Classical Greek culture, especially philosophy, had a powerful influence on ancient Rome, which carried a version of it throughout the Mediterranean and much of Europe. For this reason, Classical Greece is generally considered the cradle of Western civilization, the seminal culture from which the modern West derives many of its founding archetypes and ideas in politics, philosophy, science, and art. (Full article...)
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323 BC) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so "high" that they were almost free-standing, were also important. (Full article...)
Ruins of the sanctuary of Artemis, including the altar on the left of the picture. The massive altar is precisely rectangular and stood in front of the temple. The temple was to the west (right) of the altar. The altar was 2.7 m. wide and 25 m. long. Only 8 m. of its northern section survive. The Saint Theodore monastery was built on top of the southern portion of the altar.
The Temple of Artemis is an ArchaicGreek temple in Corfu, Greece, built in around 580 BC in the ancient city of Korkyra (or Corcyra), now called Corfu. It is found on the property of the Saint Theodore monastery, which is located in the suburb of Garitsa. The temple was dedicated to Artemis. It is known as one of the first Doric temples built exclusively of stone. It is also considered one of the first buildings to have incorporated all the elements of the Doric architectural style. Sharing these historical records with the Temple of Apollo in Syracuse in Sicily (Italy). Very few Greek temple reliefs from the Archaic period have survived, and the large fragments of the group from the pediment are the earliest significant survivals. It was excavated from 1911 onwards.
The temple was a peripteral–styled building with a pseudodipteral configuration. Its perimeter was rectangular, with width of 23.46 m (77.0 ft) and length 49 m (161 ft) with an eastward orientation so that light could enter the interior of the temple at sunrise. It was one of the largest temples of its time. The Temple of Artemis is approximately 700 m. to the northwest of the Temple of Hera in the Palaiopolis of Corfu. (Full article...)
Sophocles (c. 497/496 – winter 406/405 BC) was an ancient Greektragedian, known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes, and Oedipus at Colonus. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four.
The most famous tragedies of Sophocles feature Oedipus and Antigone: they are generally known as the Theban plays, though each was part of a different tetralogy (the other members of which are now lost). Sophocles influenced the development of drama, most importantly by adding a third actor (attributed to Sophocles by Aristotle; to Aeschylus by Themistius), thereby reducing the importance of the chorus in the presentation of the plot. He also developed his characters to a greater extent than earlier playwrights. (Full article...)
Image 9Finds from an early geometric Cremation Burial of a pregnant wealthy woman, from the N.W. of the Areopagus, about 850 BC, Ancient Agora Museum (Athens); exhibit 14–16: broad gold finger rings; exhibit 17–19: gold finger rings; 20: pair of gold earrings with trapezoid endings (from Greek Dark Ages)
Image 10The Parthenon, a temple dedicated to Athena, located on the Acropolis in Athens, is one of the most representative symbols of the culture and sophistication of the ancient Greeks. (from Ancient Greece)
Image 11Inheritance law, part of the Law Code of Gortyn, Crete, fragment of the 11th column. Limestone, 5th century BC (from Ancient Greece)
Image 23Geometric-style box in the shape of a barn. On display in the Ancient Agora Museum in Athens, housed in the Stoa of Attalus. From early geometric cremation burial of a wealthy pregnant woman, 850 BC. (from Greek Dark Ages)
Image 24The remains of the Temple of Apollo at Corinth, the first Greek temple to be built in stone. (from Archaic Greece)
Image 27An Ancient Greek pair of terracotta boots. Early geometric period cremation burial of a woman, 900 BC. Ancient Agora Museum in Athens. (from Greek Dark Ages)
Image 33The gymnasium and palaestra at Olympia, the site of the ancient Olympic games. The archaic period conventionally dates from the first Olympiad. (from Archaic Greece)
The theater at Epidaurus.The prosperity brought by the Asklepieion enabled Epidauros to construct civic monuments too: the huge theater that delighted Pausanias for its symmetry and beauty, which is used once again for dramatic performances, the ceremonial Hestiatoreion (banqueting hall), baths and a palaestra.
