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White Crane Films

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White Crane Films
IndustryFilm production
Founded1990
FounderRitu Sarin and Tenzing Sonam
Headquarters
London
,
England
WebsiteWhite Crane Films

White Crane Films is an independent film production company founded in 1990 in London by filmmakers, Ritu Sarin and Tenzing Sonam.[1] The company produced feature films, documentaries and art installations under its aegis.[2]

Focusing primarily on Tibet-related subjects, productions include, The Reincarnation of Khensur Rinpoche (1991) which inspired Little Buddha to Bernardo Bertolucci. The film followed a Drepung monk, who traveled from Karnataka to Tibet passing through Nepal and found the tulku of Khensur Rinpoche (Pema Gyaltsen Rinpoché [fr]), the reincarnation of his master. The film was shot on 4:3..[2] Productions also include The Trials of Telo Rinpoche (1993), A Stranger in My Native Land (1998),[3] The Shadow Circus: The CIA in Tibet (1998),[4][5] the Tibetan feature film, Dreaming Lhasa (2005),[6] and The Thread of Karma (2007).[7]

In 2007, Ritu Sarin and Tenzing Sonam were commissioned by Thyssen-Bornemisza Art Contemporary in Vienna to make the single-channel video installation, Some Questions on the Nature of Your Existence. The video was shown at the Mori Art Museum in Tokyo as part of the exhibition, "The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection," held from April 5 to July 5, 2009. It was a part of the 2010 Busan Biennale, "Living in Evolution", from 12 September to 20 November 2010[8]

In March 2009, their feature documentary, The Dalai Lama: 50 Years After the Fall, was broadcast on France 5[9] and Nederland 2 (BOS).[10] A personal version of the film was completed in October 2009. That film, The Sun Behind the Clouds: Tibet's Struggle for Freedom, premiered on 24 October 2009 at the South Korean DMZ International Documentary Film Festival. The music was composed by twice Oscar-winning composer, Gustavo Santaolalla. The film was executive produced by Francesca von Habsburg and Lavinia Currier. The film showed at numerous international film festivals, winning several awards, including the Václav Havel Award at the One World Film Festival in Prague.

White Crane Films forms the backbone of the Dharamsala International Film Festival (DIFF).[11][3]

References

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  1. ^ Tsering Namgyal Khortsa, Little Lhasa: Reflections on Exiled Tibet, INDUS SOURCE BOOKS, 2008, ISBN 9788188569106, p. 107
  2. ^ a b Jaime López-Díez, New Perspectives On Indian Cinema, ESIC, 31-12-2021, p. 86
  3. ^ a b Jaime López-Díez, New Perspectives On Indian Cinema, ESIC, 31-12-2021, p. 87
  4. ^ Hayley Saul, A Himalayan triptych: narratives of traders, pilgrims and resistance in a landscape of movements, 2017, Journal of Heritage Tourism
  5. ^ Patrick Anders, The CIA in Tibet, 1957 -1969, Small Wars Journal, 11-09-2021
  6. ^ Natalia Bloch, We Are No Monks. Narrating the Self through New Tibetan Exile Cinema, 2017, "Ethnologia Polona", vol. 37, Special Issue: Himalayan & Tibetan Identities in Contemporary Pictures, p. 101-114, p. 107
  7. ^ The Thread of Karma, Berkeley Media, LLC.
  8. ^ ANCESTORS: Architecture of Memory, Lahore Biennale Foundation
  9. ^ Tibet, le combat pour la liberté at the Wayback Machine (archived 2009-05-15), France 5, 2009
  10. ^ https://archive.today/20120530180348/http://www.boeddhistischeomroep.nl/uitzending.aspx?lIntEntityId=1058&lIntType=0&lIntYear=2009 The Dalai Lama: 50 Years After the Fall
  11. ^ Taru, An international film fest in a town with no cinemas, The Sunday Guardian, 01-10-2016
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