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RKO Pictures

El Vikipedio, la libera enciklopedio
(Alidirektita el RKO Radio Pictures)
RKO Pictures
filmkompanio • film distributor • negoco • filma industrio vd
Dum 23-a de oktobro 1928 - 7-a de marto 1959
Antaŭulo Film Booking Offices of America
Jura formo akcia kompanio
Fondintoj David Sarnoff • Joseph P. Kennedy Sr. vd
Sidejo Manhatano
Lando Usono
TTT Oficiala retejo
v • d • r

RKO (Radio-Keith-Orpheum) Pictures estas usona entrepreno de filma produktado kaj distribuado. Konata ankaŭ kiel A Radio Picture, An RKO Radio Picture, kaj RKO Radio Pictures Inc., ĝi estis unu el la Kvin Grandaj studioj de Holivudo en ties Ora Epoko.

RKO famiĝis ekzemple pro siaj serioj de muzikaloj en kiuj stelulis Fred Astaire kaj Ginger Rogers en la mezaj al la finaj 1930-aj jaroj. Aktoroj Katharine Hepburn kaj, poste, Robert Mitchum havis siajn unuajn ĉefajn sukcesojn ĉe tiu studio. Cary Grant estis ĉefa aktoro dum jaroj. La malmultekostaj hororfilmoj de produktoro Val Lewton kaj multaj aliaj produktaĵoj de RKO en la kampo nune konata kiel nigra filmo estis same laŭdata kaj de kinkritikistoj kaj de historiistoj. La studio produktoris du el la plej famaj filmoj en la historio de kino: nome King Kong kaj Citizen Kane.

Bibliografio

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  • Brady, Frank (1990 [1989]). Citizen Welles: A Biography of Orson Welles. New York: Anchor. ISBN 0-385-26759-2
  • Brown, Peter Harry, and Pat H. Broeske (2004). Howard Hughes: The Untold Story. New York: Da Capo. ISBN 0-306-81392-0
  • Brunelle, Ray (1996). "The Art of Sound Effects", Experimental Musical Instruments 12, nos. 1 and 2 (September and December). ISSN 0883-0754
  • Catalogue of Copyright Entries, vol. 3, no. 2: Part 1, Group 3—Dramatic Compositions, Motion Pictures (1930). Washington, D.C.: Library of Congress Copyright Office/Government Printing Office.
  • Conant, Michael (1981). "The Paramount Decrees Reconsidered", in The American Film Industry, ed. Tino Balio, pp. 537–73. Madison: University of Wisconsin Press. ISBN 0-299-09874-5
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  • Cox, Jim (2009). American Radio Networks: A History. Jefferson, N.C.: McFarland. ISBN 978-0-7864-4192-1
  • Crafton, Donald (1997). The Talkies: American Cinema's Transition to Sound, 1926–1931. New York: Charles Scribner's Sons. ISBN 0-684-19585-2
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  • Culhane, John (1999). Walt Disney's Fantasia. New York: Harry N. Abrams. ISBN 0-8109-8078-9
  • Denisoff, R. Serge (1986). Tarnished Gold: The Record Industry Revisited. Piscataway, N.J.: Transaction. ISBN 0-88738-618-0
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  • Di Battista, Maria (2001). Fast-Talking Dames. New Haven, Conn., and London: Yale University Press. ISBN 0-300-08815-9
  • Dickstein, Morris (2002). "Bringing Up Baby (1938)", in The A List: The National Society of Film Critics' 100 Essential Films, ed. Jay Carr, pp. 48–50. Cambridge, Mass.: Da Capo. ISBN 0-306-81096-4
  • Dixon, Wheeler W. (2005). Lost in the Fifties: Recovering Phantom Hollywood. Carbondale: Southern Illinois University Press. ISBN 0-8093-2653-1
  • Fein, Seth (2000). "Transcultured Anticommunism: Cold War Hollywood in Postwar Mexico", in Visible Nations: Latin American Cinema and Video, ed. Chon A. Noriega, pp. 82–111. Minneapolis: University of Minnesota Press. ISBN 0-8166-3347-9
  • Finler, Joel W. (2003). The Hollywood Story, 3d ed. London: Wallflower. ISBN 1-903364-66-3
  • Fong-Torres, Ben (2001). The Hits Just Keep on Coming: The History of Top 40 Radio. Milwaukee: Hal Leonard. ISBN 0-87930-664-5
  • Friedrich, Otto (1997 [1986]). City of Nets: A Portrait of Hollywood in the 1940s. Berkeley and Los Angeles: University of California Press. ISBN 0-520-20949-4
  • Glick, Mark A., Lara A. Reymann, and Richard Hoffman (2003). Intellectual Property Damages: Guidelines and Analysis. Hoboken, N.J.: John Wiley & Sons. ISBN 0-471-23719-1
  • Gomery, Douglas (1985). "The Coming of Sound: Technological Change in the American Film Industry", in Technology and Culture—The Film Reader, ed. Andrew Utterson, pp. 53–67. Oxford and New York: Routledge/Taylor & Francis, 2005. ISBN 0-415-31984-6
  • Goodwin, Doris Kearns (1987). The Fitzgeralds and the Kennedys. New York: Simon and Schuster. ISBN 0-312-06354-7
  • Harvey, James (1998). Romantic Comedy in Hollywood, from Lubitsch to Sturges. New York: Da Capo. ISBN 0-306-80832-3
  • Haupert, Michael John (2006). The Entertainment Industry. Westport, Conn.: Greenwood. ISBN 0-313-32173-6
  • Hilmes, Michelle (1990). Hollywood and Broadcasting: From Radio to Cable. Urbana and Chicago: University of Illinois Press. ISBN 0-252-01709-9
  • Howard, Herbert H. (1979). Multiple Ownership in Television Broadcasting: Historical Development and Selected Case Studies. New York: Arno. ISBN 0-405-11759-0
  • Huettig, Mae D. (1944). Economic Control of the Motion Picture Industry, excerpted in The American Film Industry, ed. Tino Balio, pp. 285–310. Madison: University of Wisconsin Press. ISBN 0-299-09874-5
  • Jacobs, Steven (2007). The Wrong House: The Architecture of Alfred Hitchcock. Rotterdam: 010 Publishers. ISBN 90-6450-637-X
  • Jeff, Leonard J., and Jerold L. Simmons (2001). The Dame in the Kimono: Hollywood, Censorship, and the Production Code. Lexington: University Press of Kentucky. ISBN 0-8131-9011-8
  • Jewell, Richard B., with Vernon Harbin (1982). The RKO Story. New York: Arlington House/Crown. ISBN 0-517-54656-6
  • Kear, Lynn, with James King (2009). Evelyn Brent: The Life and Films of Hollywood's Lady Crook. Jefferson, N.C.: McFarland. ISBN 0-7864-4363-4
  • Keyes, Cheryl L. (2004). Rap Music and Street Consciousness. Urbana and Chicago: University of Illinois Press. ISBN 0-252-07201-4
  • King, Emily (2003). Movie Poster. London: Octopus. ISBN 1-84000-653-6
  • Koszarski, Richard (2008). Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff. New Brunswick, N.J.: Rutgers University Press. ISBN 0-8135-4293-6
  • Kroessler, Jeffrey A. (2002). New York Year by Year: A Chronology of the Great Metropolis. New York: NYU Press. ISBN 0-8147-4751-5
  • Langdon-Teclaw, Jennifer (2007). "The Progressive Producer in the Studio System: Adrian Scott at RKO, 1943–1947", in "Un-American" Hollywood: Politics and Film in the Blacklist Era, ed. Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield, pp. 152–68. New Brunswick, N.J., and London: Rutgers University Press. ISBN 0-8135-4198-0
  • Lasky, Betty (1989). RKO: The Biggest Little Major of Them All. Santa Monica, Calif.: Roundtable. ISBN 0-915677-41-5
  • Leff, Leonard J. (1999 [1987]). Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-21781-0
  • McCann, Graham (1998). Cary Grant: A Class Apart. New York: Columbia University Press. ISBN 0-231-10885-0
  • Morton, Ray (2005). King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson. New York: Applause. ISBN 1-55783-669-8
  • Mueller, John (1986). Astaire Dancing: The Musical Films. London: Hamish Hamilton. ISBN 0-241-11749-6
  • Muller, Eddie (1998). Dark City: The Lost World of Film Noir. New York: St. Martin's. ISBN 0-312-18076-4
  • Naremore, James (1989). The Magic World of Orson Welles, rev. ed. Dallas: Southern Methodist University Press. ISBN 0-87074-299-X
  • Nye, David E. (1992). Electrifying America: Social Meanings of a New Technology, 1880–1940. Cambridge, Mass.: MIT Press. ISBN 0-262-64030-9
  • O'Neill, Dennis J. (1966). A Whale of a Territory: The Story of Bill O'Neil. New York: McGraw Hill.
  • Pierson, John (1997). Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. New York: Miramax Books/Hyperion. ISBN 0-7868-8222-0
  • Rode, Alan K. (2007). Charles McGraw: Biography of a Film Noir Tough Guy. Jefferson, N.C.: McFarland. ISBN 0-7864-3167-9
  • Schatz, Thomas (1998 [1989]). The Genius of the System: Hollywood Filmmaking in the Studio Era. London: Faber and Faber. ISBN 0-571-19596-2
  • Schatz, Thomas (1999 [1997]). Boom and Bust: American Cinema in the 1940s. Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-22130-3
  • Schwartz, Ronald (2005). Neo-Noir: The New Film Noir Style from Psycho to Collateral. Lanham, Md.: Rowman & Littlefield/Scarecrow. ISBN 0-8108-5676-X
  • Segrave, Kerry (1999). Movies at Home: How Hollywood Came to Television. Jefferson, N.C.: McFarland. ISBN 0-7864-0654-2
  • Senn, Bryan (1996). Golden Horrors: An Illustrated Critical Filmography of Terror Cinema, 1931–1939. Jefferson, N.C.: McFarland. ISBN 0-7864-0175-3
  • Server, Lee (2002). Robert Mitchum: "Baby, I Don't Care". New York: St. Martin's. ISBN 0-312-26206-X
  • Sikov, Ed (1996). Laughing Hysterically: American Screen Comedy of the 1950s. New York: Columbia University Press. ISBN 0-231-07983-4
  • Spoto, Donald (1984 [1983]). The Dark Side of Genius: The Life of Alfred Hitchcock. New York: Ballantine. ISBN 0-345-31462-X
  • Stephens, Michael L. (1995). Film Noir: A Comprehensive, Illustrated Reference to Movies, Terms, and Persons. Jefferson, N.C.: McFarland. ISBN 0-89950-802-2
  • Thomson, David (1997 [1996]). Rosebud: The Story of Orson Welles. New York: Vintage. ISBN 0-679-77283-9
  • L'Universale—Cinema, vol. 2: K–Z (2004) [in Italian]. Milan: Garzantine. ISBN 88-11-50516-X
  • Vogel, Harold L. (2007). Entertainment Industry Economics: A Guide for Financial Analysis, 7th ed. New York: Cambridge University Press. ISBN 0-521-87485-8

Vidu ankaŭ

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Eksteraj ligiloj

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RKO Radio Pictures historio
RKO Pictures LLC
RKO biblioteko kaj logooj
Bibliotekoj
Elŝutita el "https://eo.wikipedia.org/w/index.php?title=RKO_Pictures&oldid=8421462"