Laila (1927 film)

Laila
Laila
	Theatrical release poster
Directed by	Stephan Rosti
Written by	Wedad Orfi ; Stephan Rosti
Produced by	Aziza Amir
Starring	Aziza Amir; Stephan Rosti; Assia Dagher
Cinematography	Hassan El-Helbawi
Edited by	Aziza Amir
Production; company	Isis Film
Release date	16 November 1927 (Egypt);
Running time	90 minutes
Country	Egypt
Language	Egyptian Arabic

Laila is a 1927 Egyptian silent film directed by Stephan Rosti.^[1]^[2]^[3] It stars Aziza Amir, Stephan Rosti and Assia Dagher.^[4]^[5]^[6] It is the first feature-length Egyptian film.^[7]^[8]^[9]^[10]

Plot

In the middle of a barren desert, Laila grows up in a quiet oasis overlooked by the ruins of ancient Memphis. It is the village where the rich businessmen Raouf Bey lives, he meets Laila and admires her, and tries to please her, but she is in love with Ahmed, who previously saved her from falling into the clutches of Salem when he tried to assault her. Ahmed gets engaged to Laila, after which he meets a Brazilian female tourist staying in a hotel near the village. The girl succeeds in making Ahmed fall in love with her and takes him from Laila, whose is pregnant from Ahmed. The village people discover Laila's pregnancy and expel her. While Laila is walking helplessly, she is hit by a car. She discovers that its driver is Raouf Bey, who carries her to his house to give birth and she dies while giving birth to her child.

Cast

Aziza Amir as Laila
Stephan Rosti as Raouf Bey
Assia Dagher as Teacher
Wedad Orfi as Sheikh Ahmed
Hussein Fawzi as Alcaballero de Fernandez
Alice Lazar as The Brazilian girl
Bamba grimaced as Salma
Ahmed Lail as The servant
Ahmed Al-Sharaieb as The doctor
Mary Mansour as The nurse
Ahmed Galal as Salem

Production

In production stage, the film was scheduled to be produced under the name The Call of God, and as a result of filming being stopped due to producer Aziza Amir being dissatisfied with the scenes filmed by Wedad Arfi, then filming was completed by Stephan Rosti, and its name was changed to Laila. The film was developed and printed at the film producer's home, which was turned into a studio on El-Bargas Street in the Garden City neighborhood. The external scenes were filmed between the Giza Pyramids, Saqqara, and the streets of Cairo.^[11]

Reception

Among those attending the film's premiere were the economist Talaat Harb and the musician Mohamed Abdel-Wahab. The premier of the film was attended by the prominent poet Ahmed Shawqi who praised the artist Aziza Amir by saying, “She did what men were unable to do.”

References

^ Mahdi, Waleed F. (2020-10-21). Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation. Syracuse University Press. ISBN 978-0-8156-5496-4.
^ The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East. Bloomsbury Publishing. 2023-11-16. ISBN 978-0-7556-4741-5.
^ ‏فكر و إبداع (in Arabic). ‏رابطة الأدب الحديث،‏. 2006.
^ Parnell, Jo (2020-11-13). The Bride in the Cultural Imagination: Screen, Stage, and Literary Productions. Rowman & Littlefield. ISBN 978-1-7936-1614-2.
^ Leaman, Oliver (2003-12-16). Companion Encyclopedia of Middle Eastern and North African Film. Routledge. ISBN 978-1-134-66252-4.
^ Bisschoff, Lizelle (2017-07-05). Africa's Lost Classics: New Histories of African Cinema. Routledge. ISBN 978-1-351-57739-7.
^ Starr, Prof Deborah A. (2020-09-22). Togo Mizrahi and the Making of Egyptian Cinema. Univ of California Press. ISBN 978-0-520-97612-2.
^ Mellor, Noha (2011-05-16). Arab Media: Globalization and Emerging Media Industries. Polity. ISBN 978-0-7456-4535-3.
^ Mattar, Philip (2004). Encyclopedia of the Modern Middle East & North Africa: D-K. Macmillan Reference USA. ISBN 978-0-02-865771-4.
^ "The Egyptian Women as a cinematic figure and her status in Film industry since 1920 and till now". wlahawogohokhra.com. 2019-02-13. Retrieved 2023-11-27.
^ Davis, Glyn; Dickinson, Kay; Patti, Lisa; Villarejo, Amy (2015-02-20). Film Studies: A Global Introduction. Routledge. ISBN 978-1-317-62338-0.

External links

Laila on elcinema

[1] Mahdi, Waleed F. (2020-10-21). Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation. Syracuse University Press. ISBN 978-0-8156-5496-4.

[2] The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East. Bloomsbury Publishing. 2023-11-16. ISBN 978-0-7556-4741-5.

[3] ‏فكر و إبداع (in Arabic). ‏رابطة الأدب الحديث،‏. 2006.

[4] Parnell, Jo (2020-11-13). The Bride in the Cultural Imagination: Screen, Stage, and Literary Productions. Rowman & Littlefield. ISBN 978-1-7936-1614-2.

[5] Leaman, Oliver (2003-12-16). Companion Encyclopedia of Middle Eastern and North African Film. Routledge. ISBN 978-1-134-66252-4.

[6] Bisschoff, Lizelle (2017-07-05). Africa's Lost Classics: New Histories of African Cinema. Routledge. ISBN 978-1-351-57739-7.

[7] Starr, Prof Deborah A. (2020-09-22). Togo Mizrahi and the Making of Egyptian Cinema. Univ of California Press. ISBN 978-0-520-97612-2.

[8] Mellor, Noha (2011-05-16). Arab Media: Globalization and Emerging Media Industries. Polity. ISBN 978-0-7456-4535-3.

[9] Mattar, Philip (2004). Encyclopedia of the Modern Middle East & North Africa: D-K. Macmillan Reference USA. ISBN 978-0-02-865771-4.

[10] "The Egyptian Women as a cinematic figure and her status in Film industry since 1920 and till now". wlahawogohokhra.com. 2019-02-13. Retrieved 2023-11-27.

[11] Davis, Glyn; Dickinson, Kay; Patti, Lisa; Villarejo, Amy (2015-02-20). Film Studies: A Global Introduction. Routledge. ISBN 978-1-317-62338-0.

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