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{{short description|
{{redirect-distinguish|The Feast of Steven|St. Stephen's Day}}
{{Use British English|date=December 2012}}
{{Use dmy dates|date=April 2021}}
{{Infobox Doctor Who episode
| number = 021
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| show = DW
| type = serial
| image = [[File:Daleks Master Plan.jpg|
| caption = A photograph{{efn|The only extant visuals from the seventh episode, "The Feast of Steven", are from home photographs of [[Robert Jewell]], who portrayed [[Bing Crosby]] in the episode.<ref name="DWM 559"/>}} of [[First Doctor|the Doctor]]'s [[Fourth wall|address to the audience]] in the seventh episode, a self-contained comedic story broadcast on [[Christmas Day]], which drew criticism from the production crew, viewers, and critics.{{sfn|Wright|2017|pp=110, 133–134, 145}}<ref name="Radio Times Review"/>
| doctor = [[William Hartnell]] – [[First Doctor]]
| companions =
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* [[Jean Marsh]] – [[Sara Kingdom]]
| guests =
* [[Kevin Stoney]] – Mavic Chen
* [[Peter Butterworth]] – The Monk
* [[Nicholas Courtney]] – Bret Vyon
* [[Brian Cant]] – Kert Gantry
* [[Pamela Greer]] – Lizan
*
* Michael Guest – Interviewer
*
* [[
* [[Douglas Sheldon]] – Kirksen
* Dallas Cavell – Bors
* Geoffrey Cheshire – Garge
* [[Maurice Browning]] – Karlton
* [[Roger Avon]] – Daxtar
*
*
*
* [[
* Reg Pritchard – Man in Mackintosh
* [[Sheila Dunn]] – Blossom Lefevre
*
* [[Royston Tickner]] – Steinberger P. Green
*
*
* David James – Arab Sheik
*
* [[Robert Jewell|Robert G. Jewell]] – Clown
*
* [[
* Steve Machin – Cameraman
* Terence Woodfield – Celation
* [[Roger Brierley]] – Trevor
* [[Bruce Wightman]] – Scott
*
* [[Derek Ware (actor)|Derek Ware]] – Tuthmos
* [[Walter Randall]] – Hyksos
* [[Peter Hawkins]], [[David Graham (actor)|David Graham]] – Dalek Voices
* [[Kevin Manser]], [[Robert Jewell]], Gerald Taylor, [[John Scott Martin]] – [[Dalek]]s
* [[May Warden]] – Old Sara (uncredited){{sfn|Wright|2017|p=126}}
| director = [[Douglas Camfield]]
| writer = {{ubl|[[Terry Nation]] (
| script_editor = [[Donald Tosh]]
| producer = [[John Wiles]]
| composer = [[Tristram Cary]]
| production_code = V
| series = [[Doctor Who (season 3)|Season 3]]
| length = {{nowrap|12 episodes, 25 minutes each}}
| missing_eps = {{idp|9 episodes {{nowrap|(1,
| started = {{start date|1965|11|13|df=y}}
| ended = {{end date|1966|1|29|df=y}}
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}}
'''''The Daleks' Master Plan''''' is the fourth [[
The serial was commissioned due to the Daleks' popularity, and was preceded by a prequel episode, "[[Mission to the Unknown]]". Nation shared the workload by writing six episodes while former [[script editor]] Spooner wrote the other six. The seventh episode's [[Christmas Day]] broadcast prompted the production team to write a self-contained comedic story, which ends with the Doctor [[Fourth wall|addressing the audience]]. ''The Daleks' Master Plan'' is the first story to feature companion deaths: Katarina, proving difficult to write, was killed and replaced by Sara, who was also later killed. It marks Courtney's first appearance in ''Doctor Who''; he returned in 1968 to portray recurring character [[Brigadier Lethbridge-Stewart]].
''The Daleks' Master Plan'' received an average of 9.35 million viewers across the twelve episodes, an increase from [[The Myth Makers|the preceding serial]] but lower than the previous year. Contemporary reviews were mixed, with interest in the Daleks waning as the serial progressed and some viewers critical of its violence. Retrospective reviews praised the direction, writing, and production design, but criticised the serial's length, incongruous seventh episode, and violent deaths of female companions. The serial's videotapes were [[Lost television broadcast#Wiping|wiped]] by the BBC in the late 1960s; three episodes were subsequently discovered and released on DVD, but the rest remain [[Doctor Who missing episodes|missing]] besides off-air audio recordings. The story was novelised in two volumes by [[John Peel]], and the off-air recording was used in audiobooks.
== Plot ==
The ship temporarily lands on a prison planet. After it takes off, a stowaway takes Katarina hostage. Katarina activates the airlock door and ejects them both into space, where they die. The ship returns to Earth, where Bret contacts his old friend Daxtar ([[Roger Avon]]), who unwittingly reveals he is working with Chen. Bret kills Daxtar, before being killed by his own sister, Space Agent [[Sara Kingdom]] ([[Jean Marsh]]). The Doctor, Steven, and Sara are transported to the distant planet Mira. Sara agrees to work with them, and they steal a Dalek ship. The Daleks force the ship to return to Kembel. The Doctor and Steven create a fake core, which they dupe the Daleks into accepting before fleeing in the TARDIS with Sara. They briefly land in a police station, a [[silent-era]] film set, and [[the Oval]], and celebrate [[Christmas]].
The TARDIS travels to Ancient Egypt, followed by Chen and Daleks, as well as the Monk ([[Peter Butterworth]]), who seeks revenge after the Doctor left him stranded.{{efn|As depicted in ''[[The Time Meddler]]'' (1965){{sfn|Wright|2017|p=94}}}} The Monk is forced to work with Chen and the Daleks, and they take Steven and Sara captive, forcing the Doctor to relinquish the real core. The Doctor steals the Monk's directional control, leaving him stranded. On Kembel, the Daleks end their alliance with Chen. He captures Steven and Sara and takes them to the Dalek base. When he tries to give orders to the Daleks, they kill him. The Doctor steals the Time Destructor, which activates. Sara is aged into dust and killed, while Steven and the Doctor survive and reach the TARDIS. The Daleks try to destroy the Time Destructor but it kills them, wiping out all life on the planet. The Doctor and Steven remark on the senseless deaths of Bret, Katarina, and Sara.
== Production ==
=== Conception and writing ===
In early 1965, ''[[Doctor Who]]'' script editor [[Dennis Spooner]] asked [[Terry Nation]] to write a six-part serial featuring the [[Daleks]], wanting to recreate the success of ''[[The Dalek Invasion of Earth]]'' (1964).{{sfn|Wright|2017|p=109}} The return of the Daleks was expected to boost sales of related toys in the [[Christmas period]].<ref name="Lancashire Evening"/> Nation was granted an additional episode in February to act as a "trailer" for the serial, which eventually became "[[Mission to the Unknown]]" (1965). Spooner subsequently departed ''Doctor Who'' in April to work with Nation on ''[[The Baron (TV series)|The Baron]]'' (1966–1967); his successor, [[Donald Tosh]], commissioned Nation's six-part serial under the provisional title ''Dr Who and the Daleks'' in May. The [[BBC]]'s director of television, [[Kenneth Adam]], suggested the serial be expanded to thirteen episodes; head of drama [[Sydney Newman]] formally requested an expansion to twelve episodes, to which producer [[Verity Lambert]] agreed if Nation and Spooner could share writing duties due to their work on ''The Baron''.{{sfn|Wright|2017|p=109}} The twelve-part serial was confirmed by mid June. Lambert's successor, [[John Wiles]], was unhappy with the extension and threatened to resign; Tosh, who was also unhappy, persuaded him to stay.{{sfn|Wright|2017|p=110}}
Following the extension, in July, Tosh commissioned Nation to write the first six episodes, and Spooner to write the remaining six; they soon swapped the sixth and seventh episodes, allowing each to write a [[cliffhanger]] for the other to resolve.{{sfn|Wright|2017|p=113}} Tosh advised Spooner to write standalone sequences to link to Nation's cliffhangers later.{{sfn|Wright|2017|p=119}} Nation and Spooner met to discuss the storyline but mostly worked independently;{{sfn|Wright|2017|p=110}} their outline varied in length, with two pages for the first episode, a paragraph for the tenth, and a brief sentence for the twelfth.<ref name="DWM Special 57"/>{{rp|p=22}} Nation's six draft scripts ran to 150 pages;<ref name="DWM Special 57"/>{{rp|p=49}} however, Tosh recalled that Nation's drafts were short—running to around 15 minutes each, with the seventh episode at 21 pages (far shorter than the average 45)—and required expansion.{{sfn|Wright|2017|p=113}}{{sfn|Wright|2017|p=117}} Spooner had more time to work on his scripts,{{sfn|Wright|2017|p=117}} and Tosh felt they required less work as Spooner was a former script editor.{{sfn|Wright|2017|p=119}} Nation's scripts were delivered in August, and Spooner's in September.{{sfn|Wright|2017|p=121}} The planet of Desperus, dubbed "Devil's Planet", is a reference to the French [[penal colony]] [[Devil's Island]].{{sfn|Wright|2017|pp=114–115}}
The seventh episode's scheduled broadcast on [[Christmas Day]] prompted the production team to write a self-contained comedic story, believing viewers would be disinterested in a complex narrative. Tosh was inspired to make the episode a parody of the [[police procedural]] series ''[[Z-Cars]]'' after one of its writers, [[Keith Dewhurst]], turned down his request to write for ''Doctor Who''.{{sfn|Wright|2017|p=110}} Camfield enquired about using four ''Z-Cars'' cast members ([[James Ellis (actor)|James Ellis]], [[Brian Blessed]], [[Joseph Brady (actor)|Joseph Brady]], and [[Colin Welland]]) and production designer [[Raymond Cusick]] asked to use its set; ''Z-Cars'' producer [[David Rose (producer)|David Rose]] declined as the production schedules overlapped and he felt a festive story did not match ''Z-Cars''{{'}}s tone.{{sfn|Wright|2017|p=126}} The Doctor's [[Fourth wall|address to the audience]] at the end of the seventh episode—in which he says "Incidentally, a happy Christmas to all of you at home"—was written in the camera script, though Tosh and Wiles later claimed it was improvised by Hartnell.{{sfn|Wright|2017|p=133}} Tosh criticised the address and felt it broke the audience's [[suspension of disbelief]].{{sfn|Wright|2017|pp=133–134}} 40 years later, ''Doctor Who'' introduced annual [[List of Doctor Who Christmas and New Year's specials|Christmas specials]] with "[[The Christmas Invasion]]" (2005).<ref name="Den of Geek Christmas"/>
By June 1965, [[Douglas Camfield]] was assigned to direct ''The Daleks' Master Plan''. Tosh persuaded Wiles to maintain Camfield as the sole director after the serial was extended to twelve episodes.{{sfn|Wright|2017|p=112}} Camfield often rewrote elements of the scripts during rehearsals;{{sfn|Wright|2017|p=127}} Tosh felt Camfield's work on the scripts made the serial a success.{{sfn|Wright|2017|p=122}} Camfield asked [[Tristram Cary]] to compose music for the serial in July; Cary had worked on ''[[The Daleks]]'' (1963–1964) and the two had collaborated on ''[[Marco Polo (Doctor Who)|Marco Polo]]'' (1965).{{sfn|Wright|2017|p=121}} Music was recorded at [[IBC Studios]] for the first six episodes on 13 October,{{sfn|Wright|2017|p=127}} and for the final six on 23 October.{{sfn|Wright|2017|p=131}} [[Brian Hodgson]] of the [[BBC Radiophonic Workshop]] created 48 sound effects for the serial in September 1965.{{sfn|Wright|2017|p=122}} Production assistant Viktors Ritelis was credited for the final episode at Camfield's request, as he felt he had helped immensely.{{sfn|Wright|2017|p=136}} Exhausted from production, Camfield decided he would not return to direct ''Doctor Who'' for some time.{{sfn|Wright|2017|p=138}} Production designers Cusick and Barry Newbery collaborated on the serial due to its length; it was Cusick's final story for ''Doctor Who'', as he wanted to return to drama.{{sfn|Bentham|1986|p=148}}
=== Casting and characters ===
[[File:Nicholas Courtney, Invasion 2010 (cropped).jpg|thumb|right|''The Daleks' Master Plan'' marked the first appearance of [[Nicholas Courtney]] ''(pictured in 2010)'' in ''Doctor Who''. He returned in 1968 to portray a different character, [[Brigadier Lethbridge-Stewart]], who became a prominent recurring character.{{sfn|Muir|1999|p=120}}<ref name="Telegraph Courtney"/>]]
Wiles and Tosh decided the serial should kill new [[Companion (Doctor Who)|companion]] Katarina for [[shock value]], as writers of subsequent stories faced difficulty fitting her in, and they felt viewers may be unable to identify with her. They decided she would be replaced by another woman, Sara Kingdom, who would be killed in the serial's climax.{{sfn|Wright|2017|p=115}} Katarina and Sara were the first companions to be killed in ''Doctor Who'', and the only ones to do so on-screen until ''[[Earthshock]]'' (1982).{{sfn|Muir|1999|p=119}} Nation had intended for Sara to feature in an American spin-off series with the Daleks, but added her to ''The Daleks' Master Plan'' instead when the series did not emerge.{{sfn|Kistler|2013|p=62}} Inspired by the character [[Cathy Gale]] of ''[[The Avengers (TV series)|The Avengers]]'', the scripts described her as "about twenty-five, very beautiful".{{sfn|Wright|2017|p=115}} She was originally written as Bret's lover, but was rewritten as his sister.{{sfn|Wright|2017|p=115}} Nation envisioned Bret Vyon as "the [[007]] of space".{{sfn|Wright|2017|p=110}} The frequent cast changes left Purves worried for his role; he felt he might be replaced by Nicholas Courtney.<ref name="DWM Companions"/>{{rp|p=18}}
Courtney, who had earlier been considered to play [[Richard I of England|King Richard]] in ''[[The Crusade (Doctor Who)|The Crusade]]'' (1965), was cast as Bret in September.{{sfn|Wright|2017|p=122}} Courtney returned in the 1968 serial ''[[The Web of Fear]]'' to play [[Brigadier Lethbridge Stewart]], who later became a prominent recurring character in ''Doctor Who''.{{sfn|Muir|1999|p=120}}<ref name="Telegraph Courtney"/> The week after Courtney's casting, Jean Marsh—who had played [[Joan of England, Queen of Sicily|Joanna]] in ''The Crusade'', for which Adrienne Hill had been considered—was cast as Sara.{{sfn|Wright|2017|p=122}} Hill and Marsh's casting was announced in November 1965.{{sfn|Wright|2017|p=140}} Some character names were altered to reflect the story's futuristic setting; Bret Vyon was originally Brett Walton, and Bors was originally Breton.{{sfn|Wright|2017|p=122}} Khepren, Hyksos, and Tuthmos were named after [[Chephren]], [[Hyksos]], and [[Thutmose]], respectively.{{sfn|Wright|2017|p=120}} Make-up artist Joan Barrett shaved the heads of six actors portraying Technix, for which they were paid double.<ref name="Reading Evening"/><ref name="Western Daily"/>
Tosh expanded Mavic Chen's role when adding to Nation's draft scripts.{{sfn|Wright|2017|p=113}} Spooner requested the reintroduction of the Monk from ''[[The Time Meddler]]'' (1965), which he had written;{{sfn|Wright|2017|p=112}} he felt the character could provide humour and Butterworth's performance could alleviate Hartnell's work. Butterworth was keen to reprise his role.{{sfn|Wright|2017|p=119}} James Hall (cast as Borkar) had previously appeared in ''[[The Reign of Terror (Doctor Who)|The Reign of Terror]]'' (1964),{{sfn|Wright|2017|p=130}} while Malcolm Rogers (a policeman) was in ''[[The Chase (Doctor Who)|The Chase]]'' (1965),{{sfn|Wright|2017|p=132}} and Roger Avon, Reg Pritchard, and [[Bruce Wightman]] (Daxtar, Man in Mackintosh, and Scott, respectively) had appeared in ''The Crusade''.{{sfn|Wright|2017|pp=130, 132, 134}} [[Sheila Dunn]], who portrayed Blossom Lefavre, was Camfield's wife; they had married the preceding August.{{efn|Camfield and Dunn's wedding was covered by media outlets, which has been attributed to the anticipation surrounding ''The Daleks' Master Plan'' and its director.{{sfn|Rigelsford|1994|p=47}}}} The cowboy was portrayed by William Hall, the ''[[The Evening News (London newspaper)|Evening News]]''{{'}}s film critic who had been Camfield's [[best man]] at his wedding; the role was uncredited. Hall later married Jean Pestell, who portrayed a saloon bar girl in the episode.{{sfn|Wright|2017|p=132}}
=== Filming ===
[[File:BBC Television Centre.JPG|thumb|right|upright=1.1|The serial was filmed at the [[BBC Television Centre]] ''(pictured in 2005)'' from October 1965 to January 1966.{{sfn|Wright|2017|p=138}}]]
Early [[35 mm film]]ing began on Stage 3A/B of the [[BBC Television Film Studios]] on 27 September 1965, including Katarina's death in the evening—Hill's first work on the series.{{sfn|Wright|2017|p=124}}{{sfn|Keen|2010|p=106}} Much of the model filming was delayed due to unavailability of props and sets.{{sfn|Wright|2017|p=125}} In filming Sara's death scene on 6 October, Camfield was inspired by Ayesha's death in [[H. Rider Haggard]]'s novel ''[[She: A History of Adventure|She]]'' (1887).{{sfn|Wright|2017|p=126}} Rehearsals for the serial started on 18 October,{{sfn|Wright|2017|p=127}} and weekly recording began on 22 October in the [[BBC Television Centre]]'s Studio 3.{{sfn|Wright|2017|p=128}} The first episode's recording ran under schedule, which Wiles attributed to difficulty in timing special effects.{{sfn|Wright|2017|p=129}}
Filmmakers at [[MGM-British Studios|MGM Borehamwood]], who were working on [[Stanley Kubrick]]'s ''[[2001: A Space Odyssey]]'' (1968), contacted the production team after the fifth episode's broadcast to enquire about Camfield's special effects shots, including floating corpses in space.{{sfn|Wright|2017|p=134}} [[Sam Rolfe]], the American screenwriter known for creating ''[[The Man from U.N.C.L.E.]]'' (1964–1968), attended camera rehearsals for the ninth episode, and noted Daleks would likely be popular in the United States.{{sfn|Wright|2017|p=135}} Marsh became known for laughing during rehearsals; she was once banished from the studio until she gathered herself.{{sfn|Wright|2017|pp=129–130}}
Hartnell's worsening health and sadness from Lambert's departure led to difficulties in his relationship with Wiles, prompting the latter to remove him from filming where possible;{{sfn|Wright|2017|p=122}} the Doctor was removed from most of the eleventh episode and his dialogue inherited by Steven.{{sfn|Wright|2017|pp=136–137}} Hartnell became irritable during production, partly due to the removal of his usual chair during rehearsals; when he upset his [[Dresser (theater)|dresser]], the crew performed a temporary [[walkout]].{{sfn|Wright|2017|p=130}} Hartnell was upset by a last-minute script change explaining the Doctor opened the TARDIS lock using his ring, as he felt it had not been established in prior stories.{{sfn|Wright|2017|p=134}} On 13 December, Hartnell announced he would retire from the role at the end of the season;<ref name="Manchester Evening"/> he backtracked the following day, stating he would be willing to stay for another two-and-a-half years, at which point he hoped the programme would be broadcast in colour.{{sfn|Wright|2017|p=135}}<ref name="Guardian Journal"/>
The final episode was recorded on 14 January 1966.{{sfn|Wright|2017|p=137}} Recording underran, which Wiles attributed to "policy reasons" requiring the removal of two shots of Sara's death.{{sfn|Wright|2017|p=138}} Both Tosh and Wiles had submitted their resignations from ''Doctor Who'' by the end of production in January 1966,{{sfn|Wright|2017|p=136}} Wiles partly due to his his strained relationship with Hartnell and desire to return to writing and directing, and Tosh partly out of loyalty to Wiles and desire to do other work.{{sfn|Howe|Walker|Stammers|1994|p=216}} The serial was granted an additional sum of {{GBP|4,310}}, which was allocated to the first two episodes in addition to the standard {{GBP|2,500}} budget.{{sfn|Howe|Walker|Stammers|1994|p=210}} Recording for the twelve episodes cost a total of {{GBP|31,596}}{{efn|The twelve episodes cost {{GBP|5,318}}, {{GBP|4,031}}, {{GBP|2,268}}, {{GBP|2,448}}, {{GBP|2,194}}, {{GBP|1,914}}, {{GBP|2,562}}, {{GBP|2,265}}, {{GBP|2,398}}, {{GBP|2,391}}, {{GBP|1,919}}, and {{GBP|1,888}}, respectively.{{sfn|Howe|Walker|Stammers|1994|pp=210–216}}}} ({{Inflation|UK|31596|1965|fmt=eq|cursign=£}}).{{sfn|Howe|Walker|Stammers|1994|pp=210–216}}
== Reception ==
=== Broadcast and ratings ===
{{Episode table
|background =
|series = 6 |title = 20 | aux1=6 | airdate = 10 | viewers = 6 | aux4 =
|seriesT = Episode
|aux1T = Run time
|aux4T =
|episodes =
{{Episode list/sublist|The Daleks' Master Plan
Line 153 ⟶ 129:
|Viewers = 9.1
|Aux1 = 22:55
|Aux4 =
|LineColor =
}}
Line 163 ⟶ 139:
|Viewers = 9.8
|Aux1 = 24:25
|Aux4 =
|LineColor =
}}
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|Viewers = 10.3
|Aux1 = 24:30
|Aux4 =
|LineColor =
}}
Line 183 ⟶ 159:
|Viewers = 9.5
|Aux1 = 24:42
|Aux4 =
|LineColor =
}}
Line 193 ⟶ 169:
|Viewers = 9.9
|Aux1 = 24:03
|Aux4 =
|LineColor =
}}
Line 203 ⟶ 179:
|Viewers = 9.1
|Aux1 = 24:45
|Aux4 =
|LineColor =
}}
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|Viewers = 7.9
|Aux1 = 24:36
|Aux4 =
|LineColor =
}}
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|Viewers = 9.6
|Aux1 = 24:42
|Aux4 =
|LineColor =
}}
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|Viewers = 9.2
|Aux1 = 24:38
|Aux4 =
|LineColor =
}}
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|Viewers = 9.5
|Aux1 = 23:37
|Aux4 =
|LineColor =
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|Viewers = 9.8
|Aux1 = 24:34
|Aux4 =
|LineColor =
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|Viewers = 8.6
|Aux1 = 23:31
|Aux4 =
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{{note|a|†}} [[Doctor Who missing episodes|Episode is missing]]
''The Daleks' Master Plan'' was broadcast on [[BBC1]] in twelve weekly parts from 13 November 1965 to 29 January 1966.{{sfn|Wright|2017|p=147}} It was the longest serial in the show's history until 1986's ''[[The Trial of a Time Lord]]'' and remains the longest with a single director and [[production code]].{{efn|name=Trial|''[[The Trial of a Time Lord]]'' (1986) is a fourteen-part serial but was produced as four separate storylines within three production blocks, each with different directors and [[production code]]s.{{sfn|Wright|2017|p=94}}<ref name="BBC Fourth Dimension"/>}} "The Feast of Steven" aired in a later timeslot than usual on Christmas Day,{{sfn|Wright|2017|p=143}} and "Escape Switch" was the 100th episode of ''Doctor Who'' broadcast on [[BBC1]].{{sfn|Wright|2017|p=137}} Viewership saw an increase over the previous serial, ''[[The Myth Makers]]'', but did not match the previous year's figures;{{sfn|Wright|2017|p=144}} the third episode received the most with 10.3 million viewers, while the seventh was lowest with 7.9 million.{{sfn|Wright|2017|p=147}} The [[Appreciation Index]] for the serial was considered "reasonable" overall, with the twelfth episode ranked the highest at 57; the seventh was ranked 39, the lowest for the series to date.{{sfn|Wright|2017|p=147}}{{sfn|Wright|2017|p=144}}
Until January 1973, [[BBC Enterprises]] offered an eleven-part version of the serial for overseas sale, omitting "The Feast of Steven", though no markets purchased it.<ref name="Den of Geek Christmas"/>{{sfn|Wright|2017|p=146}} Australia showed interest in purchasing the serial in September 1966 and considered editing out offensive material, but by November cancelled the purchase as it considered censorship too laborious.{{sfn|Wright|2017|p=146}} The [[405-line]] videotapes of the first, second, fourth, fifth, seventh, eighth, and ninth episodes were among the first ''Doctor Who'' episodes ordered to be [[Lost television broadcast#Wiping|wiped]], on 17 August 1967. The third and sixth episodes were wiped on 31 January 1969, followed by the final three on 17 July.{{sfn|Wright|2017|pp=146–147}}
Extracts from the third episode was aired on ''[[Blue Peter]]'' in October 1971. A [[16 mm film]] of the fourth episode was loaned from the BBC Film Library to ''Blue Peter'' in November 1973 but never returned. The BBC retained 35 mm film sequences from the twelfth episode; it was found to have gone missing by December 1991, but later returned under an [[amnesty]] in October 1993. 16 mm film prints of the fifth and tenth episodes were discovered in the basement of [[the Church of Jesus Christ of Latter-Day Saints]] in [[Wandsworth]] in July 1983;{{sfn|Wright|2017|p=147}}<ref name="Telegraph Missing"/> they were screened at the [[National Film Theatre]]: the tenth in October 1983 and the fifth in August 1989. Former BBC engineer Francis Watson returned the complete twelfth episode to the BBC in January 2004.{{sfn|Wright|2017|p=147}} The only extant visuals from "The Feast of Steven" are from home photographs of [[Robert Jewell]], who portrayed [[Bing Crosby]] in the episode.<ref name="DWM 559"/>
=== Critical response ===
As the serial aired, some viewers shared their concerns over the depiction of violence,{{sfn|Bignell|O'Day|2004|p=55}} such as the Daleks in the opening episodes<ref name="Daily Mirror 1"/> and the violent deaths of Katarina and Bret in the fourth episode,<ref name="Daily Mirror 2"/> and ''[[Junior Points of View]]'' viewers criticised Sara's death in the twelfth.{{sfn|Wright|2017|p=145}} ''[[The Stage and Television Today]]''{{'}}s Bill Edmunds criticised the seventh episode, particularly the Hollywood sequence, noting it "would have been much better with more chases, a few custard pies ... and less chat".{{sfn|Wright|2017|p=143}} After the eleventh episode, Edmunds wrote he was "losing [his] respect and awe of the Daleks" due to their consistent but unfulfilled threats.{{sfn|Wright|2017|p=144}} Following the twelfth episode, ''[[Morning Star (British newspaper)|Daily Worker]]''{{'}}s Stewart Lane felt the programme was "definitely showing signs of age".{{sfn|Wright|2017|p=145}} Audience Research Reports demonstrated that audiences enjoyed the Daleks' return in early episodes,{{sfn|Wright|2017|p=144}} though interest began waning by the eighth.{{sfn|Wright|2017|p=146}} Hartnell's performance was criticised in the third episode,{{sfn|Wright|2017|p=144}} but his chemistry with Butterworth was praised in the tenth.{{sfn|Wright|2017|p=146}} Some enjoyed the festivities of the seventh episode but one viewer called it "one of the worst programmes I have ever seen".{{sfn|Wright|2017|p=145}} The twelfth was generally praised as a satisfying conclusion.{{sfn|Wright|2017|p=146}} ''[[Daily Express]]'' named Mavic Chen the "Villain of the Year" in 1965.<ref name="DWM 310"/> Public obsession with the Daleks, dubbed "Dalekmania", saw a decline following ''The Daleks' Master Plan''.{{sfn|Chapman|2014|p=49}}{{sfn|Howe|Walker|1998|p=94}}
In ''A Voyage Through 25 Years of Doctor Who'' (1988), [[Ian Levine]] called the story "an all-round masterpiece", praising the combination of Camfield's direction and Nation and Spooner's writing,{{sfn|Howe|Walker|1998|pp=114–115}} while Kim Newman of ''[[The Independent]]'' (1997) considered it "the most ambitious serial ever attempted by ''Doctor Who''{{px2}}".<ref name="Independent 1997"/> In ''[[The Discontinuity Guide]]'' (1995), [[Paul Cornell]], [[Martin Day (writer)|Martin Day]], and [[Keith Topping]] appreciated the story's "epic" ambition but felt its plot "was worthy of six episodes at most".{{sfn|Cornell|Day|Topping|1995|pp=44–60}} In ''The Television Companion'' (1998), [[David J. Howe]] and Stephen James Walker lauded the direction, writing, and set designs, though felt the story occasionally meanders due to its length.{{sfn|Howe|Walker|1998|p=115}} [[John Kenneth Muir]], writing in ''A Critical History of Doctor Who'' (1999), considered the story notable for its dark qualities and felt it proved the Daleks' viciousness.{{sfn|Muir|1999|p=119}} In ''Through Time'' (2005), [[Andrew Cartmel]] lauded Marsh's performance but found the story padded and the Egyptian set unconvincing.{{sfn|Cartmel|2005|p=48}} Mark Braxton of ''[[Radio Times]]'' (2009) felt Hartnell "gives one of his best performances" in the story and called Mavic Chen "one of the great villains" of ''Doctor Who'', praising Stoney's subtle performance; conversely, he criticised the Doctor's address to the audience in the seventh episode and the cricket scenes in the eighth.<ref name="Radio Times Review"/> Deborah Stanish, writing in ''Chicks Unravel Time'' (2012), found the serial "clunky, tedious and nonsensical" but lauded its scope and ambition.{{sfn|Stanish|2012|p=225}}
''The Daleks' Master Plan'' was voted the third-best First Doctor story by ''[[Doctor Who Magazine]]'' readers in 2014 and 2023;<ref name="DWM 2014"/><ref name="DWM 2023"/> it previously ranked fifth in 1998 and second in 2009.<ref name="DWM 1998"/><ref name="DWM 2009"/> ''[[Comic Book Resources]]''{{'}}s Sean Bassett found Mavic Chen a problematic depiction of [[yellowface]],<ref name="CBR Chen"/> and [[Tat Wood]] considered his name reflective of Chinese and Mongol names.{{sfn|Wood|2009|p=223}} The violent deaths of the two female companions in the serial received critical commentary.{{sfn|Powers|2016|pp=115–116}}{{sfn|Frankel|2018|p=11}}{{sfn|Frankel|2018|pp=88–89}} R. Alan Siler thought Katarina's sacrifice was inspired by the Doctor's helping nature.{{sfn|Siler|2015|p=7}} Rosanne Welch recognised Katarina's helplessness but felt her sacrifice gave her agency.{{sfn|Welch|2014|loc=9:45}} Conversely, Valerie Estelle Frankel found Katarina's death the result of incomprehension rather than intention, describing her as "an exaggerated version of helpless companion".{{sfn|Frankel|2018|p=11}} Frankel similarly appreciated Sara Kingdom's individual strength but wrote that "her top quality is that she accepts orders unquestioningly", which ultimately overshadows her abilities and results in her death.{{sfn|Frankel|2018|pp=88–89}} Tom Powers found the deaths of companions like Katarina and Sara contributed to a disproportionate number of female deaths in science fiction, though recognised it was less noticeable in ''Doctor Who'' considering most companions are women.{{sfn|Powers|2016|pp=115–116}}
== Commercial releases ==
{{See also|Mission to the Unknown#Commercial releases}}
{{Infobox book
|name = The Mutation of Time
Line 314 ⟶ 272:
|isbn= 0-426-20344-5
}}
''The Daleks' Master Plan'' was novelised in two volumes—''Mission to the Unknown'' and ''The Mutation of Time''—by [[John Peel]] with covers from [[Alister Pearson]], published in paperback by [[Target Books]] and [[W. H. Allen & Co.|W. H. Allen]] on 21 September and 19 October 1989; the first volume also novelised "Mission to the Unknown". An unabridged reading of the book was published by [[BBC Audiobooks]] in two five-disc sets on 6 May and 3 June 2010, read by Purves and Marsh with Dalek voices by [[Nicholas Briggs]];{{sfn|Wright|2017|p=148}}{{sfn|Smith|2021|pp=35–36}} it was re-released as part of the ''Dalek Menace!'' set on 4 October 2012 and ''The Dalek Collection'' on 18 June 2020.{{sfn|Smith|2021|pp=35–36}}
The fifth and tenth episodes of ''The Daleks' Master Plan'' were included on ''Daleks – The Early Years'', released on [[VHS]] in July 1992, with an introduction by [[Fifth Doctor]] actor [[Peter Davison]]. The second, fifth, and tenth episodes were included on the DVD set ''[[Lost in Time (Doctor Who)|Lost in Time]]'', released in November 2004, featuring an audio commentary by Purves, Stoney, and Cusick.{{sfn|Wright|2017|p=148}}
Using off-air recordings, an audio version of the story was released as a five-disc set in October 2001, with narration by Purves; it was included in ''The Lost TV Episodes: Collection 2'' by BBC Audiobooks in February 2011.{{sfn|Wright|2017|pp=148–149}} It featured a CD with copies of the original scripts.{{efn|The original release of the set did not contain the scripts due to a pressing error; purchasers could request a replacement CD with the scripts included.{{sfn|Wright|2017|p=149}}}} [[BBC Music]] released the score as part of ''Doctor Who: Devils' Planet – The Music of Tristram Cary'' in September 2003, and sound effects as part of ''[[Doctor Who at the BBC Radiophonic Workshop Volume 1: The Early Years 1963–1969]]'' in May 2005. Some music tracks were included on ''[[Doctor Who: The 50th Anniversary Collection]]'' (2013) by Silva Screen.{{sfn|Wright|2017|p=149}}
''The Daleks' Master Plan'' was adapted into a stage version by Nick Scovell, which was staged by Internalia Theatre at the [[New Theatre Royal]] in October 2007. Scovell portrayed the Doctor, while Briggs voiced the Daleks.{{sfn|Wright|2017|p=147}}<ref name="DWM Special 50"/>
== Notes ==
{{notelist}}
== References ==
{{reflist|refs=
<ref name="BBC Fourth Dimension">{{cite web |url=https://www.bbc.co.uk/programmes/articles/5vgW1swjzNdt8Dz266yDY17/the-fourth-dimension |title=The Fourth Dimension |publisher=[[BBC]] |accessdate=24 June 2024 |archiveurl=https://web.archive.org/web/20240624003904/https://www.bbc.co.uk/programmes/articles/5vgW1swjzNdt8Dz266yDY17/the-fourth-dimension |archivedate=June 24, 2024 |url-status=live }}</ref>
<ref name="
<ref name="Daily Mirror 1">{{cite news |url=https://www.newspapers.com/article/daily-mirror-face-to-face-the-tv-vigila/149941400/|title=Face to face: The TV vigilantes who disagree about what is good for you |last=Pilger |first=John |authorlink=John Pilger |work=[[Daily Mirror]] |page=17 |date=29 November 1965 |accessdate=24 June 2024 |archiveurl=https://web.archive.org/web/20240624014406/https://www.newspapers.com/article/daily-mirror-face-to-face-the-tv-vigila/149941400/ |archivedate=24 June 2024 |url-status=live |via=[[Newspapers.com]] }}</ref>
<ref name="Daily Mirror 2">{{cite news |url=https://www.newspapers.com/article/daily-mirror-viewpoint-why-i-have-banne/149940923/ |title=Viewpoint: Why I Have Banned Dr Who in Our Home |work=[[Daily Mirror]] |page=12 |date=9 December 1965 |accessdate=24 June 2024 |archiveurl=https://web.archive.org/web/20240624013829/https://www.newspapers.com/article/daily-mirror-viewpoint-why-i-have-banne/149940923/ |archivedate=24 June 2024 |url-status=live |via=[[Newspapers.com]] }}</ref>
<ref name="Den of Geek Christmas">{{cite web |url=https://www.denofgeek.com/tv/doctor-who-the-weird-anomaly-of-the-1965-christmas-special/ |title=Doctor Who: The Weird Anomaly of the 1965 'Christmas Special' |last=Blair |first=Andrew |work=[[Den of Geek]] |date=2 December 2020 |accessdate=24 June 2024 |archiveurl=https://web.archive.org/web/20201202131157/https://www.denofgeek.com/tv/doctor-who-the-weird-anomaly-of-the-1965-christmas-special/ |archivedate=2 December 2020 |url-status=live }}</ref>
<ref name="DWM 310">{{cite magazine |title=The man who sold the world |pages=34–36 |last=Cook |first=Benjamin |authorlink=Benjamin Cook (journalist) |work=[[Doctor Who Magazine]] |issue=310 |publisher=[[Panini Comics]] |date=14 November 2001 |editor-last=Barnes |editor-first=Alan }}</ref>
<ref name="DWM 559">{{cite magazine |title=Spectres of the Feast |pages=28–33 |work=[[Doctor Who Magazine]] |issue=559 |publisher=[[Panini Comics]] |date=January 2021 |editor-last=Hearn |editor-first=Marcus }}</ref>
<ref name="DWM 1998">{{cite magazine |title=The DWM Awards |last= |first= |pages= |work=[[Doctor Who Magazine]] |issue=265 |publisher=[[Panini Comics]] |date=June 1998 |editor-last=Gillatt |editor-first=Gary }}</ref>
<ref name="DWM 2009">{{cite magazine |title=The Mighty 200! |last=Griffiths |first=Peter |pages=18–42 |work=[[Doctor Who Magazine]] |issue=413 |publisher=[[Panini Comics]] |date=14 October 2009 |editor-last=Spilsbury |editor-first=Tom |editor-link=Tom Spilsbury }}</ref>
<ref name="DWM 2014">{{cite magazine |title=The 1960s |last=Griffiths |first=Peter |pages=12–21 |work=[[Doctor Who Magazine]] |issue=474 |publisher=[[Panini Comics]] |date=July 2014 |editor-last=Spilsbury |editor-first=Tom |editor-link=Tom Spilsbury }}</ref>
<ref name="DWM 2023">{{cite magazine |title=The First Doctor |last=Spilsbury |first=Tom |authorlink=Tom Spilsbury |pages=26–29 |work=[[Doctor Who Magazine]] |issue=589 |publisher=[[Panini Comics]] |date=May 2023 |editor-last=Hearn |editor-first=Marcus }}</ref>
<ref name="DWM Companions">{{cite magazine |title=Peter Purves |last=Guerrier |first=Simon |pages=16–19 |editor-last=Hearn |editor-first=Marcus |work=[[Doctor Who Magazine|Doctor Who 50 Years]] |issue=2 (special), ''The Companions'' |publisher=[[Panini Comics]] |date=August 2013 }}</ref>
<ref name="DWM Special 50">{{cite magazine |title=Taking Over the Asylum |last=Bentley |first=Chris <!-- |pages=56– --> |work=[[Doctor Who Magazine]] |issue=50 (special), ''The World of Doctor Who'' |publisher=[[Panini Comics]] |date=August 2018 }}</ref>
<ref name="DWM Special 57">{{cite magazine |title=Anatomy of a Script |last=Morris |first=Jonathan |pages=20–23, 34–37, 46–49, 60–63, 66–67 |editor-last=Hearn |editor-first=Marcus |work=[[Doctor Who Magazine]] |issue=57 (special), ''Writing Doctor Who'' |publisher=[[Panini Comics]] |date=2021 }}</ref>
<ref name="Guardian Journal">{{cite news |url=https://www.newspapers.com/article/the-guardian-journal-dr-who-takes-look/149744414/ |title=Dr. Who takes look into his (TV) future |work=[[The Guardian Journal]] |page=7 |date=14 December 1965 |accessdate=21 June 2024 |archiveurl=https://web.archive.org/web/20240621021143/https://www.newspapers.com/article/the-guardian-journal-dr-who-takes-look/149744414/ |archivedate=21 June 2024 |url-status=live |via=[[Newspapers.com]] }}</ref>
<ref name="Independent 1997">{{cite web |url=https://www.independent.co.uk/arts-entertainment/the-castor-way-1272553.html |title=The castor way |last=Newman |first=Kim |work=[[The Independent]] |date=13 March 1997 |accessdate=28 June 2024 |archiveurl=https://web.archive.org/web/20240627225542/https://www.independent.co.uk/arts-entertainment/the-castor-way-1272553.html |archivedate=27 June 2024 |url-status=live |url-access=registration }}</ref>
<ref name="Lancashire Evening">{{cite news |url=https://www.newspapers.com/article/lancashire-evening-telegraph-the-daleks/150152802/ |title=The Daleks are back in new serial |work=[[Lancashire Evening Telegraph]] |page=20 |date=13 November 1965 |accessdate=27 June 2024 |archiveurl=https://web.archive.org/web/20240627055834/https://www.newspapers.com/article/lancashire-evening-telegraph-the-daleks/150152802/ |archivedate=27 June 2024 |url-status=live |via=[[Newspapers.com]] }}</ref>
<ref name="Manchester Evening">{{cite news |url=https://www.newspapers.com/article/manchester-evening-news-dr-who-to-retire/149743221/ |title=Dr Who to retire |work=[[Manchester Evening News]] |page=16 |date=13 December 1965 |accessdate=21 June 2024 |archiveurl=https://web.archive.org/web/20240621015206/https://www.newspapers.com/article/manchester-evening-news-dr-who-to-retire/149743221/ |archivedate=21 June 2024 |url-status=live |via=[[Newspapers.com]] }}</ref>
<ref name="Radio Times Review">{{cite web |url=https://www.radiotimes.com/tv/sci-fi/doctor-who-guide/the-daleks-master-plan/ |title=The Daleks' Master Plan |last=Braxton |first=Mark |work=[[Radio Times]] |publisher=[[Immediate Media Company]] |date=13 February 2009 |accessdate=24 June 2024 |archiveurl=https://web.archive.org/web/20210212121955/https://www.radiotimes.com/tv/sci-fi/doctor-who-guide/the-daleks-master-plan/ |archivedate=12 February 2021 |url-status=live }}</ref>
<ref name="Reading Evening">{{cite news |url=https://www.newspapers.com/article/reading-evening-post-the-daleks-go-on-fo/150152351/ |title=The Daleks go on for ever |work=[[Reading Evening Post]] |page=10 |date=28 October 1965 |accessdate=27 June 2024 |archiveurl=https://web.archive.org/web/20240627055832/https://www.newspapers.com/article/reading-evening-post-the-daleks-go-on-fo/150152351/ |archivedate=27 June 2024 |url-status=live |via=[[Newspapers.com]] }}</ref>
<ref name="Telegraph Courtney">{{cite web |url=https://www.telegraph.co.uk/news/obituaries/8343786/Nicholas-Courtney.html |title=Nicholas Courtney |work=[[Daily Telegraph|The Telegraph]] |date=23 February 2011 |accessdate=28 June 2024 |archiveurl=https://web.archive.org/web/20110226133545/https://www.telegraph.co.uk/news/obituaries/8343786/Nicholas-Courtney.html |archivedate=26 February 2011 |url-status=live |url-access=subscription }}</ref>
<ref name="Telegraph Missing">{{cite web |url=https://www.telegraph.co.uk/tv/0/doctor-who-desert-island-discs-amateur-sleuths-salvaging-britains/ |title=From Desert Island Discs to Doctor Who: the amateur sleuths searching for Britain's lost gems |last=Allfree |first=Claire |work=[[Daily Telegraph|The Telegraph]] |date=20 October 2022 |accessdate=24 June 2024 |archiveurl=https://web.archive.org/web/20221020053941/https://www.telegraph.co.uk/tv/0/doctor-who-desert-island-discs-amateur-sleuths-salvaging-britains/ |archivedate=20 October 2022 |url-status=live |url-access=registration }}</ref>
<ref name="Western Daily">{{cite news |url=https://www.newspapers.com/article/western-daily-press-the-who-look-bald/150198188/ |title=The Who Look – Bald as a Dalek |work=[[Western Daily Press]] |page=9 |date=23 October 1965 |accessdate=28 June 2024 |archiveurl=https://web.archive.org/web/20240627225630/https://www.newspapers.com/article/western-daily-press-the-who-look-bald/150198188/ |archivedate=27 June 2024 |url-status=live }}</ref>
}}
== Bibliography ==
{{refbegin}}
* {{cite book |last=Bentham |first=Jeremy |title=Doctor Who: The Early Years |year=1986 |publisher=[[W. H. Allen & Co.]] |location=London |isbn=0-491-03612-4 }}
* {{cite book |last1=Bignell |first1=Jonathan |last2=O'Day |first2=Andrew |title=Terry Nation |publisher=[[Manchester University Press]] |date=2004 |isbn=978-0-719-06547-7 }}
* {{cite book |last=Cartmel |first=Andrew |authorlink=Andrew Cartmel |title=Through Time: An Unauthorised and Unofficial History of Doctor Who |year=2005 |publisher=[[Continuum International Publishing Group]] |isbn=978-0-826-41734-3 }}
* {{cite journal |last=Chapman |first=James |title=Fifty Years in the TARDIS: The Historical Moments of Doctor Who |journal=Critical Studies in Television |date=2014 |volume=9 |issue=1 |pages=43–61 |issn=1749-6020 |doi=10.7227/CST.9.1.4 }}
* {{cite book |last1=Cornell |first1=Paul |author-link1=Paul Cornell |last2=Day |first2=Martin |author-link2=Martin Day (writer) |last3=Topping |first3=Keith |author-link3=Keith Topping |title=[[The Discontinuity Guide]] |year=1995 |publisher=[[Virgin Books]] |location=London |isbn=0-426-20442-5 }}
* {{cite book |last=Frankel |first=Valerie Estelle |title=Women in Doctor Who: Damsels, Feminists and Monsters |year=2018 |publisher=[[McFarland & Company]] |location=Jefferson |isbn=978-1-493-00016-6 }}
* {{cite book |last1=Howe |first1=David J. |author-link1=David J. Howe |last2=Walker |first2=Stephen James |author-link2=Stephen James Walker |title=Doctor Who: The Television Companion: Volume 1 |edition=2021 |year=1998 |publisher=[[BBC Books]] |location=London |isbn=978-1-845-83156-1 }}
* {{cite book |last1=Howe |first1=David J. |author-link1=David J. Howe |last2=Walker |first2=Stephen James |author-link2=Stephen James Walker |last3=Stammers |first3=Mark |title=The Handbook: The Unofficial and Unauthorised Guide to the Production of 'Doctor Who' |volume=1 |year=1994 |edition=2016 |publisher=[[Telos Publishing]] |location=London |isbn=978-1-845-83941-3 }}
* {{cite book |last=Keen |first=Antony |chapter=It's about Tempus: Greece and Rome in "Classic" ''Doctor Who'' |pages=100–115 |editor-last1=Wright |editor-first1=David C. Jr. |editor-last2=Austin |editor-first2=Allan W. |title=Space and Time: Essays on Vision of History in Science Fiction and Fantasy Television |year=2010 |publisher=[[McFarland & Company]] |location=Jefferson, North Carolina |isbn=978-0-786-43664-4 }}
* {{cite book |last=Kistler |first=Alan |title=Doctor Who: A History |year=2013 |publisher=[[Lyons Press]] |isbn=978-1-493-00016-6 }}
* {{cite book |last=Muir |first=John Kenneth |author-link=John Kenneth Muir |title=A Critical History of Doctor Who on Television |year=1999 |publisher=[[McFarland & Company]] |location=Jefferson, North Carolina |isbn= 978-0-786-40442-1 }}
* {{cite book |last=Powers |first=Tom |chapter=A Muted Melody: The (Dis)Empowerment of River Song |pages=106–122 |title=Who Travels with the Doctor? Essays on the Companions of Doctor Who |year=2016 |editor-last1=Leitch |editor-first1=Gillian |editor-last2=Ginn |editor-first2=Sherry |publisher=[[McFarland & Company]] |location=Jefferson, North Carolina |isbn=978-0-786-49525-2 }}
* {{cite book |last=Rigelsford |first=Adrian |date=1994 |title=The Doctors: 30 Years of Time Travel |publisher=Boxtree Limited |isbn=0-7522-0959-0 }}
* {{cite book |last=Siler |first=R. Alan |date=15 October 2015 |chapter=Magnetic North |pages=3–10 |title=More Doctor Who and Philosophy: Regeneration Time |editor-last1=Lewis |editor-first1=Courtland |editor-last2=Smithka |editor-first2=Paula |publisher=[[Open Court Publishing Company]] |location=Chicago |isbn=978-0-812-69909-8 |series=''Popular Culture and Philosophy'' }}
* {{cite book |last=Stanish |first=Deborah |date=13 November 2012 |chapter=Anything Goes |pages=224–230 |title=Chicks Unravel Time: Women Journey Through Every Season of Doctor Who |editor-last1=Stanish |editor-first1=Deborah |editor-last2=Myles |editor-first2=L.M. |publisher=[[Mad Norwegian Press]] |isbn=978-1-935-23412-8 }}
* {{cite book |last=Smith |first=Paul MC |date=July 2021 |title=Based on the Popular BBC Television Serial |edition=4th |publisher=Wonderful Books |url=https://www.wonderfulbook.co.uk/basedon/ |access-date=5 October 2022 |archive-date=19 August 2022 |archive-url=https://web.archive.org/web/20220819043110/https://www.wonderfulbook.co.uk/basedon/ |url-status=live }}
* {{cite conference |last=Welch |first=Rosanne |title=Feminism in the Whoniverse |date=7 October 2014 |conference=[[Cal Poly Pomona University Library]] |url=https://rosannewelch.com/2014/10/09/video-doctor-who-feminism-in-the-whoniverse-with-dr-rosanne-welch/ |archiveurl=https://web.archive.org/web/20201025192241/https://rosannewelch.com/2014/10/09/video-doctor-who-feminism-in-the-whoniverse-with-dr-rosanne-welch/ |archivedate=25 October 2020 }}
* {{cite book |last=Wood |first=Tat |authorlink=Tat Wood |title=About Time: The Unauthorised Guide to Doctor Who |edition=2nd |year=2009 |publisher=[[Mad Norwegian Press]] |isbn=978-0-975-94467-7 }}
* {{cite journal |editor-last=Wright |editor-first=Mark |year=2017 |title=Galaxy 4, Mission to the Unknown, The Myth Makers and The Daleks' Master Plan |pages=92–155 |journal=Doctor Who: The Complete History |publisher=[[Panini Comics]], [[Hachette Book Group|Hachette Partworks]] |location=London |volume=6 |issue=47 |issn=2057-6048 }}
{{refend}}
== External links ==
{{wikiquote|First Doctor}}
*{{BBCCDW |
{{Doctor Who episodes|C3}}
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[[Category:Dalek television stories]]
[[Category:Doctor Who Christmas specials]]
[[Category:Doctor Who missing episodes]]
[[Category:Doctor Who stories set on Earth]]
[[Category:Fiction set in 1921]]
[[Category:Fiction set in 1965]]
[[Category:Fiction set in the 3rd millennium BC]]
[[Category:Fiction set in the 4th millennium]]
[[Category:First Doctor serials]]
[[Category:Television episodes set in ancient Egypt]]
[[Category:Television episodes set in the 1920s]]
[[Category:Television episodes written by Terry Nation]]
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