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Duran Duran (1993 album)

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Duran Duran
Upper left: the Le Bons, centre: the Bateses (Rhodes), upper right: the Taylors, lower right: the Cuccurullos.
Studio album by
Duran Duran
Released15 February 1993 (1993-02-15)[a]
RecordedJanuary 1991 – 1992
Studio
Genre
Length62:35
Label
Producer
Duran Duran chronology
Liberty
(1990) 		Duran Duran
(1993) 		Thank You
(1995)
Singles from Duran Duran
  1. "Ordinary World"
    Released: 19 December 1992 (US)
  2. "Come Undone"
    Released: 29 March 1993 (UK)
  3. "Too Much Information"
    Released: 23 August 1993 (UK)
  4. "Drowning Man (remix)"
    Released: August 1993 (US)
  5. "Femme Fatale"
    Released: 1993 (France)
  6. "None of the Above"
    Released: 1994 (Japan)

Duran Duran (commonly known as the Wedding Album) is the seventh studio album and the second self-titled album by the English pop rock band Duran Duran, released on 15 February 1993 through Parlophone and Capitol Records.

Background

[edit]

By the early 1990s, Duran Duran's career appeared to be in decline.[5] Their 1990 album Liberty, despite debuting at number eight in the UK Albums Chart, quickly fell out of favour, struggling commercially and critically in both the UK and the US.[5] Singles such as "Violence of Summer (Love's Taking Over)" and "Serious" failed to make significant chart impacts, while much of the album's material was met with indifference or outright criticism from the press.[5] Reflecting on this period, band members Nick Rhodes and Simon Le Bon admitted to a lack of focus during the creation of Liberty, with Le Bon noting, "There were times when everyone in the band felt like giving up."[5]

After the commercial disappointment of Liberty, Duran Duran entered a period of uncertainty.[5] Drummer Sterling Campbell departed the band quietly, later joining Soul Asylum.[5] The remaining members faced personal and professional challenges: John Taylor struggled with his mental health, Rhodes was navigating a difficult marital breakup while caring for a young child, and Le Bon expressed a desire to escape to a quieter life by the sea.[5] In contrast, guitarist Warren Cuccurullo emerged as the driving force behind the band during this period.[5] Reflecting on his determination, Cuccurullo stated, "I was the hungriest. I wanted success. I wanted to go beyond where I had gone. All I had was my music."[5] He converted the living room of his house in Battersea, London, into a makeshift studio, which became the primary workspace for the band's next project.[5] Rhodes supported the idea, commenting that the space had a more inviting atmosphere compared to traditional studios.[5]

Recording

[edit]

In January 1991, Duran Duran began work on their second self-titled album at Warren Cuccurullo's home studio in Battersea.[6] With a modest setup that included a sequencer, drum machine, synthesisers, and Cuccurullo's guitar rig, the band aimed for a relaxed, cost-effective environment compared to traditional studio sessions.[6] Reflecting on this change, John Taylor noted, "We'd never recorded in a home studio before. The difference this time was we didn’t have to keep looking at the clock. It gave us freedom to explore creatively."[6]

The band arranged their equipment in Cuccurullo's living room, with Le Bon performing at the center while Rhodes's keyboards and Cuccurullo's sequencers surrounded the space. Producer John Jones, who joined the project midway, described his workstation as including an Atari running Notator and an Akai S1000 sampler. He recalled, "They asked if we could make a record in a living room, and I said we certainly could."

Working six to eight hours daily, the band alternated between live jams, demo recordings, and writing sessions. Their goal was to demo 15 songs while receiving feedback from their record label, Capitol-EMI.[6] To ensure progress, Capitol-EMI adopted a more hands-on approach, monitoring the band's work closely.[5] According to Taylor, this was the first time the label implemented a tightly controlled A&R process, granting funding incrementally based on the quality of the material submitted.[5]

The recording sessions were fluid and iterative, with the band frequently making changes to multiple elements of a song at once.[6] For example, adjustments to the bass were often accompanied by changes to drums or keyboards.[6] By the end of these initial sessions, the band had composed a significant collection of material, including "Love Voodoo", "Sin of the City", "Too Much Information", "U.M.F.", "Ordinary World",[5] and "Breath After Breath, with the latter featuring a collaboration with Milton Nascimento.[7] Le Bon noted that the band had finally found the productive rhythm they had been seeking since the mid-1980s.[5]

Despite the creative freedom afforded by the home studio, technical limitations led the band to relocate to Maison Rouge Studios in South-West London by mid-1991.[6] Here, they refined tracks using live drums, keyboards, and additional layers.[6] Drummer Steve Ferrone completed his parts for "Ordinary World" in just a few hours, with engineer Tony Taverner overseeing the sessions.[6] Jones and Rhodes further polished the track's arrangement, preparing it for final mixing.[6]

Later in the process, the band added two more tracks to the album: a cover of the Velvet Underground's "Femme Fatale" and "Come Undone", featuring backing vocals from Tessa Niles.[5] "Femme Fatale" was done at the suggestion of Cuccurullo's friend Frank Zappa.[5] By the time "Come Undone" was recorded in 1992, most of the album had been completed. Taylor had already departed for Los Angeles to visit his wife, along with Le Bon and Rhodes.[5] In Taylor's absence, Jones stepped in to play bass for the track.

Music and lyrics

[edit]

Duran Duran showcases an eclectic mix of musical styles and influences, mainly pop rock[8] and dance-pop.[9] Jones compared the album's creative process to the Beatles' self-titled White Album, noting its emphasis on artistic freedom and individuality.[10] Speaking to Forbes, Jones described the approach as one focused on making music they genuinely enjoyed, free from rigid formulas or constraints.[10]

The opening track, "Too Much Information", features a rock-oriented sound with lyrics critiquing media saturation and the pressures of fame.[10] David Chiu of Forbes described it as a "hard-rocking" commentary on mass media, inspired by the band's reflections on the Gulf War and their frustrations with the entertainment industry.[10] Annie Zaleski of Ultimate Classic Rock noted its "keyboard-propelled" style and highlighted lyrics such as "Destroyed by MTV / I hate to bite the hand that feeds me so much information" as emblematic of the band's critique of overexposure.[4] The ballad "Ordinary World" was written in response to the death of a close friend of Simon Le Bon.[4] Le Bon explained in Behind the Music that the song was a way to let go of sadness and move forward: "But I won't cry for yesterday / There's an ordinary world...," he wrote, reflecting his desire to find peace and resilience.[10]

"Love Voodoo" shifts to a sleek, electro-inspired sound, with Zaleski describing it as "languid" and "seductive".[4] This is followed by "Drowning Man", which, according to Zaleski, draws on textures and rhythms reminiscent of the underground rave scene of the early 1990s.[4] The brief instrumental "Shotgun", described by Andrea Odintz in Rolling Stone as "Prince-inspired",[11] leads into "Come Undone", a trip-hop-inflected ballad.[4] Written by Le Bon for his wife Yasmin Le Bon, the song features circular guitar riffs, "watery keyboards", and emotional vocals.[4] Zaleski called it a "vulnerable" track, noting the contribution of backing vocalist Tessa Niles.[4] "Breath After Breath", a samba-influenced ballad featuring Brazilian artist Milton Nascimento, incorporates Portuguese lyrics sung by Nascimento.[4][9]

The slinky "U.M.F." has been described by Zaleski as "Prince-like", blending funk and R&B grooves with Le Bon's nuanced vocal delivery.[4] Similarly, Mark Elliott of Dig! called Duran Duran's take on the Velvet Underground's "Femme Fatale" as melodic.[12] "None of the Above" features a bass-driven arrangement and introspective lyrics, which Elliott characterised as an "ode to self-discovery".[12] Zaleski noted its "nimble guitar work" and described it as an "upbeat contemporary pop song".[4] "Shelter" incorporates urgent synthesisers and funk elements,[12] with Paul Sinclair of Super Deluxe Edition describing it as a "heavy-footed funk workout."[13] He also noted similar qualities in "To Whom It May Concern", a protest song with chant-like lyrics written by Nick Rhodes.[13] The album closes with "Sin of the City", a seven-minute track inspired by a real-life tragedy.[13] Co-producer John Jones reflected on the song's creation in an interview with Forbes, recalling the informal recording process in which the band incorporated spontaneous clapping and ambient sounds.[10] Sinclair described the track as having a "compulsive vocal hook",[13] while Elliott referred to it as "a lengthy end to an otherwise tight work".[12]

Title and packaging

[edit]

The band ultimately chose to self-title the album after describing themselves as having to go "back to the basics",[14] though the record was referred to as "the Wedding Album" immediately upon release.[1]

The album cover for Duran Duran was created by graphic designer Nick Egan, in collaboration with his assistant Eric Roinestad.[14] Roinestad handled the layout while Egan worked closely with the band to ensure that the visual concept aligned with their artistic vision.[14] The design featured a solitary gold Duran Duran logo over a selection of sepia-toned wedding photos of each band member's parents.[14] As described by Andrew Dineley of Classic Pop, the album's aesthetic "could be read as a DIY-style, punk-era fanzine pastiche".[15] Dineley further noted that "like the music it packaged, the design seemed to reference a diversity of influences", such as the raw illustrative style of Jean-Michel Basquiat and the pop-art print effects reminiscent of Andy Warhol, the latter also visible on the single cover for "Too Much Information".[15]

Following a series of coincidences and collaborative efforts between Egan and the band, the initial concept for the album's artwork began when Duran Duran's bassist, John Taylor, mentioned to the American actor Billy Zane that he was seeking Egan to design the album cover.[14] Zane, who was a friend of both Taylor and Egan, informed Taylor that Egan was in London at the time, which led to an immediate meeting between Egan and Taylor at Taylor's house in London.[14] Egan later reflected on the serendipitous nature of the encounter, saying, "You could say that it was written in the stars from my point of view. It all just fell into place."[14]

The band's concept for the album cover was distinct and unconventional.[14] Instead of opting for a typical, expensive photoshoot, they decided to use photographs from their parents' weddings.[14] Egan found this idea to be highly innovative.[14] He recalled, "It was this concept that convinced me that this was going to be something special visually, but it also made me realize that Duran were one of the most innovative and creative bands of theirs – and subsequent – generations. They were never predictable."[14]

Egan's main concern was to avoid the kitsch aesthetic often associated with wedding photography, which he described as "white, lacey with silver horse-shoe confetti decorations".[14] To achieve a more artistic and sophisticated look, Egan drew inspiration from the Pop Art collage techniques of Robert Rauschenberg.[14] He said, "I wanted it to be like a piece of art... that's where I took the influence of Pop Art Collageist Robert Rauschenberg, who laid seemingly random images on top of each other with the faintest hint of off-register color as if the whole thing was screen printed."[14]

Release and singles

[edit]

Recording of the album was completed in early 1992, with a planned mid-year release by their record label.[10][7] However, Duran Duran's new management company, Left Bank, was distressed at the industry's lack of interest in the band and the label's seeming lack of enthusiasm for promotion of the album.[16][7] Despite receiving positive feedback from shared material of the album that Duran Duran had provided to Capitol-EMI,[14][17] the band's label were hesitant in releasing the album, preferring to focus on what they considered to be "priority" acts.[7] This led to the album being temporarily pulled from the release schedule as a way to address the concerns raised by Left Bank. In an interview with HitQuarters, Left Bank manager Tommy Manzi expressed frustration, stating that the industry seemed resistant to the comeback of Duran Duran.[16] He believed that the focus was on promoting "the next hip band" rather than supporting established acts like Duran Duran.[16] Manzi mentioned that industry insiders even "laughed at" Left Bank while they worked on reviving the careers of not only Duran Duran, but also Meat Loaf.[16] Despite their efforts, industry insiders seemed to dismiss these "old" acts.[16] This lack of recognition and support ultimately resulted in the album being shelved, with a release date set for 1993.

During the delay of the album, the remaining members of Duran Duran found themselves at a creative crossroads. John Taylor returned to his wife in Los Angeles, while Simon Le Bon, Nick Rhodes, and Warren Cuccurullo began working on cover songs for what would later become the Thank You album.[18][19] The unexpected leak of their song "Ordinary World" to radio stations in Jacksonville, Florida caught the band off guard.[20][17][21] Speculation arose that their own record label had intentionally leaked the track to gauge public interest, as Duran Duran had seen a decline in popularity after a decade of chart success.[20][21] To their surprise, "Ordinary World" received positive reception from listeners and was a hit at radio stations, sparking a renewed interest in the band's music.[20][17] The positive feedback led to Capitol Records advancing the song's release as a single.[20] "Ordinary World" was officially released as a single on 19 December 1992[22] by Capitol Records and made its debut on record charts the following year, reaching number six in the UK[23] and number three in the US.[24]

Duran Duran was released two months later on 15 February 1993. Its already successful lead single propelled it high onto the UK Albums Chart, debuting at number four. The album would not appear on the US Billboard 200 until the week of 13 March, where it debuted at number seven.[25] This notably gave the band another top-ten hit in the US since their 1984 live album Arena.[4] Unlike their previous album that suffered poor album sales and had fallen off the charts within weeks of release,[5] Duran Duran was able to maintain a stable amount of sales for months in both their homeland and the US, fluctuating between the top 20 and 30 weeks after release.

Critical reception

[edit]
Professional ratings
Contemporary reviews
Review scores
SourceRating
Calgary HeraldC[26]
Entertainment WeeklyD[27]
Music Week[1]
The Philadelphia Inquirer[9]
Select[28]

Duran Duran received mixed reviews upon its release, with opinions reflecting on the band's attempt at a comeback. Sam Wood of the Philadelphia Inquirer described the album as a potential "second coming of the Duranies", praising the shift toward "pop respectability" with tracks like the ballad "Ordinary World".[9] He commended the thematic maturity of the lyrics, the inclusion of Brazilian artist Milton Nascimento on "Breath After Breath," and the album's strong dance-pop influences, likening its quality to 1986's Notorious.[9] Alan Jones of Music Week offered a positive assessment, giving the album four out of five stars.[1] He noted that the band had put considerable thought and care into the album's production, highlighting its diversity.[1] He concluded that the album demonstrated unexpected strength and affirmed that Duran Duran remained "a force to be reckoned with."[1]

In contrast, Jim Farber of Entertainment Weekly gave the album a "D" rating, criticising its production as "overproduced" and the songwriting as lacking the memorable melodies of the band's earlier work.[27] He described "Ordinary World" as a weaker derivative of its influences and singled out the cover of the Velvet Underground's "Femme Fatale" and the collaboration with Nascimento as ineffective.[27] Dave Obee of the Calgary Herald observed that the band struggled to distance themselves from their 1980s success while attempting to reconnect with audiences.[26] He noted their influential role in the music industry but remarked on the challenge of maintaining relevance.[26] Similarly, Clark Collis of Select acknowledged the success of singles like "Ordinary World" but criticised the album for inconsistent quality and a lack of innovation, suggesting that it rarely matched the high points of its standout tracks.[28]

Retrospective assessments

[edit]
Professional ratings
Retrospective reviews
Review scores
SourceRating
AllMusic[8]
The Encyclopedia of Popular Music[29]
Rolling Stone[11]
(The New) Rolling Stone Album Guide[30]

Retrospective reviews of Duran Duran have been mixed, with critics reflecting on the album’s strengths and its place in the band's career. Stephen Thomas Erlewine of AllMusic praised the album for blending Duran Duran's classic style with a more mature approach, describing it as a successful adaptation to the 1990s music landscape.[8] He highlighted "Ordinary World" and "Come Undone" as standout tracks, calling them "wonderful pop singles", but noted weaker moments, such as the cover of the Velvet Underground's "Femme Fatale".[8]

Andrea Odintz of Rolling Stone offered a more reserved perspective.[11] She acknowledged the band's effort to evolve by incorporating elements of Prince and techno but felt the album was more compelling when the band leaned on their own distinctive style.[11] While she praised "Ordinary World" for its spiritual qualities, Odintz criticized some tracks for following contemporary trends too closely and suggested that the album was uneven in quality compared to their earlier successes.[11]

Track listing

[edit]

All tracks are written by Duran Duran, except where noted

No.TitleWriter(s)Length
1."Too Much Information" 4:55
2."Ordinary World" 5:40
3."Love Voodoo" 4:58
4."Drowning Man" 5:14
5."Shotgun" 0:54
6."Come Undone" 4:38
7."Breath After Breath"
4:57
8."U.M.F." 5:32
9."Femme Fatale"Lou Reed4:21
10."None of the Above" 5:18
11."Shelter" 4:23
12."To Whom It May Concern"Nick Rhodes4:23
13."Sin of the City" 7:14
Total length:62:35
Japan bonus tracks
No.TitleLength
1."Time for Temptation" (Alternate version)3:46
2."Stop Dead" (Edit)3:52
Deluxe Edition bonus tracks
No.TitleLength
14."Falling Angel"4:35
15."Stop Dead"4:31
16."Time for Temptation"4:09
17."A View to a Kill"3:33
Bonus disc (UK tour edition)
No.TitleLength
1."Falling Angel"4:35
2."Stop Dead"4:31
3."Time for Temptation"4:09
4."Come Undone" (12" mix – Comin' Together)7:21
5."Ordinary World" (Acoustic version)5:07
6."Too Much Information" (David Richards 12" mix)4:14

Personnel

[edit]

Adapted from the album's liner notes.[31]

Duran Duran
Additional personnel
Production
  • Duran Duran – production (all tracks), mixing (track 5)
  • John Jones – production (all tracks), engineering (all tracks except track 9), sub-mixing, mixing (track 5)
  • Tony Taverner – live drum session engineering (tracks 1, 2, 7, and 9)
  • Stuart Every – assistant live drum session engineer (tracks 1, 2, and 7)
  • David Richards – mixing (tracks 1–3, 6–8, and 10–13)
  • David Leonard – mixing (tracks 4 and 9)
  • Kevin Metcalfe – mastering

Charts

[edit]

Certifications

[edit]
Certifications for Duran Duran
Region Certification Certified units/sales
United Kingdom (BPI)[51] Gold 100,000^
United States (RIAA)[52] Platinum 1,000,000^

^ Shipments figures based on certification alone.

Release history

[edit]
Release history for Duran Duran
Country Date Label Format(s) Catalogue number
Europe 15 February 1993 Parlophone CD CDDDB 34[1]
United Kingdom Cassette TCDDB 34[1]
LP DDB 34[1]

Notes

[edit]
  1. ^ Contemporary sources cite 15 February as the release date,[1] along with the BPI and the RIAA. Despite this, Duran Duran's official website state that the release date is 11 February,[2] while AllMusic lists it as the 23rd. Other recent sources present a combination of these dates or simply February 1993.[3][4]

References

[edit]
  1. ^ a b c d e f g h i Jones, Alan (13 February 1993). "Market Preview: Mainstream - Albums — Pick of the Week" (PDF). Music Week. p. 20. Retrieved 29 January 2023.
  2. ^ "Duran Duran (The Wedding Album)". Duran Duran. Archived from the original on 3 December 2023. Retrieved 15 July 2024.
  3. ^ Wardlaw, Matt (16 December 2023). "30 Albums That Turned 30 in 2023". Ultimate Classic Rock. Archived from the original on 13 April 2024. Retrieved 15 July 2024.
  4. ^ a b c d e f g h i j k l Zaleski, Annie (15 February 2023). "30 Years Ago: Duran Duran Makes a Comeback With the Wedding Album". Ultimate Classic Rock. Archived from the original on 29 October 2023. Retrieved 8 June 2024.
  5. ^ a b c d e f g h i j k l m n o p q r s Malins 2013, chap. 10.
  6. ^ a b c d e f g h i j Buskin, Richard (April 1993). "John Jones & Duran Duran (RM Apr 1993)". Recording Musician. No. Apr 1993. Archived from the original on 9 July 2024. Retrieved 25 January 2024.
  7. ^ a b c d Lindores, Mark (2 July 2021). "Making Duran Duran: The Wedding Album". Classic Pop. Archived from the original on 8 June 2024. Retrieved 16 July 2024.
  8. ^ a b c d Erlewine, Stephen Thomas. "Review of Duran Duran (The Wedding Album)". AllMusic. Archived from the original on 3 October 2023. Retrieved 12 July 2024.
  9. ^ a b c d e Wood, Sam (27 April 1993). "The Philadelphia Inquirer – A Trumpeter Breaks Out of Marsalis' Shadow". The Philadelphia Inquirer. p. 44. Archived from the original on 2 September 2024. Retrieved 1 September 2024.
  10. ^ a b c d e f g Chiu, David (11 February 2023). "Duran Duran's Pivotal Comeback 'The Wedding Album' Marks 30 Years". Forbes. Archived from the original on 30 March 2023. Retrieved 8 June 2024.
  11. ^ a b c d e Odintz, Andrea (26 April 2001). "Duran Duran: Duran Duran (The Wedding Album)". Rolling Stone. Archived from the original on 9 November 2006. Retrieved 12 July 2024.
  12. ^ a b c d Elliott, Mark (11 February 2022). "Why Duran Duran's "The Wedding Album" Kickstarted An Enduring Union". Dig!. Archived from the original on 19 May 2024. Retrieved 3 September 2024.
  13. ^ a b c d Sinclair, Paul (11 February 2018). "Remembering Duran Duran's 'The Wedding Album' 25 years on". SuperDeluxeEdition. Archived from the original on 28 February 2024. Retrieved 3 September 2024.
  14. ^ a b c d e f g h i j k l m n o "Reflections on Duran Duran's "The Wedding Album"". Duran Duran. 20 February 2013. Archived from the original on 18 January 2024. Retrieved 9 June 2024.
  15. ^ a b Dineley, Andrew (3 June 2021). "Pop Art – Duran Duran". Classic Pop. Archived from the original on 11 August 2023. Retrieved 17 July 2024.
  16. ^ a b c d e "Interview with TOMMY MANZI, manager at Umbrella for Eagle-Eye Cherry, Neneh Cherry, Grant Lee Buffalo". HitQuarters. 7 May 2001. Archived from the original on 9 June 2012. Retrieved 6 May 2011.
  17. ^ a b c Duran Duran rediscovers success in the 'Ordinary World' of the '90s. The Baltimore Sun. 26 July 1993. Archived from the original on 3 March 2024. Retrieved 3 March 2024.
  18. ^ Reesman, Bryan (31 January 2024). "The Meaning Behind "Come Undone" by Duran Duran". American Songwriter. Archived from the original on 13 February 2024. Retrieved 30 July 2024.
  19. ^ Elliott, Mark (29 March 2023). "Come Undone: How Duran Duran Tied Off Another Hit Song". Dig!. Archived from the original on 1 June 2023. Retrieved 30 July 2024.
  20. ^ a b c d "December 1992: Duran Duran Launch Comeback for the Ages with ORDINARY WORLD". Rhino Entertainment. 19 December 2022. Archived from the original on 22 September 2023. Retrieved 8 June 2024.
  21. ^ a b Kent, Anderson (7 April 2023). Friday Song: "Ordinary World". The Geyser. Archived from the original on 3 March 2024. Retrieved 3 March 2024.
  22. ^ Zaleski, Annie (18 December 2022). "30 Years Ago: Duran Duran Begins a Second Act With 'Ordinary World'". Ultimate Classic Rock. Archived from the original on 2 March 2024. Retrieved 10 July 2024.
  23. ^ "Official Singles Chart Top 100: 30 January 1993 – 5 February 1993". Official Charts Company. Archived from the original on 2 July 2024. Retrieved 9 July 2024.
  24. ^ "Billboard Hot 100 – Week of February 20, 1993". Billboard. Archived from the original on 5 June 2024. Retrieved 1 April 2024.
  25. ^ a b "Billboard 200 – Week of March 13, 1993". Billboard. Archived from the original on 15 April 2023. Retrieved 8 September 2024.
  26. ^ a b c Obee, Dave (21 February 1993). "Calgary Herald – Recent Releases". Calgary Herald. p. 24. Archived from the original on 2 September 2024. Retrieved 2 September 2024.
  27. ^ a b c Farber, Jim (26 February 1993). "Duran Duran". Entertainment Weekly. Archived from the original on 31 July 2023. Retrieved 12 July 2024.
  28. ^ a b Collis, Clark (April 1993). "Duran Duran: Duran Duran". Select. p. 74. Archived from the original on 31 July 2023. Retrieved 5 September 2017.
  29. ^ Larkin, Colin (27 May 2011). The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. p. 825. ISBN 978-0-85712-595-8. Archived from the original on 13 July 2024. Retrieved 12 July 2024.
  30. ^ Sheffield, Rob (2004). The New Rolling Stone Guide (4th revised ed.). Simon & Schuster. p. 261. ISBN 9780743201698. Archived from the original on 13 July 2024. Retrieved 12 July 2024.
  31. ^ Duran Duran (booklet). Duran Duran. Parlophone. 1993. 0777 7 98876 2 0.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  32. ^ "Australiancharts.com – Duran Duran – Duran Duran (The Wedding Album)". Hung Medien. Retrieved 13 January 2019.
  33. ^ "Austriancharts.at – Duran Duran – Duran Duran (The Wedding Album)" (in German). Hung Medien. Retrieved 13 January 2019.
  34. ^ "Top RPM Albums: Issue 0992". RPM. Library and Archives Canada. Retrieved 13 January 2019.
  35. ^ "Dutchcharts.nl – Duran Duran – Duran Duran (The Wedding Album)" (in Dutch). Hung Medien. Retrieved 13 January 2019.
  36. ^ "European Top 100 Albums" (PDF). Music & Media. Vol. 10, no. 10. 6 March 1993. p. 18. OCLC 29800226 – via World Radio History.
  37. ^ Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. ISBN 978-951-1-21053-5.
  38. ^ "Le Détail des Albums de chaque Artiste". InfoDisc (in French). Retrieved 13 January 2019. Select "DURAN DURAN" from the drop-down menu and click "OK".
  39. ^ "Offiziellecharts.de – Duran Duran – Duran Duran (The Wedding Album)" (in German). GfK Entertainment Charts. Retrieved 13 January 2019.
  40. ^ a b c "Top 10 Sales in Europe" (PDF). Music & Media. Vol. 10, no. 11. 13 March 1993. p. 24. OCLC 29800226 – via World Radio History.
  41. ^ "Album Top 40 slágerlista – 1993. 20. hét" (in Hungarian). MAHASZ. Retrieved 15 January 2019.
  42. ^ デュラン・デュランのアルバム売り上げランキング [Duran Duran's album sales ranking] (in Japanese). Oricon. Archived from the original on 1 August 2013. Retrieved 14 January 2019.
  43. ^ "Swedishcharts.com – Duran Duran – Duran Duran (The Wedding Album)". Hung Medien. Retrieved 13 January 2019.
  44. ^ "Swisscharts.com – Duran Duran – Duran Duran (The Wedding Album)". Hung Medien. Retrieved 13 January 2019.
  45. ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved 13 January 2019.
  46. ^ "The RPM Top 100 Albums of 1993". RPM. Vol. 58, no. 23. 18 December 1993. ISSN 0033-7064 – via Library and Archives Canada.
  47. ^ "1993 Year-End Sales Charts – Eurochart Hot 100 Albums" (PDF). Music & Media. Vol. 10, no. 51/52. 18 December 1993. p. 15. OCLC 29800226 – via World Radio History.
  48. ^ "Top 100 Album-Jahrescharts – 1993" (in German). GfK Entertainment. Retrieved 13 January 2019.
  49. ^ "Top 100 Albums 1993" (PDF). Music Week. 15 January 1994. p. 25. ISSN 0265-1548 – via World Radio History.
  50. ^ "Top Billboard 200 Albums – Year-End 1993". Billboard. Archived from the original on 13 January 2019. Retrieved 13 January 2019.
  51. ^ "British album certifications – Duran Duran – Duran Duran (Wedding) Album". British Phonographic Industry. 1 April 1983. Retrieved 25 January 2022.
  52. ^ "American album certifications – Duran Duran – Duran Duran 2". Recording Industry Association of America. 18 June 1993. Retrieved 13 January 2019.

Sources

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