Freejack

Freejack
Theatrical release poster
Directed by	Geoff Murphy
Screenplay by	Steven Pressfield Ronald Shusett Dan Gilroy
Story by	Steven Pressfield Ronald Shusett
Based on	Immortality, Inc. by Robert Sheckley
Produced by	Ronald Shusett Stuart Oken
Starring	Emilio Estevez Mick Jagger Rene Russo Anthony Hopkins Jonathan Banks David Johansen
Cinematography	Amir Mokri (Uncredited)
Edited by	Dennis Virkler
Music by	Trevor Jones
Production company	Morgan Creek Productions
Distributed by	Warner Bros.
Release date	January 17, 1992 (1992-01-17)
Running time	110 minutes
Country	United States
Language	English
Budget	$30 million[1]
Box office	$37 million

Freejack is a 1992 American science fiction film directed by Geoff Murphy and starring Emilio Estevez, Mick Jagger, Rene Russo, and Anthony Hopkins. The screenplay was written by Steven Pressfield, Ronald Shusett and Dan Gilroy, who adapted it from the 1959 science fiction novel Immortality, Inc. by Robert Sheckley. The film was produced by Morgan Creek and released by Warner Bros. in the United States on January 17, 1992. It received mostly negative reviews.

In 2009, the super-wealthy achieve immortality by hiring "bonejackers", mercenaries equipped with time travel devices, to snatch people from the past, just prior to the moment of their deaths, for use as substitute bodies. Those who escape are known as "freejacks" and are considered less than human under the law. In this dystopian future, most people suffer from poor physical health as a result of rampant drug use and environmental pollution, making them unattractive as replacement bodies.

Alex Furlong is a Formula One racer who is about to die in a spectacular 1991 crash when a time machine snatches him from the cockpit and into 21st century New York City, now a futuristic dystopia populated by scavengers and killers. When Furlong's captors are ambushed by a hit squad, Furlong escapes from Victor Vacendak, a hardened mercenary who has snatched him on behalf of the powerful McCandless Corporation. Alex's former fiancée Julie Redlund is now an executive at McCandless, handling high-stakes mineral negotiations with a rival Japanese firm.

Alex spends much time escaping the clutches of Victor, a ruthless pursuer who nevertheless lives by a code of honor, and rekindling his relationship with Julie. Ian McCandless, Julie's boss, is revealed to have died and seeks to install his backed-up personality into Furlong's body. Besides evading Vacendak's army of mercenaries and McCandless police personnel, Alex and Julie also have to deal with fleeing from the private guards of McCandless's right-hand man Mark Michelette, who is gunning for McCandless's position. Alex finds he cannot trust his old friends from 1991, who are now eager to sell him out.

After an encounter wherein Alex spares Vacendak's life, Julie rescues Alex in one of Vacendak's vehicles. Tired of running, Alex pretends to take Julie hostage and negotiates with Michelette to arrange a meeting, counting on Michelette's not knowing about their past relationship; however, Michelette has seen the footage of Julie's grief after Alex's 1991 accident. After she slaps Michelette in return for his mockery, the couple flees. They are thwarted when they encounter a gunfight in the lobby between two factions, now in opposition: McCandless's security guards and Vacendak's mercenaries. Julie plans to leave the building through an "escape module" on the hundredth floor, but the elevator takes them automatically to the complex at the very top of the building known as the "Spiritual Switchboard" where McCandless's mind is in storage. In a virtual reality encounter with McCandless's essence, he explains his goal: to use Alex's body to satiate his love for Julie. Apologizing, he offers to die and let Alex run the company under the guise of being McCandless.

As they consider the offer, Vacendak arrives, and McCandless reveals he was merely stalling for time. Alex fights the process as Michelette stumbles in, wounded from fighting Vacendak's soldiers. In the confusion, Julie grabs the gun of the soldier holding her and fires off a shot that disrupts the transfer process. The results are inconclusive as to whether or not it is Ian McCandless or Alex Furlong in Alex's body. The scientists cannot determine the answer, but Vacendak can, as only Vacendak knows a secret code McCandless gave him.

Alex reads the code, slowly, and Vacendak asks him to continue. Alex finishes the code quickly. Michelette tries to kill Alex but is gunned down by Vacendak's men. Alex remarks about how he feels in his "new" body, before telling Julie that she will be dressed more appropriately so that the two of them can take a drive. Hours later, after the coup is over, Julie and Alex get into one of McCandless's favorite vehicles; Alex tells the driver that he will do the driving today. Vacendak stops them as the car leaves the estate. It turns out that the transfer was not complete after all; Furlong got McCandless's secret number wrong, "not even close" according to Vacendak who nevertheless went along with it. He simply waited until Furlong made a mistake: McCandless did not know how to drive. A highly amused Vacendak admonishes Julie that "you'll have to coach him better than that", then leaves while Furlong and Julie speed away.

The role of Julie Redlund was originally going to be played by Linda Fiorentino, but due to scheduling conflicts she dropped out and Rene Russo signed on to replace her.^[2] Shooting took place in Atlanta, Georgia.^[3]

According to reports at the time of the production and interviews with some members of the cast and crew, the original version of the movie had a disastrous test screening, so producer Ronald Shusett was brought in to re-shoot around 40% of the movie and add more character scenes and humor. Emilio Estevez also mentioned how director Geoff Murphy let them down by focusing too much on action in his original cut of the film. Geoff Murphy claims that there was interference from production company Morgan Creek and that he asked for his possessory credit to be removed.^[2]

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On Rotten Tomatoes, Freejack has an approval rating of 25% based on reviews from 20 critics and an average rating of 4.1/10.^[4] Audiences surveyed by CinemaScore gave the film a grade B−.^[5] Peter Rainer of the Los Angeles Times said the film abandons its interesting premise and instead "devolves into a standard-issue chase picture". Rainer said the only reason to watch the film was for Murphy's direction, though he said Murphy's talents were wasted.^[6] Writing for The New York Times, Janet Maslin called it "overlong and unsightly".^[7] Owen Gleiberman at Entertainment Weekly described it routine urban chase thriller with sci-fi gimmicks, and a "cheap mishmash of Blade Runner, RoboCop, and Total Recall."^[8]

On the Late Show with David Letterman, Anthony Hopkins called the film "terrible".^[9]

The film was a box office bomb as it grossed only $17 million in the United States and Canada and $20 million internationally for a worldwide total of $37 million, based on a $30 million budget.^[10][11]

Freejack was released on VHS and Laserdisc in 1992,^[12] a DVD release following in 2002,^[13] and a Blu-ray release in November 2018 by Sony Pictures Home Entertainment.

In 1992, NOW Comics published a three-part miniseries based on the movie. The adaptation was ghostwritten by Clint McElroy.^[14]

• Freejack at IMDb
• Freejack at AllMovie
• Freejack at Rotten Tomatoes