Cleaning Up
When the horse has been unharnessed and we've flushed the old machine,
And the water o'er the sluice is running evenly and clean;
When there's thirty load before us, and the sun is high and bright,
And we've worked from early morning and shall have to work till night,
Not a man of us is weary, though the graft is pretty rough,
If we see the proper colour showing freely through the stuff.
With a dandy head of water and a youngster at the rear
To hand along the billy, boys, and keep the tail race clear,
We lift the wash and flash the fork and make the gravel fly.
The shovelling is heavy and we're soaked from heel to thigh;
But it makes a fellow tireless and his thews and sinews tough
If the colour's showing freely as he gaily shifts the stuff.
When Geordie Best is pumping to a rollicking refrain,
And Sandy wipes his streaming brow and shakes the fork again,
The pebbles dance and rattle and the water seems to laugh —
Good luck is half the battle and good will's the other half;
And no day's too long and trying and no toil is hard enough
When we see the colour showing in each shovelful of stuff.
Can the mining speculator with a pile of golden scrip,
Or the plunger who has laid his all upon a winning tip,
Or the city man who's hit upon a profitable deal,
Know the wonderful elation that the lucky diggers feel
When Fortune's smiled but grimly and the store-man's looking gruff,
And at last they see the colour showing freely in the stuff?
Never, mates! It is a feeling that no other winner knows —
Not the soldier marching homeward from the conquest of his foes,
Nor the scholar who's successful in his searching of the skies,
Nor the squalid miser grovelling where his secret treasure lies.
'Tis a keener, wilder rapture in the digger bold and bluff,
Who feeds the sluice and sees the colour shining in the stuff.
Then lift the wash, and flash the fork, and make the gravel fly!
We can laugh at all the pleasures on which other men rely,
When the water o'er the sluice is running evenly and clean,
And the loaded ripples glitter with a lively golden sheen.
No day's too long and trying, and no toil is hard enough,
When we wash her down and see the colour freely through the stuff.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
- published non-government works whose author died before January 1, 1955,
- anonymous or pseudonymous works and photographs published before January 1, 1955, and
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This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1931, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 92 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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