Primeval series 2

Following the success of the first series, Primeval was recommissioned for a second series in March 2007.^[4] The second series was written to be more ambitious than the first, with more creatures and more action sequences.^[5] The series was also written with a rougher attitude, with more people being killed by creatures than in the first.^[6] The first series of Primeval had not used any dinosaurs at all but dinosaurs were introduced in the second, beginning with dromaeosaurs in the first episode.^[4] Nearly all of the main cast of the first series of Primeval returned for the second.^[2] Given that the production team saw it as important to also introduce new characters to keep the series fresh and exciting,^[5] they were joined by new additions Karl Theobald and Naomi Bentley.^[2] The writing of the second series was also intended to emphasise a stronger team feel between the different characters.^[7] Naomi Bentley, who plays Caroline Steel, a romantic interest of Connor Temple (Andrew-Lee Potts),^[8] was cast as someone who was "out of Connor's league".^[5] Karl Theobald's Oliver Leek was envisioned as James Lester's (Ben Miller) ambitious and sinister assistant.^[9]

James Murray's Stephan Hart was written to be subtly alienated from the rest of the team following the revelation early in the second series that he has had an affair with Nick Cutter's (Douglas Henshall) wife Helen (Juliet Aubrey). In later interviews, Murray suggested that the affair may not have happened in the original timeline, only existing as a result of the inadvertent changes to the timeline at the end of the first series.^[6]

 

In order for Lucy Brown to portray Jenny Lewis, she had to be made to look quite different from the character she played in the first series (Claudia Brown); Jenny wore more contrasting colors, had her hair up and had more full-on makeup.^[5] To portray Lewis, Brown spoke with some of her old friends who worked in PR. Given that Jenny was higher up in the hierarchy, Brown also portrayed her as more confident and more in her element.^[8]

As for the first series, the visual effects of the second series of Primeval were produced by the London-based visual effects company Framestore.^[10] Following lessons learnt during the production of the first series, the effects team for the second series made an effort to match the creatures better with the reactions and eyelines of the actors better. The second series also used much fewer animatronics than the first, with nearly everything being CGI.^[7]

The second series of Primeval was filmed mostly in and around London.^[11] Shooting began in June 2007^[4] and wrapped in September.^[9] The second series introduced the Anomaly Research Centre (ARC). The interior shots of the ARC were shot at the Building 64/63 at Longcross Film Studios in Chertsey. The building, originally used for military testing purposes, was seen by production designer Paul Cross, who thought it would be great to shoot in. In order to be able to use the whole building and to leave the impression that it was sunk into the ground, its windows were covered up.^[5] The exterior for the ARC is the Duke of Kent Building on the Stag Hill Campus at the University of Surrey.^[12] The first episode, featuring dromaeosaurs in a shopping mall, was filmed primarily in Bentall Centre, Kingston upon Thames.^[13] There was also location shooting at Fuerteventura in the Canary Islands for the future world seen in the fourth episode and for the desert seen in the fifth episode.^[4][5] The fourth episode was partly filmed in Canary Wharf.^[14] Footage was also shot at the Battersea Power Station.^[9]

 

The production of the second series was announced by ITV on 8 June 2007.^[2] The second series had a much larger pre-publicity campaign, both by ITV and by unaffilited TV magazines.^[14] The series consistently received more than six million viewers, roughly on par with the first series,^[1] and had an audience share of over 25%.^[15] The least viewed episode was the second episode, with 6.05 million viewers, and the most viewed episode was the penultimate episode, with 6.44 million viewers.^[1]

The DVD release of the second series included the 40-minute behind-the-scenes documentary Through the Anomaly, presented and created by Andrew-Lee Potts.

Eamonn McCusker of The Digital Fix gave the second series of Primeval a cautiously positive review, finding some of the situations to require suspension of disbelief but overall finding the series to be enjoyable and its story arc to be an improvement over the first series. McCusker praised the final two episodes as an entertaining and satisfying conclusion to the series. McCusker felt that although Juliet Aubrey, Lucy Brown and Ben Miller all "[did] their part", it was Douglas Henshall who carried the series and that he was perhaps "too good for this material". McCusker was also positive towards the CGI of the series, finding most of it to be "slightly better" than the first series, in particular the Smilodon, but finding the Mer-creatures of the fourth episodes to be "the least well-realised" creatures of the series.^[20]

Robert McLaughlin of Den of Geek reviewed each episode individually; although he found the scripts to be "formulaic" and the CGI to be "average", looking cheaper and as if less time had been spent on them than in the previous series,^[21] he ultimately gave Primeval as a whole a positive review, noting that "it never pretends to be anything it isn't" and that it was "unashamedly entertaining".^[22] McLaughlin concluded that Primeval would never be able to compete with American science fiction series and that "it's not able to hold a candle to Doctor Who" but that it was also "infinitely better" than the contemporary Robin Hood TV series.^[21] McLaughlin especially praised the final two episodes, which he found to be "surprisingly good",^[23] but gave the third episode a negative review due to the CGI of the Smilodon, which he thought was "an embarrassment".^[24]

Paul Simpson of Sci-Fi Bulletin also reviewed each episode individually and praised the second series, giving all episodes a score of 8/10,^{[13][25][26][27][28][29]} except for the fourth episode, which he gave 9/10 as the "best of the show to date".^[30] Simpson found the script of the second series to be "as sharp" as in the first series^[13] and praised Primeval's ability to take "other genre ideas and give them its own spin", noticing homages to films such as Tremors^[25] and Jaws.^[26] Simpson also praised the character interactions and character development of the second series, finding many of the characters to have been more fleshed out and finding them to be "well played" by the actors.^[28][30]

Another episode-by-episode reviewer was Rob Buckley of The Medium is not Enough, who thought that Primeval overall "wasn't bad" and "far less up its own arse than most of the new [Doctor] Who has been" and "more mature than new Who and Torchwood".^[31] Buckley did not enjoy the second episode, although he felt it was "not a complete waste of an hour".^[32] After finding the first four episodes to be "threading water", Buckley thought the series improved with the fifth episode, which he found to be "very good",^[33] and he enjoyed the two-part finale, stating that it was "certainly a bit harder edged than your normal Primeval".^[34][35] Buckley criticised the CGI of the Smilodon in the third episode^[36] and also complained that Caroline Steel, Primeval's first non-white main character, turned out to be a spy and an antagonist.^[37]