Sabaton

A sabaton or solleret is part of a knight's body armor that covers the foot.^[1]

14th and 15th-century sabatons typically end in a tapered point well past the actual toes of the wearer's foot, following fashionable shoe shapes of the era. Sabatons of the late 15th and early 16th century followed the duckbill shoes of the time, ending at the tip of the toe but often extending greatly wider. The sabatons were the first piece of armour to be put on, and were made of riveted iron plates called lames. These plates generally covered only the top of the foot. Some sources^[who?] maintain that the broad-toed variant is the true sabaton, whereas the earlier versions should be referred to as a solleret.^[2]

At least in theory, French princes and dukes were allowed to have toes of Gothic sabatons 2+1⁄2 times, lords (barons and higher) 2 times, and gentry only one time the length of their feet.^[3] If we assume pied du roi as the standard length, these would be 81.2 cm (32 in), 64.96 cm (25+9⁄16 in), and 32.48 cm (12+3⁄4 in), respectively.

The sabaton was not commonly used by knights or men at arms fighting on foot. Instead, many would simply wear leather shoes or boots. Heavy or pointy metal footwear would severely hinder movement and mobility on the ground, particularly under wet or muddy conditions. Attacks against the feet are not common in dismounted combat,^{[citation needed]} as a strike to an enemy's foot would typically put the attacker in a very awkward and vulnerable position. Conversely, a mounted knight's feet would be at perfect height for strikes from dismounted soldiers, and so sabatons or other foot armour would be vital when riding into battle.^{[citation needed]} An earlier solution was for the mail of the chausses to completely cover the foot, but later the mail terminated at the ankle, either overlapping the outside of the sabaton or extending beneath it.^[4]

The effigy of Richard Beauchamp, 13th Earl of Warwick in the Collegiate Church of St Mary, Warwick, shows how 15th century Italian-style sabatons would have been worn. These consist of a toe cap, four articulated lames, a foot plate and ankle plate, and a hinged heel cap, joined with buckled straps. Although the spurs are missing from the effigy, remains of rivet holes and staples may represent the way that the spurs would have been directly attached to the heel cap of the sabaton, rather than being strapped on afterwards.^[4]

"Sabaton" is also the name of a type of broad-toed Flemish shoe, popular in the Late Middle Ages.^[2]

Sabaton is the name of a Swedish heavy metal band who write songs based on military history.

• 
  Sabatons of Emperor Maximilian I, c. 1485
• 
  Sabatons' shape evolution by Wendelin Boeheim:

  1. 1290–1390
  2. 1300–1490
  3. 1500–1530
  4. 1530–1540
  5. 1540–1550
  6. 1550–1560
  7. 1560–1590
• 
  Sabatons with tapered points (poulaines, pikes, or beaks)
• 
  Gilded bronze effigy at Warwick, England, of Richard Beauchamp, 13th Earl of Warwick who died in 1439, showing the underside of his sabatons.