Deepak Shimkhada

Deepak Shimkhada
Shimkhada in 2016
Born	(1945-09-05) September 5, 1945 (age 79) Darkha, Nepal
Nationality	Nepali American
Alma mater	Claremont Graduate University (PhD) (2001) University of Southern California, MA (1975) Maharaja Sayajirao University of Baroda, (BFA), (1968), (MFA) (1970)
Occupation(s)	Educator, artist, art historian, author
Years active	1968–present
Organizations	Indic Foundation Himalayan Arts Council
Board member of	South Asian Studies Association
Spouse	Kanti Shimkhada[1]
Children	Leepi Shimkhada-Mahalingam Riti Shimkhada

Deepak Shimkhada (Nepali: दीपक सिंखडा) (born September 5, 1945) is a Nepalese-American with a diverse professional background, including work as an Asian art historian, educator, writer, editor, and painter. He currently serves as an adjunct professor at Chaffey College in Rancho Cucamonga, California, and has previously held visiting and adjunct positions at several U.S. universities, including Scripps College, Claremont Graduate University, California State University, Northridge, University of the West, and Claremont School of Theology. His teaching career began in 1980, and while he has retired from full-time teaching, he continues to teach Asian art part-time at Chaffey College.

He holds the position of founding president in two organizations, namely the Foundation for Indic Philosophy and Culture (Indic Foundation)^[2] and the Himalayan Arts Council. In his career, Shimkhada has actively contributed to several institutions, including Asian Studies on the Pacific Coast and the America-Nepal Society of California, where he also held the position of president.^[3] His leadership extended to serving as the Chair of the Hindu Council on the Board of Visitors for the School of Religion at Claremont Graduate University from 2006 to 2012. Furthermore, he played a foundational role as a board member in the South Asian Studies Association (SASA).

He has an extensive publication record, including journal and newspaper articles, book chapters, and edited books. His artistic endeavors encompass exhibitions of his paintings and graphics, which have been displayed in group and solo shows in various countries, including Nepal, India, Japan, and the United States. Additionally, he has made appearances as a commentator in several episodes of the History Channel series Ancient Aliens.^[4][5]

Shimkhada was born on September 5, 1945, in Darkha, Nepal to Ratna Prasad Shimkhada and Kausalya Devi Shimkhada. He attended JP High School in Kathmandu and completed SLC in 1960. He completed IA in Economics from Saraswati College in Kathmandu in 1962.

In 1962, upon receiving a scholarship from the Government of India, Shimkhada left for India to pursue higher education in fine arts. He studied at The Maharaja Sayajirao University of Baroda and received a bachelor's degree in fine arts in 1968. He received his master's degree in fine arts with a focus on art criticism in 1970 from the same university. In 1972, he received a Fulbright fellowship to study art history and moved to Los Angeles in the United States.^[3][6] He is considered among the first few Nepalis to immigrate to the U.S.^[3][7] He earned his Master of Arts in art history from the University of Southern California in 1975.^[2] Shimkhada earned his PhD in Education from Claremont Graduate University in 2001.^[8] His dissertation was in art and religion using semiotics as a methodology to analyze them.

Shimkhada's professional career as an artist began in 1968 when he had his first one-man show of paintings in Max Gallery in Kathmandu, Nepal. In 1971, in the second Triennale of World Contemporary Art held in New Delhi, India,^[9] one of his paintings was selected as the best work from Nepal and was featured in its exhibition catalogue.^[10] He had several private shows of his works in Beverly Hills, California in 1973 and 1974. He exhibited his last work in Chicago Public Library in 1977.

Shimkhada began his teaching career as a lecturer of Asian art history at Scripps College in Claremont, California, in 1980.^[11] At that time he had just returned from India after conducting his field research for his PhD dissertation under the aegis of American Institute of Indian Studies (AIIS).^[12] Since 1980 he has lived in Claremont and has performed various duties as administrator and professor teaching art history at various colleges and universities in Southern California.

Shimkhada began contributing articles on Nepali art, culture, philosophy, and religion to various newspapers and journals in Nepal during the early 1970s. His research work in these areas commenced in 1973 with the publication of his first paper in "Arts of Asia." This was followed by a series of articles published in "Artibus Asiae" and "Oriental Art" in 1983.

Shimkhada's research centers on various academic fields, including art, philosophy, religion, history, and science. His published works explore the interconnectedness of these subjects. Some of his notable books include "The Constant and Changing Faces of the Goddess: Goddess Traditions of Asia," "Popular Buddhist Mantras in Sanskrit," "Himalayas at the Crossroads: Portraits of a Changing World," "Nepal: Nostalgia and Modernity," "South Asian Studies: Bridging Cultures," and "As the World Churns: A Legend Where Reality and Myth Blend." Additionally, he has contributed chapters to books like "The Constant and Changing Faces of the Goddess," "Health and Religious Rituals in South Asia: Diseases, Possession, Healing," and "Sangama: A Confluence of Art and Culture During the Vijayanagara Period." Shimkhada has also written numerous art historical articles published in both peer-reviewed and non-reviewed journals, including "NAFA Art Magazine," "Arts of Asia," "Orientations," "Artibus Asiae," "Oriental Art," "The Journal of Asian Studies," "The Himalayan Research Bulletin," "The Journal of Dharma Studies," "Voice of Ulan Bator," "Himalaya," and "Folk Dance Scene." Additionally, his articles have been featured in newspapers such as "The Overseas Times," "India West," "Rising Nepal," and other Nepali vernacular publications. Furthermore, Shimkhada has authored six children's books.

• (2024) Nepal: Historical Study of a Hindu Kingdom, Volume I and II by Sylvain Levi. Translated by Mary Harris and Edited by Deepak Shimkhada. Foreword by Pratapaditya Pal. Published by Mandala Book Point, Kathmandu, Nepal. ISBN 978-99933-42-63-2
• (2022) Nepal: Historical Study of a Hindu Kingdom by Sylvain Levi. Translated in English from French by Mary Harris. Edited and annotated by Deepak Shimkhada. Published by Indic Foundation. ISBN 979-8-9858830-2-2
• (2022) Nepal, a Shangri-La? Narratives of Culture, Contact, and Memory. Kathmandu: Mandala Books. ISBN 978-99933-42-58-8
• (2020) As the World Churns: A Legend Where Reality and Myth Blend. Indic Foundation: California, ISBN 9798667912378
• (2020) South Asian Studies: Bridging Cultures. SASA Books, San Bernardino, California. ISBN 9780578654300
• (2011) Nepal: Nostalgia and Modernity, Marg Foundation, Mumbai ISBN 9789380581088
• (2008) The Constant and Changing Faces of the Goddess: Goddess Traditions of Asia,^[13][14] Cambridge Scholars Publishing, Newcastle ISBN 9781847183903
• (1987) Himalayas at the Crossroads: Portrait of a Changing World, Pacific Asia Museum, Pasadena, California
• (1985) Popular Buddhist Mantras in Sanskrit, (co-authored with Shih Pei Lai), Mahayana Vihara Press, Taipei

• (2022) Nepal to California: A Life of Adventure and Memories. Los Angeles: Shangri-la Books. ISBN 979-8985883008

• (2022) "The Sound of Dhime: Identity of the Jyapu People" in Nepal: A Shangri-La? Narratives of Culture, Contact, and Memory. Kathmandu: Mandala Books. Edited by Deepak Shimkhada, et al. Kathmandu: Mandala Books
• (2020) The Cosmic Dance of Kali and the Black Hole coauthored with LaChelle Schilling, p. 178-197 in South Asian Studies: Bridging Cultures, Edited by Deepak Shimkhada, SASA Books.
• (2019) Uterus, p. 290-296 in She Rises: What Goddess Feminism, Activism, and Spirituality? Volume 3, Edited by Helen Hye-Sook Hwang, et al., Mago publishers.
• (2019) Finding our agency and awareness of Seeds of Life, co-authored with LaChelle Schilling, p. 351-359 in She Rises: What Goddess Feminism, Activism, and Spirituality? Volume 3, Edited by Helen Hye-Sook Hwang, et al., Mago publishers, 2019.
• (2018) Sacred Grove: The Playground of the Gods in Modern Hinduism in Text and Context edited by Lavanya Vemsani, Bloomsbury Academic Publishing. ISBN 978-1-350-04508-8
• (2013) Nepali Hindus in Southern California, in Contemporary Hinduism, P. Pratap Kumar (ed.), Durham: Acumen, ISBN 978-1844656905
• (2011) Kumari: Today and Tomorrow, in Nepal: Nostalgia and Modernity, Deepak Shimkhada (ed.), Marg Publishers, Mumbai, ISBN 978-93-80581-08-8
• (2010) Shamanic Healing: A Jhankri in the City in Health and Religious Rituals in South Asia, Fabrizio M. Ferrari (ed.), Routledge Publishers, UK ISBN 978-0415561457
• (2008) Goma: An Embodiment of the Goddess in The Constant and Changing Faces of the Goddess: Goddess Traditions of Asia, Deepak Shimkhada and Phyllis K. Herman (ed.), Cambridge Scholars Press, ISBN 978-1-84718-390-3
• (2005) Being in Love with God is not Enough: Social Reform by Basavanna Through Bhakti in Sangama: Confluence of Art and Architecture, Nalini Rao (ed.), Originals, Delhi ISBN 978-8188629480

• (2022) Meeting Babaji. Shangri-La Books
• (2022) Hunt for a Relic. Shangri-La Books
• (2021) The Planet of the Dogs. Shangri-La Books
• (2021) The Lotus Chronicles Book Two: The Power of Two. Indic Books: Foundation for Indic Philosophy and Culture
• (2020) The Lotus Chronicles Book One: Jaya Confronts the Lord of Darkness. Indic Books: Foundation for Indic Philosophy and Culture. ISBN 9798571101851
• (2020) Surabhi The Wish-Fulfilling Cow: An Ancient Legend for Today. Indic Books: Foundation and Indic Philosophy and Culture
• (2014) Arjun Confronts Bullies at School. CreateSpace, ISBN 978-1499235234
• (2013) How Ganesha Outwitted His Brother to Circle the Universe. CreateSpace, ISBN 978-1493692859
• (2013) Thunder Rumbles in Preeti's House,. CreateSpace, ISBN 978-1490966670
• (2013) How Arjun and His Dad Outfox the Wolves. CreateSpace, ISBN 978-1484127612

• (2023) “Death: Never Done Grieving”, in Journal of Dharma Studies 6(3):1-1, December 2023. DOI:10.1007/s42240-023-00156-7. License CC BY 4.0

• (2022) "Tushā Hiti: The Origin and Significance of the Name" in Monsoon: The Journal of South Asian Studies Association, Vol.1, No. 1, pp. 11–19.
• (2019) “Mata Tirtha: A Sacred Geography” in Journal of Dharma Studies, April, 2019.
• (2015) Deepak Shimkhada with Michael Reading, “Return to the womb: feminine creative imagery of arghya in a Tantric ritual” in International Journal of Dharma Studies (2015) 3:12.
• (2014) “The Date of the Chandi Murals in the Hanuman Dhoka Palace: Where History and Faith Meet”, AsianArt.com
• (2011) Deepak Shimkhada with Adam Pave,“Expressions of Love: Images from the 1648 Bhagavata Purana Manuscript”, Exemplar: The Journal of the South Asian Studies Association.
• (2008) “The Future of Nepal’s “Living” Goddess: Is Her Death Necessary?" Asian Art.
• (2007) "Oil Lamps as Expressions of Devotion," Marg (Mumbai, India), pp. 102–103
• (2005) "Book Review, Ethnic Revival and Religious Turmoil: Identities and Representations in the Himalayas”, in The Journal of Asian Studies, Vol.64, No.4, pp. 1059–1061, Marie Lecomte-Tilouine and Pascale Dollfus (ed.), New York: Oxford University Press, 2003
• (2000) "Erotic Body & Exotic Costumes," in Proceedings of the 32nd International Congress on Research in Dance, Claremont, California, pp. 30– 36
• (1990) "Wind Horses: Prayer Flags in the Himalayas," in Arts of Asia, (Hong Kong), Oct–Nov
• (1989) Deepak Shimkhada with Muriel Reeves, "Narayana: The Sleeping Vishnu" in Arts of Asia (Hong Kong), Vol. 19, No. 1 (Jan–Feb), pp. 152–155
• (1988) "Forms of Nepali Folk Dance" in Folk Dance Scene, November, Volume 23, Number 8, p. 12–14.
• (1986) "Interaction between Painting and Architecture in Nepali Art," in Himalayan Research Bulletin (New York: Cornell University), Vol. 6, No. 1, Winter, PP. 20–22
• (1984) "The Masquerading Sun: A Unique Image from Nepal", in Artibus Asiae (Switzerland), University of New York, Vol. 45, No. 4, pp. 223–230
• (1984) "Pratapamalla's Pilgrimage: An Historical Painting from Nepal," in Oriental Art (London), Vol. 30, No. 4, Winter pp. 368–70
• (1984) "Museum without Walls: Wayside Sculptures in the Kathmandu Valley," in Arts of Asia (Hong Kong), Vol. 14, No. 4, July–August, pp. 97–100
• (1983) "A Preliminary Study of the Game of Karma in India, Nepal, and Tibet," in Artibus Asiae (Switzerland: Institute of Fine Arts, New York), Vol. LXIV, No. 4, pp. 308–322
• (1983) "The Sunken Bath of Siddhinarasimha Malla in Patan," in Orientations, Vol. 14, No. 7, July, pp. 46–49
• (1982) "Measure of Karma: Origin and Iconography of Nagapasa in Nepali Painting," in Himalayan Research Bulletin, Cornell University: (Ithaca, New York) Vol. 11, No. 1, Winter, pp. 12–16
• (1973) "Nepali Paintings and the Rajput Style," in Arts of Asia, Vol. 4, No. 5, Sept–Oct, pp. 38–43
• (1973) "Appreciation of Nepali Folk Art" in Swatantra Vishwa (in Nepali), a publication of USIS (United States Information Service), Kathmandu, Nepal, p. 4–7
• (1973) "Mural Paintings in the Hanuman Dhoka Palace," in Abstracts of the Conference on Nepal at Claremont, Claremont Graduate School: Claremont, pp. 28–30
• (1970) "An Introduction to Nepalese Art", in NAFA Art Magazine (Kathmandu, Nepal), Vol. 1, No. 1, pp. 23–28

• (2020) Virtual Exhibition of Contemporary Nepali Art by Deepak Shimkhada: SASA, California.
• (2014) Mother as Fertility, Mother as Goddess—The Female Torsos of Laya Mainali in The Sacred Feminine: Kathmandu, Nepal.
• (1992) The Tibetan Rug: The Nepalese Connection, in Woven Jewels: Tibetan Rugs from Southern California Collections Pacific Asia Museum: Pasadena, California.
• (1991) The Eye of India: Art of the people, an exhibition curated by Deepak Shimkhada at Palos Verdes Art Center's Beckstrand Gallery, Palos Verdes, California.
• (1982) God, Man, Woman, and Nature in Asian Art, Scripps College: Claremont, California.
• (1973) Exhibition of Nepali Art, Pomona College, Montgomery Art Gallery, Claremont, California.
• (1973) USC Collects: A Sampling of Taste, University of Southern California: Los Angeles.

• 2016—CST (Claremont School of Theology) Fisher Adjunct Faculty Award for excellence in teaching
• 2008--CGU (Claremont Graduate University) Distinguished Alumni Service Award^[2][41]
• 1979--AIIS (American Institute of Indian Studies) Research Award
• 1972--Fulbright (U.S. Department of State)

Shimkhada married Kanti Shimkhada. They together have two daughters, Leepi Shimkhada-Mahalingam and Riti Shimkhada.

• Official website Archived September 28, 2015, at the Wayback Machine
• Official website
• Deepak Shimkhada at IMDb
• Deepak Shimkhada at Goodreads