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In Person!

From Wikipedia, the free encyclopedia
In Person!
Studio album by
Tony Bennett with the Count Basie Orchestra
ReleasedMarch 1959[1]
RecordedDecember 22 & 30, 1958
StudioCBS 30th Street (New York City)
GenreJazz
Length33:55
LabelColumbia
CL 1294
CS 8104
ProducerAl Ham
Tony Bennett chronology
Long Ago and Far Away
(1958) 		In Person!
(1959) 		Strike Up the Band
(1959)
Count Basie Orchestra chronology
Breakfast Dance and Barbecue
(1959) 		In Person!
(1959) 		Strike Up the Band
(1959)

In Person! is a 1959 album by Tony Bennett, accompanied by the Count Basie Orchestra.[2]

The album was originally intended to be a live recording of a November 1958 performance at Philadelphia's Latin Casino, but the mono recording of the concert was disregarded by producer Al Ham who wanted the album recorded in stereo. Bennett and Basie were then reunited in the studio a month later to recreate the live concert. Fake applause was dubbed onto the original release of In Person! by Ham, and placed in incorrect places on the album. The effect was poorly received and removed for the album's 1994 re-issue.[2][3] In his autobiography, The Good Life, Bennett wrote that "I never understood why we didn't release the live version. The whole attempt at fabricating an audience was in bad taste" and that as a result of the experience he had always preferred the second album he recorded with Basie that year, Strike Up the Band.[4]

Basie and Bennett recorded two albums together in 1959; In Person! was released by Bennett's record label, Columbia, and Strike Up the Band was released by Basie's label, Roulette.

Sony Music Distribution included this CD in a box set entitled The Complete Collection, which contains fifty-eight of his studio albums, 4 compilation, three DVDs, six volumes of Bennett’s non-album singles, a previously unreleased CD of his Las Vegas debut from 1964, and two discs of rarities, including Bennett’s first recording, an Army V-Disc of “St. James Infirmary Blues, and was released on November 8, 2011.[5]

Reception

[edit]
Professional ratings
Review scores
SourceRating
Allmusic[6]
New Record Mirror[7]
The Encyclopedia of Popular Music[8]

Billboard magazine chose In Person! as one of their "Spotlight Winners of the Week" in March 1959, and wrote that "The drive of the Bennett vocals is excellently paced by the swingin' Basie crew. Tunes are nicely paced and varied. It's an exciting set that builds track after track".[9]

In sharp contast, Ralph J. Gleason in the July 1959 edition of HiFi Review called the record "disappointing" and opined that it "brings out all the faults of Bennett," that "Tony Bennett really can't sing well enough to earn the support of a band like this" and that the performance suffered from "poor intonation, poor phrasing and great determination to be dramatic."[10]

New Record Mirror gave the album a strong review, saying "it features "an exciting and clever selection of songs"[7]

Bruce Eder positively reviewed the 1994 re-issue of In Person! for Allmusic, and wrote that "Bennett's sensitively nuanced intonation in the opening of "Pennies from Heaven" is now up close and personal, while the band's beat in the second half of the song is now crisper and more solid than ever. Ralph Sharon, Bennett's usual accompanist, is handling the piano chores (while Basie himself is credited as leader), and his finely articulated playing is also brought out crisply on "Lost in the Stars" and other tracks. It's all worth hearing, and more often than just once—it was records like this, as reconstituted properly for CD, that constituted the absolute golden end of the pop legacy of the late '50s."[2]

Track listing

[edit]
  1. "Just in Time" (Betty Comden, Adolph Green, Jule Styne) – 1:45
  2. "When I Fall in Love" (Edward Heyman, Victor Young) – 2:20
  3. "Taking a Chance on Love" (Vernon Duke, Ted Fetter, John La Touche) – 1:57
  4. "Without a Song" (Edward Eliscu, Billy Rose, Vincent Youmans) – 3:06
  5. "Fascinating Rhythm" (Gershwin, Ira Gershwin) – 1:30
  6. "(In My) Solitude" (Eddie DeLange, Duke Ellington, Irving Mills) – 3:35
  7. "Pennies from Heaven" (Johnny Burke, Arthur Johnston) – 2:33
  8. "Lost in the Stars" (Maxwell Anderson, Kurt Weill) – 4:01
  9. "Firefly" (Cy Coleman, Carolyn Leigh) – 1:39
  10. "There Will Never Be Another You" (Mack Gordon, Harry Warren) – 3:16
  11. "Lullaby of Broadway" (Al Dubin, Warren) – 3:13
  12. "Ol' Man River" (Oscar Hammerstein II, Jerome Kern) – 5:00

Personnel

[edit]

The Count Basie Orchestra:

Other credits

[edit]
  • Al Ham – producer
  • Didier C. Deutsch – associate producer
  • Al Ham – associate producer
  • Frank Laico – engineer
  • Cliff Morris – engineer
  • Seymour Mednick – photography
  • Kevin Boutote – mastering
  • Bob Burns – contractor

References

[edit]
  1. ^ "The Billboard Spotlight Winners of the Week". Billboard. Nielsen Business Media, Inc. March 23, 1959. p. 33 – via Google Books.
  2. ^ a b c In Person! at AllMusic
  3. ^ David Evanier (30 June 2011). All the Things You Are: The Life of Tony Bennett. John Wiley & Sons. pp. 118–. ISBN 978-1-118-03354-8.
  4. ^ Tony Bennett (7 December 2010). The Good Life: The Autobiography of Tony Bennett. Simon and Schuster. pp. 144–. ISBN 978-1-4516-3499-0.
  5. ^ "The Complete Collection - Tony Bennett". allmusic.com. Retrieved 8 October 2024.
  6. ^ In Person! at AllMusic
  7. ^ a b "Best of bargain albums this month from 2 girls Joan Baez And Connie Franics" (PDF). Record Mirror. No. 316. April 1, 1967. p. 8.
  8. ^ Larkin, Colin (2007). The Encyclopedia of Popular Music. Omnibus Press. p. 148. ISBN 9781846098567. Retrieved 2 November 2024.
  9. ^ "The Billboard Spotlight Winners of the Week: Pop Albums". Billboard. Nielsen Business Media, Inc. 23 March 1959. p. 33. ISSN 0006-2510.
  10. ^ Gleason, Ralph J. (July 1959). "Mono Entertainment" (PDF). HiFi/Stereo Review. p. 75.
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