Dreamchaser World Tour

Brightman anticipated that the tour would be simple; the usual orchestra that accompanied her on previous tours was reduced to four musicians (a guitarist, a pianist,a drummer and a keyboard). The number of dancers was also reduced from being a large number to only two.^[5]

The scenery of the stage consisted of a huge screen with tri-dimensional images and videos from space, light, and nature. A raising platform at center of the stage was used by Brightman on several stages of the show. She was joined by Erkan Aki, a Swiss tenor, for singing "Canto della Terra" and "The Phantom of The Opera". During the show, Brightman made ten changes of clothes.^[6]

The show lasted two hours with an interlude of twenty minutes, and the track list (plus the encore) had nineteen tracks. The track list of the tour consisted of her well-known songs plus new ones from the Dreamchaser album. As the concert was space-themed, it included various songs from the 2000 album La Luna, which also had a theme related to space.

2013 and early 2014 set list

1. Angel
2. One Day Like This
3. Glósóli
4. Hijo de la Luna
5. La Luna
6. Eperdu
7. It's a Beautiful Day
8. Ave Maria
9. Canto della Terra (with Erkan Aki)
10. Nessun Dorma

Intermission

1. Closer
2. Breathe Me
3. Figlio Perduto
4. Kaze no Toorimichi
5. Scarborough Fair
6. A Song of India
7. The Phantom of the Opera (with Erkan Aki)
8. Time to Say Goodbye
9. Venus and Mars
10. A Question of Honour

Late 2014 (Europe second leg & Asia third Leg) set list

1. Sanvean Instrumental
2. Gothica
3. Fleurs du Mal
4. Symphony
5. Who Wants to Live Forever
6. Sarahbande Interlude
7. Anytime Anywhere
8. Eperdu
9. Hijo de la Luna
10. La Luna
11. It's a Beautiful Day
12. Canto della Terra (with Erkan Aki)
13. Nessun Dorma
14. Closer Instrumental
15. Harem
16. Breathe Me
17. Figlio Perduto
18. Scarborough Fair
19. A Song of India
20. The Phantom of the Opera (with Erkan Aki)
21. Time to Say Goodbye
22. A Question of Honour
23. Dust in the Wind

Notes

• "Kaze no Toorimichi" was not performed during the shows in China.
• "Deliver Me" was performed as the second encore at the concert taping in London for the PBS special and in the premiere concert in Guangzhou.
• "Dust in the Wind" was replaced by "I Believe in Father Christmas" in late December 2014.

The performances were directed by director Anthony Van Laast, who worked in Brightman's previous Symphony: Live in Vienna show.^[5] The band and dancers comprise some of the world's most respected session musicians and performers.^[5] Band:

• Peter Murray – musical director, keys, piano
• Mark Pusey – drums & percussion
• Olli Cunningham – keys, synths
• Gunther Laudahn – guitars, harps, glockenspiel

Dancers:

• Jennifer White
• Gemma Payne

Guest vocalist:

• Erkan Aki

Professional ratings

Review scores
Source	Rating
Times Colonist	[7]

The "Dreamchaser World Tour" received generally positive reviews from critics. The Gazette congratulated Brightman as she dealt with such a small band yet was able to maintain the "majestic mystery" of the performance.^[8] The Atlanta Music Scene also reviewed positively the simplicity of the production; "It was the simpler moments when Brightman truly sparkled".^[9] Blogcritic.org identified the lightning show as "stunning".^[10]

On the review by Twincities.com, the Dreamchaser Tour was described as "enchanting, yet odd", "all the while, stunning".^[11] Times Colonist reviewer, Mike Delvin rated Brightman's show with 3.5 stars and wrote: "The show was a spectacle, and the singing was anything but secondary".^[7] Buffalo News, in contrast, recognized the purity of Brightman's voice but expected a better elaborated concert.^[12] Although many congratulated the simplicity of the performance, other reviews criticized Brightman; Randy Cordova, in azcentral wrote that the show "lacked the outlandish sense of spectacle for which she is known." and compared negatively the simplicity of this tour with the elaboration of the previous.^[13] Postcity also criticized Brightman by stating: "All in all, Brightman made terrific use of her high-end stage show, all the while serving up a vocal performance that was just good enough so as not to get completely overshadowed".^[14]