Eva Le Gallienne

 

Le Gallienne was born in London to Richard Le Gallienne, an English poet of French descent, and Julie Nørregaard, a Danish journalist. They married in 1897 and separated in 1903, later divorcing.^[1] Le Gallienne and her mother spent the next eleven years shuttling between Paris, London, and Copenhagen. While in Paris, Le Gallienne was taken to see performances by Sarah Bernhardt, an actress she idolized and sought to emulate. Meeting "La Grande Sarah" as a young girl inspired Le Gallienne to devote herself to "the power of the Theatre to spread beauty out into life."^[2]

Le Gallienne made her stage debut at the age of 15 with a walk-on role in a 1914 production of Maurice Maeterlinck's Monna Vanna, then spent several months attending drama school at Tree's Academy (now the Royal Academy of Dramatic Art). She left school to perform in the role of a cockney servant in a West End play called "The Laughter of Fools", and "brought down the house," receiving excellent reviews.^[3]

 

The next year, at age 16, Le Gallienne and her mother sailed for New York City, where she began auditioning for Broadway plays. Her first few roles were small and she struggled for recognition.^[3] She spent a season performing on tour and in summer stock. After traveling in Europe for a period of time, she returned to New York to star in Arthur Richman's Not So Long Ago (1920).

Soon afterward, she became a full-fledged Broadway sensation playing the role of Julie in Ferenc Molnár's Liliom (1921) for the Theatre Guild.^[3] Her star status was cemented in 1923 when she played Princess Alexandra in Molnar's The Swan. Le Gallienne became a naturalized United States citizen in 1927.^[4][5][6]

Le Gallienne's great dream was to found a classical repertory theatre like those of the European cities in which she spent her youth. After producing and directing some special matinees of plays by Henrik Ibsen, in 1926 she leased a theatre on West Fourteenth Street in Manhattan and there established the Civic Repertory Theatre. ^[7] Her goal was to present the highest quality plays at the lowest possible prices. Her motto was, "The theatre should be an instrument for giving, not a machinery for getting."^[8]

She ran the non-profit Civic Repertory Theatre for seven years (1926–1934), backed by the financial support of Alice DeLamar, a wealthy heiress, as well as several other prominent donors who believed in her work and agreed to subsidize it. The Civic Rep disbanded at the height of the Depression in 1934, having lost numerous subscriptions and subsidies due to the economic downturn.^[9][10]

 

Le Gallienne was a lesbian, and was as open about her love of women as it was possible to be in her day. Robert Schanke, who published a biography of Le Gallienne in 1992, claimed that she struggled with her sexual orientation throughout her life.^[11] But, such assertions are contradicted by Le Gallienne's own letters and diaries, in which she wrote confidently about her romantic relationships with women.^[12]

Helen Sheehy, who published an authorized biography in 1996 with the cooperation of Le Gallienne's estate, rejected Schanke's portrait of the actress as a self-hating lesbian. Sheehy quotes Le Gallienne's words of advice to her close friend May Sarton, who was also gay: "People hate what they don't understand and try to destroy it. Only try to keep yourself clear and don't allow that destructive force to spoil something that to you is simple, natural, and beautiful." Similarly, Le Gallienne told a friend, Eloise Armen, that love between women was "the most beautiful thing in the world."^[13]

Le Gallienne's first romantic relationship was with Mary Duggett, whom she called "Mimsey." They were together from 1917-1921, until Mimsey gave in to social and familial pressure and married Stuart Benson. The two women soon reconciled, however, and remained friends for life. Mimsey also took on the mantle of Business Manager at the Civic Rep.^[14]

In 1921, Eva went to Hollywood to visit the actress Alla Nazimova, whom she had met in New York several years prior. Nazimova was at the height of her fame and at that time wielded much power in the acting community. If the two had an affair at that time, it was a brief one, but Nazimova did introduce Le Gallienne to many influential people of the day. It was Nazimova who coined the phrase "sewing circle" to describe the lesbian community of her day.

There are reports that Le Gallienne was romantically involved with actresses Tallulah Bankhead, Beatrice Lillie and Laurette Taylor, but there is no evidence for these claims among Le Gallienne's documents.^[15]

Between 1921 and 1926, Le Gallienne had relationships with writer and socialite Mercedes de Acosta and scenic designer Gladys Calthrop, as well as a brief affair with actor Basil Rathbone. But the love of her young life was actress Josephine Hutchinson, whom Le Gallienne invited to join the Civic Rep company in 1927. Hutchinson divorced her husband, Robert Bell, in 1930, having separated from him in 1928. Contrary to popular belief, Le Gallienne was not named as co-respondent in the divorce. ^[16]

Le Gallienne and Hutchinson performed together in numerous plays at the Civic Repertory Theatre, including Dear Jane (1932), a play by Eleanor Holmes Hinkley based on the life of Jane Austen,^[17] and in Alice in Wonderland, which was adapted for the stage by Le Gallienne and Florida Friebus in 1932. (It was subsequently revived on Broadway in 1947 and 1982.)

Le Gallienne and Hutchinson split up in 1934, when Le Gallienne began a relationship with Marion Gunnar Evensen-Westlake. They would be "companions" for the next three and a half decades.^[18]

Le Gallienne starred as Peter Pan in the production that opened at the Civic Rep on November 6, 1928. The flying effects were superbly designed, and for the first time Peter flew out over the heads of the audience. The critics loved "LeG," as she became known, and more than a few favored her performance over that of Maude Adams, the first to play the role on Broadway. The Civic Repertory Theatre presented Peter Pan 129 times.^[19]

In late 1929, just after the stock market crash, Le Gallienne was on the cover of Time magazine. During the Great Depression that followed, she was offered directorship of the Federal Theatre Project of the Works Progress Administration by President Franklin D. Roosevelt, but she declined due to her belief that "it was mandatory to bring [the people] the highest standard of performance," rather than simply hiring any actors who were out of work.^[20]

In the late 1930s, Le Gallienne became involved in a relationship with theater director Margaret Webster. She, Webster, and producer Cheryl Crawford co-founded the American Repertory Theater – no relation to the institution in Cambridge, Massachusetts, later founded by Robert Brustein – which operated from 1946 to 1948.^[21] Throughout the 1940s and 50s, she performed in numerous productions both in New York and in the regions. In the late 1950s, she enjoyed great success playing the role of Queen Elizabeth in Mary Stuart.^[3]

In 1964, Le Gallienne was presented with a Special Tony Award in recognition of her 50th year as an actress and in honor of her work with the National Repertory Theatre.^[22]

Le Gallienne returned to the Broadway spotlight in 1976, playing the role of Fanny Cavendish in the revival of The Royal Family, directed by Ellis Rabb.^[23] She won a 1978 Emmy Award for her performance in the televised production of the play.^[24] Around that time, she fell in love with Anne Kaufman Schneider, daughter of playwright George S. Kaufman, who co-authored The Royal Family. Le Gallienne and Schneider were in a romantic relationship for several years, after which they remained close friends until Le Gallienne's death.^[25]

 

In 1982, Le Gallienne returned to the stage to play the White Queen in Alice in Wonderland at the Virginia Theatre, starring Kate Burton as Alice.^[26] In 1986, she was awarded the National Medal of Arts.^[27]

Although known primarily for her theater work, Le Gallienne also appeared in film and television productions. She earned an Oscar nomination for her work in Resurrection, for which she gained the honor of being the oldest Oscar nominee up to that time (1980) until Gloria Stuart won in 1997. She made a rare guest appearance on a 1984 episode of St. Elsewhere which starred her former apprentice Norman Lloyd, appearing with Brenda Vaccaro and Blythe Danner as three women sharing a hospital room.^[28]

Le Gallienne also wrote the children's book Flossie and Bossie, a tale of two barnyard hens, published by Harper and Row in 1949. The book, a social satire and comedy of manners, revolves around the enemies-to-friends romantic friendship of two hens, one popular and beautiful, the other socially uncomfortable and plain.^[29] Her other publications include two autobiographies, At 33 (1934, Longmans) and With a Quiet Heart (1953, Viking), as well as The Mystic in the Theatre, a book about Italian actress Eleonora Duse, who mentored Le Gallienne in the early 1920s. She also translated 12 of Ibsen's plays and several works by Danish writer Hans Christian Andersen.^[30]

Le Gallienne died at her home in Weston, Connecticut, on June 3, 1991, aged 92. Her ashes were scattered over her property.^[31]

Source:^[32]

Bibliography

• Sheehy, Helen (1996). Eva Le Gallienne. A Biography. Alfred A. Knopf. ISBN 0-679-41117-8.

 

Wikimedia Commons has media related to Eva Le Gallienne.

• Eva Le Gallienne at IMDb  
• Eva Le Gallienne at the Internet Broadway Database  
• Eva Le Gallienne at the Internet Off-Broadway Database  
• Eva Le Gallienne at Playbill Vault  
• Items featuring Le Gallienne from a Chautauqua circuit collection at the Library of Congress
• Photographs at George Eastman House: [1] [2] [3]
• Eva Le Gallienne papers, 1903-1986, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
• The Legacy of Eva Le Gallienne