Exhibited in the 14th Istanbul Biennial, At the Threshold is a self-reflexive melodrama provoked by the question: 'Can a mother experience too much empathy for her child?' It is also the second of three short films created by Martin ...See moreExhibited in the 14th Istanbul Biennial, At the Threshold is a self-reflexive melodrama provoked by the question: 'Can a mother experience too much empathy for her child?' It is also the second of three short films created by Martin inspired by her research into a form of heightened physical sensitivity called mirror-touch synaesthesia. People with this neurological condition feel a palpable sensation of touch on their own bodies when they see another person, or even an object, being touched. A movie's fight scene batters such a synaesthete; a glimpse of a father hugging his child imparts the sensation of warm, encircling arms. Many people with the condition also experience mirror-pain, mirror-cold, mirror-movement, mirror-breathing, and mirror-emotion, extending the sharing of senses to a kind of blurring between self and other. Martin aims to capture some of these feelings and ideas in the structure, words, and images of At the Threshold.
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