Cumbia & Jazz Fusion
| Cumbia & Jazz Fusion | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1978 | |||
| Recorded | March 29–31, 1976 at Sound WorkShop and Dirmaphon Studio, Rome, Italy; March 1 & March 10, 1977 in NYC | |||
| Genre | Jazz | |||
| Length | 50:16 | |||
| Label | Atlantic | |||
| Producer | Ilhan Mimaroglu, Daniele Senatore | |||
| Charles Mingus chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Penguin Guide to Jazz Recordings |  [4] |
| The Rolling Stone Jazz Record Guide | [2] |
| Sounds | [5] |
| The Village Voice | B+[3] |
Cumbia & Jazz Fusion is an album by Charles Mingus, recorded for the Atlantic label in 1977. It features two extended compositions written for the film Todo Modo by Mingus and performed by large ensembles featuring Jack Walrath, Jimmy Knepper, Paul Jeffrey, Ricky Ford, Dannie Richmond, Candido, Ray Mantilla, George Adams and Danny Mixon. The CD reissue added two solo performances by Mingus on piano.
Critical reception
[edit]Village Voice critic Robert Christgau felt Cumbia & Jazz Fusion's loftier compositions suggested Mingus was more of an "important jazz eccentric" rather than a "great": "The 27-minute title fantasia is rich, lively, irreverent, and enjoyable, but it's marred by overly atmospheric Hollywood-at-the-carnival moments, while the kitschy assumed seriousness of 'Music for Todo Modo' almost ruins its fresh big-band colors."[3] AllMusic critic Scott Yanow later wrote: "The music is episodic but generally holds its own away from the film".[1]
Track listing
[edit]All compositions by Charles Mingus
| No. | Title | recording date | Length |
|---|---|---|---|
| 1. | "Cumbia and Jazz Fusion" | March 10, 1977 | 28:05 |
| 2. | "Music for "Todo Modo"" | March 29–31, 1976 | 22:21 |
| 3. | "Wedding March/Slow Waltz" | March 1, 1977 | 2:04 |
| 4. | "Wedding March/Slow Waltz [alternate take]" | March 1, 1977 | 2:21 |
Tracks 3 & 4 are bonus tracks on CD.
Personnel
[edit]- Charles Mingus: bass, vocals, percussion, arranger
- Jack Walrath: trumpet, percussion (tracks 1 & 2)
- Jimmy Knepper: trombone, bass trombone (track 1)
- Mauricio Smith: flute, piccolo, soprano saxophone, alto saxophone (track 1)
- Paul Jeffrey: oboe, tenor saxophone (track 1)
- Gene Scholtens: bassoon (track 1)
- Gary Anderson: contrabass clarinet, bass clarinet (track 1)
- Ricky Ford: tenor saxophone, percussion (track 1)
- Bob Neloms: piano (track 1)
- Dannie Richmond: drums (tracks 1 & 2)
- Candido: congas (track 1)
- Daniel Gonzales: congas (track 1)
- Ray Mantilla: congas (track 1)
- Alfredo Ramirez: congas (track 1)
- Bradley Cunningham: percussion (track 1)
- Dino Piana: trombone (track 2)
- Anastasio Del Bono: oboe, english horn (track 2)
- Pasquale Sabatelli: bassoon (track 2)
- Roberto Laneri: bass clarinet (track 2)
- Giancarlo Maurino: alto saxophone (uncredited) (track 2)
- Quarto Maltoni: alto saxophone (track 2)
- George Adams: tenor saxophone, alto flute (track 2)
- Danny Mixon: piano, organ (track 2)
References
[edit]- ^ a b AllMusic Review
- ^ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 141. ISBN 0-394-72643-X.
- ^ a b Village Voice review
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1005. ISBN 978-0-141-03401-0.
- ^ Evans, Linnet (2 September 1978). "Charles Mingus: Cumbia And Jazz Fusion". Sounds. p. 33.
Further reading
[edit]- Schaefer, Samuel Frederic Heutte (2018). 'Castles Made of Sand': Musicians with Complex Racial Identifications in Mid-Twentieth Century American Society (Thesis). ISBN 978-0-438-78151-1. OCLC 1202041282. ProQuest 10978721.
- Cabezas Hernandez, Jorge Eduardo (December 2020). Análisis de recursos y métodos de composición en el jazz colombiano a partir de la música de Primo Paternina, Ben Allison y Juan Manuel Toro [Analysis of resources and composition methods in Colombian jazz from the music of Primo Paternina, Ben Allison and Juan Manuel Toro] (Thesis) (in Spanish). hdl:10554/52670. OCLC 1341582616.
