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Meanwhile, Rorvik and his crew have discovered the TARDIS. Romana leaves to talk to them. Rorvik, believing Romana to be time-sensitive like the Tharils, dupes her into returning to their ship to examine the engines. When Romana does not return, Adric and K9 leave to recover her, but get separated; Adric eventually makes it to the ship and hides aboard, while K9 reunites with the Doctor and aids in repairing the Gundan, after which he learns from it that they were built by slaves and used to overthrow their masters in a violent battle. The Doctor's work is disrupted when Rorvik and several of his men arrive. During a stand-off between the crew and the Doctor, another Gundan activates and walks through the seemingly-solid mirror. Rorvik demands an explanation from the Doctor, revealing he has Romana captive, but the Doctor's only response is to walk through the mirror himself.
Aboard the slaver ship, Romana is freed by another Tharil named Lazlo, and she hides in the hull. She encounters Adric; the two work out that the ship is made from an incredibly dense [[dwarf star]] alloy that can contain the Tharils. K9 arrives, and informs the two of dimensional instability in the null space, which they attribute to the alloy, causing the space to collapse in on itself. Romana rejoins Lazlo,
On the other side of the mirror, the Doctor and Romana are reunited with Biroc in a stable, time-locked universe. A repentant Biroc explains they were the slave masters, travelling on the winds of time in order to ravage other planets and subjugate their populations as slaves until the Gundan revolt. The Doctor and Romana are returned to the null space, and are immediately captured by Rorvik. Rorvik's crew realise that the null space is shrinking as the distances between the gateway, the TARDIS, and slaver ship continue to decrease. Rorvik has ordered the crew to try to blast through the mirrors in gateway, believing it to be the way out, but the mirrors resist all attacks. With the gateway and ship in visible distance of each other, Rorvik resorts to one last attempt to break the mirrors by using the exhaust of the ship's engines against them. While the Doctor warns that this action will be as doomed as the previous ones, Romana regroups with Lazlo and Adric, and together they free the remaining Tharils on the slaver ship. The TARDIS crew flee to the TARDIS as Rorvik initiates his plan—the blast from the engines is reflected by the mirrors back onto the ship, destroying it and its crew.
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==Production==
Originally, the fifth story of season 18 was ''Sealed Orders'' by novelist [[Christopher Priest (novelist)|Christopher Priest]] before being abandoned. [[Stephen Gallagher]], who had written a number of radio plays, was called upon for a replacement, resulting in ''Warriors' Gate''. Commissioned in March 1980, this was Gallagher's first script for ''Doctor Who'' and had the working title ''Dream Time''. The story was influenced by a radio serial he had done in 1979 called "The Babylon Run" as well as the films of [[Jean Cocteau]], such as ''[[Orpheus (film)|Orphée]]'' (1950), in which mirrors provide a gateway into another world.<ref name=DVD>''Warriors' Gate'' BBC DVD liner notes, 2009</ref>▼
On completion in June, script editor [[Christopher H. Bidmead]] found the scripts to be overlong, as well as needing more work to keep them in line with other stories in the series. Therefore, he and director [[Paul Joyce]] re-worked the story significantly, including re-writing much of the dialogue. Originally, the script was much more comedic, with Rorvik's crew being given a lot of humorous dialogue, two of the workers being played as a double-act. Executive producer [[Barry Letts]] in particular was against this, saying that it was turning the show into pantomime and stated that the crewmen must be played for real. As many of these lines were cut from the script, the few remaining "comedy" lines were to be played straight as well. The scripts were finalised in late August 1980, but were then criticised by Letts, who found them rather confusing. By this time however, there was no more time to rework them further as Bidmead needed to begin work on the following story. Producer [[John Nathan-Turner]] too found the story complicated but had not got involved with the story during its scripting stages. Bidmead met with Gallagher with the revised scripts, the latter being none too happy with the extensive changes.<ref name="DVD" />▼
''Warriors' Gate'' was significant in that it was the last story to feature companion [[Romana (Doctor Who)|Romana]] played by [[Lalla Ward]] as well as the last regular appearance of [[John Leeson]] as long-running companion [[K9 (Doctor Who)|K9]]. Ward had requested to leave earlier, having been offered a part in another series, but Nathan-Turner kept her to her contract. It was also during the making of this serial that [[Tom Baker]] let it be known that he would leave at the end of the series.<ref name="DVD" /> Ward and Baker were in a relationship and had been for some time, but by now things were turning acrimonious between the two, with many production personnel believing that they were on the point of splitting-up. It was with much surprise when they learned that just a few weeks later they had married. Leeson, who left the series at the end of Season 16, returned for Season 18 on the understanding that K9 would be written out toward the end of the season.<ref>"The Dreaming" documentary produced by Andrew Beech, ''The E-space Trilogy'' DVD box set (2009) 2 Entertain.</ref>▼
Joyce was keen to push the limits of the series by directing the serial like a film as he considered some of the earlier productions to be quite bland and workmanlike.<ref name =Dreaming>"The Dreaming", DVD Special documentary, 2009</ref> This approach however caused problems early on with significant delays in order to achieve various shots such as the pan through the spaceship in the opening sequence. This included shooting the camera upwards where the gallery lights could be seen - known as "shooting off set", something which is forbidden by the BBC. Problems such as this increased as time began to run short and he and producer Nathan-Turner clashed frequently and even executive producer Letts had to step in to advise Joyce. With letters being written to higher executives complaining of Joyce's style of work (also seen as inexperience), Joyce was asked to leave part way through production. His duties were taken up by assistant [[Graeme Harper]], who directed a number of scenes before finally Joyce was re-instated.<ref>{{cite book |last1=Howe |first1=David J. |author-link1=David J. Howe |last2=Stammers |first2=Mark |last3=Walker |first3=Stephen James |author-link3=Stephen James Walker |title=Doctor Who The Handbook - The Fourth Doctor |year=1992 |publisher=[[Virgin Books|Doctor Who Books]] |location=London |isbn=0-426-20369-0 |page=136 }}</ref> Setting up of certain shots that Joyce had envisaged proved to take up too much time and shooting over-ran on a number of days.<ref name="Dreaming" /> In the end, the serial was completed and was indeed a departure in terms of style over the norm and was complimented by Bidmead, but Joyce was never to work on ''Doctor Who'' again.▼
Background photographs utilised in many sequences were taken at [[Powis Castle]], Welshpool.<ref>{{cite web▼
|url = http://www.bbc.co.uk/wales/arts/sites/doctor-who-wales/alllocations/welshpool-powis-castle▼
|title = Walesarts, Powis Castle, Welshpool▼
|publisher = BBC▼
|access-date = 30 May 2010▼
|url-status = dead▼
|archive-url = https://web.archive.org/web/20120306021830/http://www.bbc.co.uk/wales/arts/sites/doctor-who-wales/alllocations/welshpool-powis-castle▼
|archive-date = 6 March 2012}}▼
</ref>▼
==Reception==▼
{{Episode table
|background =
Line 100 ⟶ 119:
}}
}}
Ratings for the series increased with ''Warriors' Gate'' compared to the previous four serials of the season, due to the fact that the rival [[ITV network]] were no longer scheduling ''[[Buck Rogers in the 25th Century (TV series)|Buck Rogers in the 25th Century]]'' against ''Doctor Who''. ''Warriors' Gate'' actually achieved the highest ratings of the entire 18th season with an average of 7.5 million viewers.
Paul Cornell, Martin Day, and Keith Topping wrote of the serial in ''The Doctor Who Discontinuity Guide'' (2013), praising the direction and Romana's departure from the series.<ref>{{cite book |last1=Cornell |first1=Paul |title=The Doctor Who Discontinuity Guide |date=October 31, 2013 |publisher=Orion |isbn=978-0-575-13318-1 |url=https://
▲Originally, the fifth story of season 18 was ''Sealed Orders'' by novelist [[Christopher Priest (novelist)|Christopher Priest]] before being abandoned. [[Stephen Gallagher]], who had written a number of radio plays, was called upon for a replacement, resulting in ''Warriors' Gate''. Commissioned in March 1980, this was Gallagher's first script for ''Doctor Who'' and had the working title ''Dream Time''. The story was influenced by a radio serial he had done in 1979 called "The Babylon Run" as well as the films of [[Jean Cocteau]], such as ''[[Orpheus (film)|Orphée]]'' (1950), in which mirrors provide a gateway into another world.<ref name=DVD>''Warriors' Gate'' BBC DVD liner notes, 2009</ref>
▲On completion in June, script editor [[Christopher H. Bidmead]] found the scripts to be overlong, as well as needing more work to keep them in line with other stories in the series. Therefore, he and director [[Paul Joyce]] re-worked the story significantly, including re-writing much of the dialogue. Originally, the script was much more comedic, with Rorvik's crew being given a lot of humorous dialogue, two of the workers being played as a double-act. Executive producer [[Barry Letts]] in particular was against this, saying that it was turning the show into pantomime and stated that the crewmen must be played for real. As many of these lines were cut from the script, the few remaining "comedy" lines were to be played straight as well. The scripts were finalised in late August 1980, but were then criticised by Letts, who found them rather confusing. By this time however, there was no more time to rework them further as Bidmead needed to begin work on the following story. Producer [[John Nathan-Turner]] too found the story complicated but had not got involved with the story during its scripting stages. Bidmead met with Gallagher with the revised scripts, the latter being none too happy with the extensive changes.<ref name="DVD" />
▲''Warriors' Gate'' was significant in that it was the last story to feature companion [[Romana (Doctor Who)|Romana]] played by [[Lalla Ward]] as well as the last regular appearance of [[John Leeson]] as long-running companion [[K9 (Doctor Who)|K9]]. Ward had requested to leave earlier, having been offered a part in another series, but Nathan-Turner kept her to her contract. It was also during the making of this serial that [[Tom Baker]] let it be known that he would leave at the end of the series.<ref name="DVD" /> Ward and Baker were in a relationship and had been for some time, but by now things were turning acrimonious between the two, with many production personnel believing that they were on the point of splitting-up. It was with much surprise when they learned that just a few weeks later they had married. Leeson, who left the series at the end of Season 16, returned for Season 18 on the understanding that K9 would be written out toward the end of the season.<ref>"The Dreaming" documentary produced by Andrew Beech, ''The E-space Trilogy'' DVD box set (2009) 2 Entertain.</ref>
▲Joyce was keen to push the limits of the series by directing the serial like a film as he considered some of the earlier productions to be quite bland and workmanlike.<ref name =Dreaming>"The Dreaming", DVD Special documentary, 2009</ref> This approach however caused problems early on with significant delays in order to achieve various shots such as the pan through the spaceship in the opening sequence. This included shooting the camera upwards where the gallery lights could be seen - known as "shooting off set", something which is forbidden by the BBC. Problems such as this increased as time began to run short and he and producer Nathan-Turner clashed frequently and even executive producer Letts had to step in to advise Joyce. With letters being written to higher executives complaining of Joyce's style of work (also seen as inexperience), Joyce was asked to leave part way through production. His duties were taken up by assistant [[Graeme Harper]], who directed a number of scenes before finally Joyce was re-instated.<ref>{{cite book |last1=Howe |first1=David J. |author-link1=David J. Howe |last2=Stammers |first2=Mark |last3=Walker |first3=Stephen James |author-link3=Stephen James Walker |title=Doctor Who The Handbook - The Fourth Doctor |year=1992 |publisher=[[Virgin Books|Doctor Who Books]] |location=London |isbn=0-426-20369-0 |page=136 }}</ref> Setting up of certain shots that Joyce had envisaged proved to take up too much time and shooting over-ran on a number of days.<ref name="Dreaming" /> In the end, the serial was completed and was indeed a departure in terms of style over the norm and was complimented by Bidmead, but Joyce was never to work on ''Doctor Who'' again.
▲Background photographs utilised in many sequences were taken at [[Powis Castle]], Welshpool.<ref>{{cite web
▲ |url = http://www.bbc.co.uk/wales/arts/sites/doctor-who-wales/alllocations/welshpool-powis-castle
▲ |title = Walesarts, Powis Castle, Welshpool
▲ |publisher = BBC
▲ |access-date = 30 May 2010
▲ |url-status = dead
▲ |archive-url = https://web.archive.org/web/20120306021830/http://www.bbc.co.uk/wales/arts/sites/doctor-who-wales/alllocations/welshpool-powis-castle
▲ |archive-date = 6 March 2012}}
▲</ref>
▲==Reception==
▲Paul Cornell, Martin Day, and Keith Topping wrote of the serial in The Doctor Who Discontinuity Guide (2013), praising the direction and Romana's departure from the series.<ref>{{cite book |last1=Cornell |first1=Paul |title=The Doctor Who Discontinuity Guide |date=October 31, 2013 |publisher=Orion |isbn=978-0-575-13318-1 |url=https://www.google.com/books/edition/The_Doctor_Who_Discontinuity_Guide/2OoWAwAAQBAJ?hl=en&gbpv=1&dq=%22Warriors%27+Gate%22+discontinuity+guide&pg=PT182&printsec=frontcover |access-date=27 September 2023}}</ref> Mark Braxton of [[Radio Times]] awarded the episode four out of five stars, regarding it as "an elaborate experiment with striking results."<ref>{{cite web |last1=Braxton |first1=Mark |title=Warriors' Gate ★★★★ |url=https://www.radiotimes.com/tv/sci-fi/doctor-who-guide/warriors-gate/ |website=Radio Times |access-date=27 September 2023}}</ref>
==Commercial releases==
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A novelisation of this serial, written by [[Stephen Gallagher]] under the [[pseudonym]] "John Lydecker",<ref>{{cite web|url=http://www.zone-sf.com/sgallagher.html|title=stephen gallagher interviewed at - zone-sf.com|website=www.zone-sf.com}}</ref> was published by [[Target Books]] in April 1982. It and [[Terminus (Doctor Who)|Terminus]] (Gallagher's other novelisation of his own script under the John Lydecker byline) are the only two Target novels that consist of continuous prose with no chapters. The novelisation contains many elements abandoned during the story's production, including the slaver's opening pursuit and damage at the hands of an Antonine Killer craft.
The novelisation
===Home media===
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===Target novelisation===
*{{Isfdb title|id=188632|title=Doctor Who and Warriors' Gate}}
*[http://www.personal.leeds.ac.uk/~ecl6nb/OnTarget/1982/warriors/82warrio.htm On Target – ''Doctor Who and Warriors' Gate''] {{Webarchive|url=https://web.archive.org/web/20130214065935/http://www.personal.leeds.ac.uk/~ecl6nb/OnTarget/1982/warriors/82warrio.htm |date=14 February 2013 }}
{{Doctor Who episodes|C18}}
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