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Publication search results
found 45 matches
- 2014
- Jakob Abeßer, Martin Pfleiderer, Klaus Frieler, Wolf-Georg Zaddach:
Score-Informed Tracking and Contextual Analysis of Fundamental Frequency Contours in Trumpet and Saxophone Jazz Solos. DAFx 2014: 181-186 - Stefan Bilbao, Alberto Torin:
Numerical Simulation of String/Barrier Collisions: The Fretboard. DAFx 2014: 137-144 - Thibaut Carpentier, Markus Noisternig, Olivier Warusfel:
Hybrid Reverberation Processor with Perceptual Control. DAFx 2014: 93-100 - Tian Cheng, Simon Dixon, Matthias Mauch:
A Comparison of Extended Source-Filter Models for Musical Signal Reconstruction. DAFx 2014: 203-209 - Alessio Degani, Riccardo Leonardi, Pierangelo Migliorati, Geoffroy Peeters:
A Pitch Salience Function Derived from Harmonic Frequency Deviations for Polyphonic Music Analysis. DAFx 2014: 195-201 - Olivier Derrien:
A Very Low Latency Pitch Tracker for Audio to MIDI Conversion. DAFx 2014: 243-248 - Christian Dittmar, Daniel Gärtner:
Real-Time Transcription and Separation of Drum Recordings Based on NMF Decomposition. DAFx 2014: 187-194 - John Drake, Maxim Likhachev, Alla Safonova:
Prioritized Computation for Numerical Sound Propagation. DAFx 2014: 13-18 - Jonathan Driedger, Meinard Müller:
TSM Toolbox: MATLAB Implementations of Time-Scale Modification Algorithms. DAFx 2014: 249-256 - Felix Eichas, Marco Fink, Martin Holters, Udo Zölzer:
Physical Modeling of the MXR Phase 90 Guitar Effect Pedal. DAFx 2014: 153-158 - Gianpaolo Evangelista:
Approximations for Online Computation of Redressed Frequency Warped Vocoders. DAFx 2014: 85-91 - Marco Fink, Udo Zölzer:
Low-Delay Error Concealment with Low Computational Overhead for Audio over IP Applications. DAFx 2014: 309-316 - Brian Hamilton:
Finite Volume Perspectives on Finite Difference Schemes and Boundary Formulations for Wave Simulation. DAFx 2014: 295-302 - Brian Hamilton, Stefan Bilbao, Craig J. Webb:
Revisiting Implicit Finite Difference Schemes for Three-Dimensional Room Acoustics Simulations on GPU. DAFx 2014: 41-48 - Brian Hamilton, Alberto Torin:
Finite Difference Schemes on Hexagonal Grids for Thin Linear Plates with Finite Volume Boundaries. DAFx 2014: 5-12 - Stephan Herzog, Marcel Hilsamer:
Low Frequency Group Delay Equalization of Vented Boxes using Digital Correction Filters. DAFx 2014: 57-64 - Marcel Hilsamer, Stephan Herzog:
A Statistical Approach to Automated Offline Dynamic Processing in the Audio Mastering Process. DAFx 2014: 35-40 - Christian Kehling, Jakob Abeßer, Christian Dittmar, Gerald Schuller:
Automatic Tablature Transcription of Electric Guitar Recordings by Estimation of Score- and Instrument-Related Parameters. DAFx 2014: 219-226 - Hyung-Suk Kim, Julius O. Smith III:
Short-Time Time-Reversal on Audio Signals. DAFx 2014: 29-33 - Ryoho Kobayashi:
Sinusoidal Synthesis Method using a Force-based Algorithm. DAFx 2014: 19-22 - Sebastian Kraft, Udo Zölzer:
Polyphonic Pitch Detection by Iterative Analysis of the Autocorrelation Function. DAFx 2014: 271-278 - Anna M. Kruspe:
Improving Singing Language Identification through i-Vector Extraction. DAFx 2014: 227-233 - Victor Lazzarini, John ffitch, Joseph Timoney, Russell J. Bradford:
Streaming Spectral Processing with Consumer-Level Graphics Processing Units. DAFx 2014: 115-122 - Ugo Marchand, Geoffroy Peeters:
The Modulation Scale Spectrum and its Application to Rhythm-Content Description. DAFx 2014: 167-172 - Sebastian Merchel, Ludwig Kormann:
FreeDSP: A Low-Budget Open-Source Audio-DSP Module. DAFx 2014: 257-261 - Rémi Mignot, Vesa Välimäki:
Perceptual Linear Filters: Low-Order ARMA Approximation for Sound Synthesis. DAFx 2014: 77-83 - Tomohiko Nakamura, Hirokazu Kameoka:
Fast Signal Reconstruction from Magnitude Spectrogram of Continuous Wavelet Transform Based on Spectrogram Consistency. DAFx 2014: 129-135 - Vesa Norilo:
Exploring the Vectored Time Variant Comb Filter. DAFx 2014: 65-68 - Seán O'Leary, Axel Röbel:
A Two Level Montage Approach to Sound Texture Synthesis with Treatment of Unique Events. DAFx 2014: 123-128 - Hélène Papadopoulos, Daniel P. W. Ellis:
Music-Content-Adaptive Robust Principal Component Analysis for a Semantically Consistent Separation of Foreground and Background in Music Audio Signals. DAFx 2014: 279-286
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