Kürdî pitch class set
Appearance
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
|
In Turkish classical music, the Kürdî pitch class set is a set of scales that are named after the Kürdî makam. For Kürdî, there is the Kürdî tetrachord and the Kürdî pentachord.
Kürdî pentachord in 53-TET
[edit]The intervals of the Kürdî pentachord and Kürdî tetrachord within 53 Tone Equal Temperament are given in the table:
Pentachord | Tetrachord | Note order | Step to next note (Number of steps) | Note name starting from Dügâh[a] |
---|---|---|---|---|
Kürdî pentachord | Kürdî tetrachord | 1 | B (4) | Dügâh |
2 | T (9) | Kürdî | ||
3 | T (9) | Çârgâh | ||
4 | T (9) | Neva | ||
- | 5 | - | Hüseynî |
Makams that use the Kürdî pentachord or Kürdî tetrachord
[edit]Name of Makam | Lower Çeşni | Higher Çeşni | Higher Extension | Notes |
---|---|---|---|---|
Kürdî | Kürdî tetrachord | Buselik pentachord | Kürdî tetrachord | This is the makam that the pitch class set is named after. |
Buselik | Buselik pentachord | Kürdî tetrachord | This scale exists within Kürdî if the Higher Çeşni and Higher Extension are put on top of each other. |
Notes
[edit]- ^ This is sometimes called "Starting from its original position" but it doesn't have to start there.