Viola jokes

Viola jokes are jokes that are directed towards violas and viola players, thought to have originated in the 18th century. Violas at the time were mainly used for relatively easy parts and as accompaniment, rather than as solo instruments; violists were generally low-paid and of lower social standing.^[1]^[2]

A story from Italy in the early 1700s is thought to be the origin of many viola jokes:^[3]

The violinist Francesco Geminiani arrived in London in 1714, one of the many expatriate musicians who settled in England in the late seventeenth and early eighteenth centuries ... As a young man Geminiani was appointed head of the orchestra in Naples, where according to English music historian Charles Burney he was "so wild and unsteady a timist, that instead of regulating and conducting the band, he threw it into confusion", and was demoted to playing the viola.

Viola jokes take many different forms, some only understandable by musicians and those acquainted with musical terms, others requiring no specialist musical knowledge. Some jokes make fun of the viola itself while others make fun of violists, while some jokes are directed in the opposite direction: jokes about musicians who tell viola jokes.^[4]

Examples of viola jokes, past and modern include:

"How can you tell if a viola player is playing out of tune? The bow is moving."
This joke resembles a common joke: "How can you tell if a politician is lying? - His lips are moving"
"What's the difference between a viola player and a pizza? A pizza can feed a family of four."
"What's the difference between a viola and a coffin? Coffins have dead people on the inside."
"What is the only thing a violinist can do better than a viola player? Play the viola.”
"What do you call a forgotten violin? A viola."
"How is the minor second defined? Two viola players play in unison.”
Explanation: Minor second is the smallest musical interval in Western music. When two notes with this interval are played simultaneously, this usually represents a dissonance. The joke is that the violists are off pitch, and when playing in unison, produce a minor second instead.

References

^ Cottrell, Stephen (2004). Professional Music-making in London: Ethnography and Experience. Ashgate Publishing. pp. 144–146. ISBN 0754608891.
^ Marissen, Michael (1999). The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. Princeton University Press. p. 61. ISBN 1400821657.
^ Johnstone, David. Grand Encyclopedia of Viola Jokes (PDF). p. 59. Archived from the original (PDF) on 2014-08-24. Retrieved 2014-08-01.
^ Carl Rahkonen (Winter 2000). "No Laughing Matter: The Viola Joke Cycle as Musicians' Folklore". Western Folklore. 59 (1). Western States Folklore Society: 49–63. doi:10.2307/1500468. JSTOR 1500468.

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[1] Cottrell, Stephen (2004). Professional Music-making in London: Ethnography and Experience. Ashgate Publishing. pp. 144–146. ISBN 0754608891.

[Marissen-2] Marissen, Michael (1999). The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. Princeton University Press. p. 61. ISBN 1400821657.

[3] Johnstone, David. Grand Encyclopedia of Viola Jokes (PDF). p. 59. Archived from the original (PDF) on 2014-08-24. Retrieved 2014-08-01.

[4] Carl Rahkonen (Winter 2000). "No Laughing Matter: The Viola Joke Cycle as Musicians' Folklore". Western Folklore. 59 (1). Western States Folklore Society: 49–63. doi:10.2307/1500468. JSTOR 1500468.

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Viola jokes

See also

References

Further reading

External links