Oscar for beste lydmiks
Oscar for beste lydmiks (engelsk: Academy Award for Best Soundmix) er en filmpris som utdeles av Academy of Motion Picture Arts and Sciences til den beste eller mest velklingende lydmiksen og tildeles normalt personen som har produsert lydmiksen for vinnerfilmen. Nedenfor er en liste over de nominerte og vinneren av hvert års pris.
Andy Nelson og Kevin O'Connell er de med flest nominasjoner i kategorien (fra 1969) med 21 nominasjoner hver. Nelson har vunnet to ganger.[1]
Bob Beemer, Mark Berger, Scott Millan, Gary Rydstrom og Gary Summers har alle vunnet fire statuetter hver, noe som gjør dem til de med flest priser i denne kategorien.[1]
Frem til 1968 og den 41. Oscar-utdelingen ble prisen delt ut til det representative lydstudioet, ikke enkeltpersoner. Metro-Goldwyn-Mayer studio sammen med Todd-AO vant begge fem statuetter, over henholdsvis 15 og syv nominasjoner, noe som gjorde studioene til de mestvinnende i denne perioden i kategorien. Columbia Studio hadde flest nominasjoner, med 17.[1]
1930-årene
rediger- 1929–1930: Mennesker i bur: Douglas Shearer, Metro-Goldwyn-Mayer Studio
- 1930–1931: Paramount Publix Studio Sound Department
- MGM Studio Sound Department
- RKO Radio Studio Sound Department
- Samuel Goldwyn-United Artists Studio Sound Department
- 1931–1932: Paramount Publix Studio Sound Department
- MGM Studio Sound Department
- RKO Radio Studio Sound Department
- Walt Disney
- Warner Bros. First National Studio Sound Department
- 1932–1933: A Farewell to Arms: Franklin Hansen, Paramount Studio
- 1934: One Night of Love: John Livadary, Columbia Studio
- 1935: Naughty Marietta: Douglas Shearer, Metro-Goldwyn-Mayer Studio
- 1,000 Dollars a Minute: Republic Studio Sound Department
- Bride of Frankenstein: Gilbert Kurland
- Captain Blood: Nathan Levinson
- The Dark Angel: Thomas T. Moulton
- I Dream Too Much: Carl Dreher
- The Lives of a Bengal Lancer: Franklin B. Hansen
- Love Me Forever: John Livadary
- Thanks a Million: E. H. Hansen
- 1936: San Francisco: Douglas Shearer, Metro-Goldwyn-Mayer Studio
- 1937: The Hurricane: Thomas Moulton, United Artists Studio
- 1938: The Cowboy and the Lady: Thomas Moulton, United Artists Studio
- 1939: When Tomorrow Comes: Bernard B. Brown, Universal Studio
- Balalaika: Douglas Shearer
- Tatt av vinden: Thomas T. Moulton
- Adjø, Mr. Chips: A. W. Watkins
- The Great Victor Herbert: Loren L. Ryder
- Ringeren i Notre Dame: John Aalberg
- Man of Conquest: Charles L. Lootens
- Mr. Smith kommer til Washington: John Livadary
- Of Mice and Men: Elmer Raguse
- The Private Lives of Elizabeth and Essex: Nathan Levinson
- The Rains Came: E. H. Hansen
1940-årene
rediger- 1940: Strike Up the Band: Douglas Shearer, Metro-Goldwyn-Mayer Studio
- Behind the News: Charles L. Lootens
- Captain Caution: Elmer Raguse
- The Grapes of Wrath: E. H. Hansen
- The Howards of Virginia: Jack Whitney
- Kitty Foyle: The Natural History of a Woman: John Aalberg
- North West Mounted Police: Loren L. Ryder
- Our Town: Thomas T. Moulton
- The Sea Hawk: Nathan Levinson
- Spring Parade: Bernard B. Brown
- Too Many Husbands: John Livadary
- 1941: That Hamilton Woman: Jack Whitney, General Service
- Appointment for Love: Bernard B. Brown
- Ball of Fire: Thomas T. Moulton
- The Chocolate Soldier: Douglas Shearer
- Citizen Kane: John Aalberg
- The Devil Pays Off: Charles Lootens
- How Green Was My Valley: E. H. Hansen
- The Men in Her Life: John Livadary
- Sersjant York: Nathan Levinson
- Skylark: Loren Ryder
- Topper Returns: Elmer Raguse
- 1942: Yankee Doodle Dandy: Nathan Levinson, Warner Brothers Studio
- Arabian Nights: Bernard B. Brown
- Bambi: Sam Slyfield
- Flying Tigers: Daniel Bloomberg
- Friendly Enemies: Jack Whitney
- The Gold Rush: James L. Fields
- Mrs. Miniver: Douglas Shearer
- Once Upon a Honeymoon: Stephen Dunn
- Yankee'enes stolthet: Thomas T. Moulton
- Road to Morocco: Loren Ryder
- This Above All: E. H. Hansen
- You Were Never Lovelier: John Livadary
- 1943: This Land Is Mine: Stephen Dunn, RKO Radio Studio
- Hangmen Also Die!: Jack Whitney
- In Old Oklahoma: Daniel J. Bloomberg
- Madame Curie: Douglas Shearer
- The North Star: Thomas T. Moulton
- Phantom of the Opera: Bernard B. Brown
- Riding High: Loren L. Ryder
- Sahara: John Livadary
- Saludos Amigos: C. O. Slyfield
- So This Is Washington: James L. Fields
- The Song of Bernadette: E. H. Hansen
- This Is the Army: Nathan Levinson
- 1944: Wilson: E. H. Hansen, 20th Century-Fox Studio
- Brazil: Daniel J. Bloomberg
- Casanova Brown: Thomas T. Moulton
- Cover Girl: John Livadary
- Double Indemnity: Loren L. Ryder
- His Butler's Sister: Bernard B. Brown
- Hollywood Canteen: Nathan Levinson
- It Happened Tomorrow: Jack Whitney
- Kismet: Douglas Shearer
- Music in Manhattan: Stephen Dunn
- Voice in the Wind: Mac Dalgleish
- 1945: The Bells of St. Mary's: Stephen Dunn, RKO Radio Studio
- Flame of Barbary Coast: Daniel J. Bloomberg
- Lady on a Train: Bernard B. Brown
- Leave Her to Heaven: Thomas T. Moulton
- Rhapsody in Blue: Nathan Levinson
- A Song to Remember: John P. Livadary
- The Southerner: Jack Whitney
- They Were Expendable: Douglas Shearer
- The Three Caballeros: C. O. Slyfield
- Three Is a Family: W. V. Wolfe
- The Unseen: Loren L. Ryder
- Wonder Man: Gordon E. Sawyer
- 1946: The Jolson Story: John Livadary, Columbia Studio
- 1947: The Bishop's Wife: Gordon Sawyer, Samuel Goldwyn Studio
- 1948: The Snake Pit: Thomas Moulton, 20th Century-Fox Studio
- 1949: Twelve O'Clock High: Thomas Moulton, 20th Century-Fox Studio
1950-årene
rediger- 1950: All About Eve: Thomas Moulton, 20th Century-Fox Studio
- 1951: The Great Caruso: Douglas Shearer, Metro-Goldwyn-Mayer Studio
- 1952: The Sound Barrier: London Films Sound Department
- 1953: From Here to Eternity: John Livadary, Columbia Studio
- 1954: The Glenn Miller Story: Leslie I. Carey, Universal-International Studio
- 1955: Oklahoma!: Fred Hynes, Todd-AO Sound Department
- 1956: Kongen og jeg: Carlton W. Faulkner, 20th Century-Fox Studio
- 1957: Sayonara: George Groves, Warner Brothers Studio
- 1958: South Pacific: Fred Hynes, Todd-AO Sound Department
- 1959: Ben-Hur: Franklin Milton, Metro-Goldwyn-Mayer Studio
1960-årene
rediger- 1960: The Alamo: Fred Hynes, Todd-AO Sound Department og Gordon Sawyer, Samuel Goldwyn Studio
- 1961: West Side Story: Gordon Sawyer, Samuel Goldwyn Studio og Fred Hynes, Todd-AO Sound Department
- 1962: Lawrence of Arabia: John Cox, Shepperton Studios
- 1963: How the West Was Won: Franklin Milton, Metro-Goldwyn-Mayer Studio
- 1964: My Fair Lady: George Groves, Warner Brothers Studio
- 1965: The Sound of Music: James Corcoran og Fred Hynes, 20th Century-Fox Studio
- 1966: Grand Prix: Franklin Milton, Metro-Goldwyn-Mayer Studio
- 1967: In the Heat of the Night: Samuel Goldwyn Studio Sound Department
- Camelot: Warner Bros.-Seven Arts Studio Sound Department
- The Dirty Dozen: Metro-Goldwyn-Mayer Studio Sound Department
- Doctor Dolittle: 20th Century-Fox Studio Sound Department
- Thoroughly Modern Millie: Universal City Studio Sound Department
- 1968: Oliver!: Shepperton Studios Sound Department
- Bullitt: Warner Bros.-Seven Arts Studio Sound Department
- Finian's Rainbow: Warner Bros.-Seven Arts Studio Sound Department
- Funny Girl: Columbia Studio Sound Department
- Star!: 20th Century-Fox Studio Sound Department
- 1969: Hello, Dolly!: Jack Solomon, Murray Spivack
1970-årene
rediger1980-årene
rediger1990-årene
rediger2000-årene
rediger2010-årene
redigerNoter
rediger- ^ Greg P. Russell ble annonsert som nominert for 13 Hours, men nominasjonen ble trukket gjennom en avstemning i styret etter anbefaling fra lyd-bransjens utøvende komite. Russell hadde brutt en regel ved å fortelle utenforstående om sitt arbeid på filmen under nominasjonsfasen. Ingen andre ble nominert som erstatning.
Referanser
rediger- ^ a b c «SOUND MIXING FACTS - MOST NOMINATIONS AND AWARDS». februar 2016. Besøkt 26. februar 2017.
- ^ Calvario, Liz (25. februar 2017). «Academy Rescinds Sound Mixing Nomination for Greg P. Russell of ‘13 Hours’». Deadline.com. Besøkt 25. februar 2017.