File:ThomasWoodstock.jpg
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Summary
[edit]Portrait of Thomas of Woodstock from The Benefactors' Book of St Albans Abbey (London, British Library Cotton MS Nero D VII f. 110 r) ( ) | ||||||||||||||||||||||||
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Artist |
Alan Strayler |
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Title |
Portrait of Thomas of Woodstock from The Benefactors' Book of St Albans Abbey (London, British Library Cotton MS Nero D VII f. 110 r) |
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Date | 1380 – c. 1540 | |||||||||||||||||||||||
Medium | parchment | |||||||||||||||||||||||
Collection |
institution QS:P195,Q23308 |
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Place of creation | England (St Albans) | |||||||||||||||||||||||
Object history | The Benedictine abbey of St Albans: the manuscript was the abbey’s benefactors' book, compiled by Thomas Walsingham, precentor of the abbey (f. 82v), written by William de Wyllum, a monk of the abbey (f. 82v), and illuminated by Alan Strayler, a layman (f. 108r). Entries and annotations were added into the 16th century. An Early Modern owner: annotations added throughout. Francis Bacon, Viscount St Alban (b. 1561, d. 1626), 1623: inscribed with a note by Cotton stating that it was given by him in 1623, 'Liber ex dono viceconatis [sic] Sancti Albani 1623' (f. 1r).Sir Robert Bruce Cotton (b. 1571, d. 1631), 1st baronet, antiquary and politician: his signature 'Robertus Cotton Bruceus' (f. 1r). Cotton’s collection was augmented by his son, Sir Thomas Cotton (b. 1594, d. 1662), 2nd baronet, and his grandson, Sir John Cotton.Sir John Cotton (b. 1621, d. 1702), 3rd baronet: bequeathed the entire Cotton collection of books and manuscripts to trustees ‘for Publick Use and Advantage’, 12 and 13 William III, c. 7. Formed one of the foundation collections of the British Museum in 1753. | |||||||||||||||||||||||
Notes | London, British Library Cotton MS Nero D VII f. 110 r | |||||||||||||||||||||||
References | http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Cotton_MS_Nero_D_VII | |||||||||||||||||||||||
Source/Photographer |
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Permission (Reusing this file) |
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Licensing
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1929, and if not then due to lack of notice or renewal. See this page for further explanation.
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File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 10:53, 23 November 2021 | 1,361 × 1,469 (477 KB) | P. S. Burton (talk | contribs) | ||
19:17, 18 November 2021 | 235 × 259 (31 KB) | Serial Number 54129 (talk | contribs) | Version from source | ||
16:42, 13 November 2011 | 350 × 384 (69 KB) | 白拍子花子 (talk | contribs) | enlarged | ||
19:21, 22 January 2010 | 151 × 164 (15 KB) | Acoma (talk | contribs) | {{Information |Description={{en|1=Thomas of Woodstock}} |Source=http://www.history.ac.uk/richardII/images/woodstock.jpg |Author=anonymous |Date=14. stoleti |Permission={{PD-old}} |other_versions= }} London, British Library Cotton MS Nero D.VIII, f. 0 [[Ca |
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Vertical resolution | 144 dpi |