Sleepers (film)

Lorenzo "Shakes" Carcaterra, Tommy Marcano, Michael Sullivan, and John Reilly are childhood friends living in Hell's Kitchen in the 1960s. Father "Bobby" Carillo, their parish priest, a youth offender himself in the past, tries to teach them right from wrong. They still play pranks and start running small errands for local gangster King Benny.

In summer 1967, the four boys steal a hot-dog cart. They accidentally roll the cart down a set of subway stairs, severely injuring a man. They are all sentenced to serve time at a juvenile detention center called Wilkinson Home for Boys in Upstate New York; Shakes is given six-to-twelve months, while the others are given 12-to-18 months. During their stay, they are repeatedly subjected to sexual abuse and torture by head guards Sean Nokes, Henry Addison, Ralph Ferguson and Adam Styler.

When at the facility, they participate in Wilkinson's annual football game between the guards and inmates. Michael convinces inmate Rizzo Robinson to help win the game. Humiliated, the guards move the boys to solitary confinement for weeks, where they are systematically beaten. Rizzo does not survive, and his family is told he had died of pneumonia.

In spring 1968, shortly before Shakes's release from Wilkinson, he suggests the boys publicly report the abuse. The others refuse, with Michael asserting that no one would believe them or care, and they vow to never speak of it again. The night before Shakes is released, Nokes and the other guards arrange a "farewell party", in which the four boys are brutally raped worse than they have been before.

In 1981, John and Tommy, now career criminals working with the Irish Mob, unexpectedly encounter Sean Nokes in a Hell's Kitchen pub. When John and Tommy confront him, he dismisses the abuse he put them through, and they fatally shoot him in front of witnesses. Michael, now an assistant district attorney, gets himself assigned to the case; he secretly intends to botch the prosecution to expose the abuse committed by the guards at Wilkinson's. With Shakes, now a timetable clerk for The New York Times, he forms a plan to free John and Tommy to get revenge on the other Wilkinson abusers. With the help of King Benny and Carol, the boys' childhood friend, they carry out their plan using information compiled by Michael on the backgrounds of the guards. They are helped by Danny Snyder, an alcoholic lawyer who defends John and Tommy.

Michael secretly drafts scripted questions for Snyder in advance. As a result, Snyder casts significant doubt on the testimony of a woman who witnessed the murder, and two other witnesses are intimidated into silence. For his plan to fully succeed, however, Michael decides that he must damage Nokes's reputation and convincingly place John and Tommy at another location at the time of the shooting. When called as a witness, Ferguson (now a social worker) admits that Nokes and the other guards systematically abused the boys. But to clinch the case, a key witness is still needed for John and Tommy's alibi. Shakes has a long talk with Father Bobby; after learning the truth about the abuse the boys suffered, he reluctantly agrees to perjure himself, and testifies at trial that John and Tommy were with him at a New York Knicks game at the time of the shooting, producing three ticket stubs to prove it. As a result, John and Tommy are acquitted.

The remaining guards are also punished for their crimes: Addison, now a politician who still molests children, is abducted and killed near the local airport by gangsters led by Rizzo's older brother, Eddie "Little Caesar" Robinson, who heard the truth about Rizzo's death from King Benny. Styler, now a corrupt police officer, is imprisoned for taking bribes and murdering a drug dealer.

After the acquittal, Michael, Shakes, John and Tommy meet with Carol at a local bar to celebrate. It is the final time the four men are together. Shakes remains in Hell's Kitchen. Michael quits the DA's office, moves to the English countryside, becomes a carpenter and never marries. John and Tommy both die before age 30; John succumbs to alcohol poisoning, while Tommy is ambushed and murdered by rival criminals. Carol remains in Hell's Kitchen as a social worker; she has a son, naming him John Thomas Michael Martinez, and nicknaming him "Shakes".

Lorenzo Carcaterra first submitted a manuscript of his book Sleepers, to Ballantine Books, which immediately attracted interest from multiple film companies. Ultimately, Propaganda Films managed to obtain the movie rights for $2.1 million at an auction in February 1995. Barry Levinson was attached as director mere days afterward, and opted to write the screenplay himself.^[6]

The first words spoken in the film are: "This is a true story about friendship that runs deeper than blood".^[7][8] However, the truthfulness and factual accuracy of the film — and the book on which it is based — were challenged by the Sacred Heart of Jesus Church and School in Manhattan (the school attended by Carcaterra), and by the Manhattan District Attorney's office, among others.^[7][8] Carcaterra has acknowledged that most details in the book were fictionalized, but maintained that the events described in the book actually occurred.^[8][9] Brad Pitt was cast alongside Robert De Niro in July 1995, and filming began the following month. In response to the fast pace of the production process, Ballantine scheduled the book to be released around the same time that De Niro and Pitt were cast.^[6]

Emilio Estevez was cast as John Riley, but was already involved in three movies that year; Sandra Bullock was cast as Carol, but was already involved in the movie A Time to Kill, and was thus replaced by Minnie Driver.^[6]

As they had previously worked together on Diner, Kevin Bacon was approached by Levinson to play the role of Nokes, but did not read the book until after he accepted the role. Due to the logistics of filming, Bacon did not meet De Niro or Dustin Hoffman until the film's premiere in Venice.^[10]

In its opening weekend, the film grossed $12.3 million from 1,915 theaters in the United States and Canada, debuting atop of the box office. Sleepers grossed $53.3 million domestically and $112.3 million internationally, for a worldwide total of $165.6 million.^[4]

On Rotten Tomatoes, the film holds an approval rating of 73%, based on 56 reviews, with an average rating of 6.60/10. The site's critics consensus reads: "Old friendships are awakened by the need for revenge, making Sleepers a haunting nightmare burdened by voiceover yet terrifically captured by Barry Levinson."^[11] Metacritic assigned the film a weighted average score of 49 out of 100, based on 18 critics, indicating "mixed or average reviews".^[12] Audiences polled by CinemaScore gave the film an average grade of "A–" on a scale of A+ to F.^[13]

Critics praised the performances of De Niro, Hoffman, Bacon and the young cast,^[14] as well as the cinematography and production design.^[14][7] However, multiple critics said the film loses focus in its second half.^[15][16][17] Owen Gleiberman of Entertainment Weekly wrote: "Sleepers wants to do something impossible — merge the mournful, drenched-in-shame emotions of child abuse with the huckster gamesmanship of a contraption like The Sting."^[18]

David Ansen of Newsweek criticized Levinson's script, and reasoned the adult characters of Shakes, Michael, John and Tommy were not fully fleshed out.^[17]

Roger Ebert of the Chicago Sun-Times awarded the film three stars of four, but said it did not engage enough in the moral issues it purported to be about.^[7]

Steve Davis of The Austin Chronicle wrote: "What a more interesting film this would have been had Levinson found a way to integrate the past and the present so that one informed the other."^[19]

When the film was released, there was controversy about how much of the novel claimed to be a true story, and how much had been invented by its author.^[8]

The film was released on VHS and DVD on April 1, 1997, and on Blu-ray on August 2, 2011.^[24]

• Sleepers at IMDb
• Sleepers at Box Office Mojo
• Sleepers at Rotten Tomatoes
• Sleepers at Metacritic