leni Sloan: choreographer; Carlton Moss: University of California, Irvine; Lawrence Levine, University of California, Berkeley ] shed light on the origins and devastating consequences of 150 years of these dehumanizing caricatures. Widely influenced by Jim Crow, a dance to depict black people which was widely televised, people in small towns who had never seen black people were easily influenced by Jim Crow = dancing black carefree Sambo on television a plantation was depicted as a happy paradise Sambo is a happy black in their proper place.

The documentary touches upon issues of servility, sexuality, appearances, the "noble" savage, and most evidently, the impact of mass media on the image of African Americans—especially the exaggerated physical image of a very dark person with very bright, large lips, very white eyes and large unkempt hair—and how this affects the self-image of the African American. The insidious images exacted a devastating toll on Black Americans.

Ethnic Notions has become a mainstay of university, high school, and public library collections and the most widely seen of Marlon Riggs’ work. It won a National EMMY Award in 1988.

• Grant, Nancy. Rev. of Ethnic Notions. The Constitution and American Life. Ed. David Thelen. Spec. issue of Journal of American History 74.3 (December 1987): 1107–09.
• Leer, David Van. "Visible Silence: Spectatorship in Black Gay and Lesbian Film." Representing Blackness: Issues in Film and Video. Ed. Valerie Smith. New Brunswick, NJ: Rutgers UP, 1997. 157–82.
• Welcome to Adelphi University | Kanopy, Marlon Riggs, 1987, adelphi.kanopy.com/video/ethnic-notions-0.

This article about a historical documentary film is a stub. You can help Wikipedia by expanding it.

• v
• t
• e