Collection's Items (Sorted by Submit Date in Descending order): 1 to 45 of 45
| Issue Date | Title | Author(s) |
| 2024 | The actor, the audience and the spy: Tracing actor training methodologies within twentieth century espionage practice and performance | Sobel, Ariel Whitfield |
| 2021 | Performing the self(ie): performance studies, selfies and feminist identities | Hampton, Claire |
| 2021 | Techno-choreography and the embodiment of Chineseness | Xu, Zhi |
| 2019 | Ecstatic Space: NEO-KUT and shamanic technologies | - |
| 2019 | Performing agonism: democracy in crisis and the project of autonomy in art’s social turn | Makka, Louiza |
| 2017 | The performance of breathlessness on the page | Worden, Jessica |
| 2014 | The theatre and its screen double | Birringer, J |
| 2014 | Traumagical realism and the re-creation process: subversive commun(e)ication of the traumatic in theatre and performance | Macias-Gutierrez, Elizabeth |
| 2014 | The Parting Pelvis: Temporality, Sexuality, and Indian Womanhood in Chandralekha's Sharira (2001) | Mitra, R |
| 2010 | Moveable worlds/digital scenographies | Birringer, J |
| 2012 | This progressive production: Agency, durability and keeping it contemporary | Richards, M |
| 2011 | Material agency and performative dynamics in the practices of media art | Tränkle, Marion |
| 2011 | Clubbing masculinities: Gender shifts in gay men's dance floor choreographies | Peterson, GT |
| 2009 | Akram Khan re-writes ‘Radha’: The ‘hypervisible’ cultural identity in Kylie Minogue’s ‘Showgirl’ | Mitra, R |
| 2012 | Einstein on the beach: A study in temporality | Broadhurst, S |
| 2012 | Merleau-Ponty and neuroaesthetics: Two approaches to performance and technology | Broadhurst, S |
| 2013 | Bauhaus, constructivism, performance | Birringer, J |
| 2012 | Noise poetics: A flow of cuts | Jones, Nathan |
| 2012 | Looking at sound / listening to image | Kolsoe Ágústsdóttir, Hallveig Guony |
| 2013 | Combining musical identities through composition and improvisation | Perks, Richard |
| 2013 | Acting Brackets (from notes on directing Leslie Scalapino's Flow (Winged Crocodile) / The Trains) | Templeton, F |
| 2013 | The role of imagination in Bergman, Klein and Sartre | Williams, Daniel |
| 2002 | Aspects of style and design in the Missa L'homme Armé tradition c. 1450-c. 1500 | Walters, Keith John |
| 2012 | Acting theory as poetic of drama: A study of the emergence of the concept of 'motivated action' in playwriting theory | Ferreira de Mendonça, Guilherme Abel |
| 2013 | Bodies and labour: industrialisation, dance and performance | McColl, Jennifer |
| 2012 | Adapting musicology's use of affect theories to contemporary theatre making: Directing Martin Crimp's attempts on her life | Campbell, A |
| 2001 | Documenting the making process | Freeman, John |
| 2001 | Physical dance performance: An investigation into the development of a performance technique based on the integration of certain Korean dance technique and contemporary Western styles of dance and physical theatre | Kim, Sang Kyung |
| 2010 | The female bouffon | Ovalioglu, Nilufer |
| 2010 | The Circulari Project | Schiller, G |
| 2010 | Joining forces: engineering and arts students get physic(al) – problem solving strategies in the trans-school project | Richards, M |
| 2009 | Language makes itself come true: Introduction to John Jesurun - Deep sleep, White water, Black maria - A media trilogy | Templeton, F |
| 2010 | Speaking for performance / writing with the voice | Templeton, F |
| 2008 | Specular suffering: (staging) the body in pain | Richards, M |
| 2009 | Physical theatre as an approach to contemporary stagings of classical Greek tragedy | Moschochoriti, Rubini |
| 2003 | Dead east, dead west | Broadhurst, SM |
| 2005 | Bioart: Transgenic art and recombinant theatre | Broadhurst, SM |
| 2008 | Troika ranch: Making new connections a Deleuzian approach to performance and technology | Broadhurst, SM |
| 2006 | Digital practices: An aesthetic and neuroesthetic approach to virtuality and embodiment | Broadhurst, SM |
| 2004 | The Jeremiah project: Interaction, reaction, and performance | Broadhurst, SM |
| 2008 | Hollywood cinema and climate change: The day after tomorrow | Ingram, D |
| 2005 | The telematic dress: Evolving garments and distributed proprioception in streaming media and fashion performance | Birringer, J; Danjoux, M |
| 2006 | Andrea Brady Poetry Recordings 3 | Brady, A |
| 2005 | Angela Brady Poetry Recordings 2 | Brady, A |
| 2005 | Andrea Brady Poetry Recordings | Brady, A |
Collection's Items (Sorted by Submit Date in Descending order): 1 to 45 of 45