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17. DAFx 2014: Erlangen, Germany
- Sascha Disch, Jürgen Herre, Rudolf Rabenstein, Bernd Edler, Meinard Müller, Stefan Turowski:
Proceedings of the 17th International Conference on Digital Audio Effects, DAFx-14, Erlangen, Germany, September 1-5, 2014. 2014, ISBN 978-3-00-046825-4
Sound Processing
- Brian Hamilton, Alberto Torin:
Finite Difference Schemes on Hexagonal Grids for Thin Linear Plates with Finite Volume Boundaries. 5-12 - John Drake, Maxim Likhachev, Alla Safonova:
Prioritized Computation for Numerical Sound Propagation. 13-18 - Ryoho Kobayashi:
Sinusoidal Synthesis Method using a Force-based Algorithm. 19-22 - Matthew Roddy, Jacqueline Walker:
A Method of Morphing Spectral Envelopes of the Singing Voice for Use with Backing Vocals. 23-28 - Hyung-Suk Kim, Julius O. Smith III:
Short-Time Time-Reversal on Audio Signals. 29-33 - Marcel Hilsamer, Stephan Herzog:
A Statistical Approach to Automated Offline Dynamic Processing in the Audio Mastering Process. 35-40 - Brian Hamilton, Stefan Bilbao, Craig J. Webb:
Revisiting Implicit Finite Difference Schemes for Three-Dimensional Room Acoustics Simulations on GPU. 41-48 - Darragh Pigott, Jacqueline Walker:
A Preliminary Model for the Synthesis of Source Spaciousness. 49-55 - Stephan Herzog, Marcel Hilsamer:
Low Frequency Group Delay Equalization of Vented Boxes using Digital Correction Filters. 57-64 - Vesa Norilo:
Exploring the Vectored Time Variant Comb Filter. 65-68 - Aaron Wishnick:
Time-Varying Filters for Musical Applications. 69-76
Filters and Effects
- Rémi Mignot, Vesa Välimäki:
Perceptual Linear Filters: Low-Order ARMA Approximation for Sound Synthesis. 77-83 - Gianpaolo Evangelista:
Approximations for Online Computation of Redressed Frequency Warped Vocoders. 85-91 - Thibaut Carpentier, Markus Noisternig, Olivier Warusfel:
Hybrid Reverberation Processor with Perceptual Control. 93-100 - Joseph Timoney, Victor Lazzarini, Jari Kleimola, Vesa Välimäki:
Examining the Oscillator Waveform Animation Effect. 101-107
Sound Synthesis
- Ryan Stables, Satoshi Endo, Alan Wing:
Multi-Player Microtiming Humanisation using a Multivariate Markov Model. 109-114 - Victor Lazzarini, John ffitch, Joseph Timoney, Russell J. Bradford:
Streaming Spectral Processing with Consumer-Level Graphics Processing Units. 115-122 - Seán O'Leary, Axel Röbel:
A Two Level Montage Approach to Sound Texture Synthesis with Treatment of Unique Events. 123-128 - Tomohiko Nakamura, Hirokazu Kameoka:
Fast Signal Reconstruction from Magnitude Spectrogram of Continuous Wavelet Transform Based on Spectrogram Consistency. 129-135
Physical Modeling and Virtual Analog
- Stefan Bilbao, Alberto Torin:
Numerical Simulation of String/Barrier Collisions: The Fretboard. 137-144 - Alberto Torin, Brian Hamilton, Stefan Bilbao:
An Energy Conserving Finite Difference Scheme for the Simulation of Collisions in Snare Drums. 145-152 - Felix Eichas, Marco Fink, Martin Holters, Udo Zölzer:
Physical Modeling of the MXR Phase 90 Guitar Effect Pedal. 153-158 - Kurt James Werner, Jonathan S. Abel, Julius O. Smith III:
A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit. 159-166
Music Analysis and Retrieval
- Ugo Marchand, Geoffroy Peeters:
The Modulation Scale Spectrum and its Application to Rhythm-Content Description. 167-172 - Reinhard Sonnleitner, Gerhard Widmer:
Quad-Based Audio Fingerprinting Robust to Time and Frequency Scaling. 173-180 - Jakob Abeßer, Martin Pfleiderer, Klaus Frieler, Wolf-Georg Zaddach:
Score-Informed Tracking and Contextual Analysis of Fundamental Frequency Contours in Trumpet and Saxophone Jazz Solos. 181-186 - Christian Dittmar, Daniel Gärtner:
Real-Time Transcription and Separation of Drum Recordings Based on NMF Decomposition. 187-194
Music Analysis and Effects
- Alessio Degani, Riccardo Leonardi, Pierangelo Migliorati, Geoffroy Peeters:
A Pitch Salience Function Derived from Harmonic Frequency Deviations for Polyphonic Music Analysis. 195-201 - Tian Cheng, Simon Dixon, Matthias Mauch:
A Comparison of Extended Source-Filter Models for Musical Signal Reconstruction. 203-209 - Bertrand Scherrer, Philippe Depalle:
Onset Time Estimation for the Analysis of Percussive Sounds using Exponentially Damped Sinusoids. 211-217 - Christian Kehling, Jakob Abeßer, Christian Dittmar, Gerald Schuller:
Automatic Tablature Transcription of Electric Guitar Recordings by Estimation of Score- and Instrument-Related Parameters. 219-226 - Anna M. Kruspe:
Improving Singing Language Identification through i-Vector Extraction. 227-233 - Fabian-Robert Stöter, Stefan Bayer, Bernd Edler:
Unison Source Separation. 235-241 - Olivier Derrien:
A Very Low Latency Pitch Tracker for Audio to MIDI Conversion. 243-248 - Jonathan Driedger, Meinard Müller:
TSM Toolbox: MATLAB Implementations of Time-Scale Modification Algorithms. 249-256 - Sebastian Merchel, Ludwig Kormann:
FreeDSP: A Low-Budget Open-Source Audio-DSP Module. 257-261 - Math Verstraelen, Jan Kuper, Gerard J. M. Smit:
Declaratively Programmable Ultra Low-Latency Audio Effects Processing on FPGA. 263-270
Multipitch Analysis and Source Separation
- Sebastian Kraft, Udo Zölzer:
Polyphonic Pitch Detection by Iterative Analysis of the Autocorrelation Function. 271-278 - Hélène Papadopoulos, Daniel P. W. Ellis:
Music-Content-Adaptive Robust Principal Component Analysis for a Semantically Consistent Separation of Foreground and Background in Music Audio Signals. 279-286 - Dimitri Zantalis, Jeremy Wells:
Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit. 287-294
Perception and Spatial Audio
- Brian Hamilton:
Finite Volume Perspectives on Finite Difference Schemes and Boundary Formulations for Wave Simulation. 295-302 - Pedro D. Pestana, Joshua D. Reiss:
A Cross-Adaptive Dynamic Spectral Panning Technique. 303-307 - Marco Fink, Udo Zölzer:
Low-Delay Error Concealment with Low Computational Overhead for Audio over IP Applications. 309-316 - Alex Wilson, Bruno Fazenda:
Categorisation of Distortion Profiles in Relation to Audio Quality. 317-324
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